埃斯蒙德

Thoas, son of Andraemon, commanded the Aetolians, who dwelt in Pleuron, Olenus, Pylene, Chalcis by the sea, and rocky Calydon, for the great king Oeneus had now no sons living, and was himself dead, as was also golden-haired Meleager, who had been set over the Aetolians to be their king.

安德莱蒙之子索阿斯统领着埃托利亚人；兵勇们家住普琉荣、俄勒诺斯和普勒奈，来自濒海的卡尔基斯和岩石嶙峋的卡鲁冬——在那里，俄伊纽斯自己早已作古，金发的墨勒阿格罗斯亦已不复存在。所以，王权落到了索阿斯手里，统治着所有的埃托利亚人。他带来四十条乌黑的海船。

La Cuesta Encantada,"The Enchanted Hill" high above the ocean at San Simeon, was the creation of two extraordinary individuals, William Randolph Hearst and architect Julia Morgan.

德拉库埃斯塔恩坎塔达，"魔法山"高空海洋在圣西蒙，是设立了两个杰出的个人，威廉鲁道夫赫斯特和建筑师朱莉亚摩根。

Of course Edward and Alice weren't really related (in Forks the story was that all the Cullen siblings were adopted by Dr. Carlisle Culler and his wife, Esme, both plainly too young to have teenage children), but their skin was precisely the same pale shade, their eyes had the same strange golden tint, with the same deep, bruise-like shadows beneath them.

当然，爱德华和爱丽丝并没有血缘关系（在福克斯流传着这样的故事，卡伦家族所有的兄弟姐妹都是由卡莱尔·卡伦医生和他的妻子埃斯梅领养回来的，他们两个人太年轻了，不可能有十几岁大的孩子），但是他们的脸庞蒙着一层如出一辙的苍白与朦胧，双眸也闪烁着同样奇异的金色光芒，淤青般的阴影笼罩着深深的眼窝。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志着英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare, Christopher Marlowe,Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney ,John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis, John Taverner, and William Byrd.

在英国，伊丽莎白时代标志着英国文艺复兴的开端，那时流行着作家威廉·莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，汤玛斯·摩尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

The Faerie Queene of Neoplatonist Edmund Spenser, and published in 1590 concerns an English knight "Red Cross".

新柏拉图主义者埃德蒙德·斯彭瑟在1590年出版的《仙境女皇》中，提及一个英国骑士名叫"红十字"。

Olaf Bininda-Emonds of the Technical University of Munich and his colleagues have done that with the mammals.

这已经被德国慕尼黑的奥拉夫·比琳达·埃蒙德斯博士与他的研究小组在哺乳动物身上得到证实。

So far this year he's turned up as a character in Dan Simmons' Drood and Matthew Pearl's The Last Dickens, both of which deal with his final, unfinished novel, The Mystery of Edwin Drood.

仅今年，截至目前已有两部作品中出现狄更斯这一角色：丹·西蒙斯的《德鲁德》和马修波尔的《最后的狄更斯》，二者均以狄更斯最后一部未完成的小说《神秘的埃德温德鲁德》为题材。

The Faerie Queene of Neoplatonist Edmund Spenser, and published in 1590 concerns an English knight "Red Cross".

新柏拉图主义者埃德蒙德·斯彭瑟在1590年出版的《仙境女皇》中，提及一个英国骑士名叫&红十字&。

Cast :, Manuel Cabral as Simón Bolívar, Julio César Luna as Narrator, Luis Fernando Orozco as Simón Rodríguez, Edgardo Román as Tiránico, Mario Ruiz as Américo, Flor Vargas ..

演员：，曼努埃尔卡布拉尔为西蒙玻利瓦尔，塞萨尔Luna既有讲述，路易斯费尔南多罗斯科为西蒙罗德里格斯，埃德加多Roman作为Tiránico，马里奥鲁伊斯为阿梅，许瓦加斯。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。