埃德里克

Frédéric Charles Victor Vernon (born in Paris, 1858-1912) first studied at the workshop of Tasset, in 1879 he entered the Ecole des Beaux-Arts in Paris, where he studied under Cavelier and Chaplain. In 1881 Vernon competed for the Prix de Rome for which he received a second prize award.

弗莱德里-查莱-威克多-弗农（Frédéric Charles Victor Vernon，出生于巴黎1858-1912）最初在塔塞的作坊里学习，1879进入巴黎&高等美术学院&，师从于谢瓦利埃和查普兰。1881弗农竞争&罗马奖&，最终获得二等奖。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。