埃德加

Not suprisingly for a man of the stage, Mr. Edgar gives the fullest treatment by far to those supporting characters who belong to the fleabag acting troupe that Nicholas joins in Portsmouth.

对于一个舞台人来说毫不奇怪，埃德加先生使出浑身解数给出一群配角最完全的处理方式（这些任务属于一个草台剧团，是尼古拉斯在朴茨茅斯遇到的）。

Edgar: Some of that gypsy's evil soul has gotten into you, I think.

埃德加：我想，你是给那个吉普赛人的邪恶灵魂缠上了。

He bitterly resents his legitimate half-brother, Edgar , who stands to inherit their father's estate.

他强烈不满他的合法同父异母的弟弟，埃德加，谁将会继承父亲的遗产。

Roald Admussen was my idol, along with Hanno, Leif Erickson, and Sir Francis Drake.

艾里克森，以及弗朗西斯。德雷克爵士。我最喜欢的书是埃德加。

In fact, the scene in which he strangles his henchman Edgar via the medium of tattoo ink provides one of the most inventive and stunning moments in the history of Heroes.

事实上，在现场他扼杀通过纹身的党羽中墨埃德加提供的英雄历史上最惊人的发明和的时刻之一。

It is this aspect of his work that makes it even more important to read Jack Belden at the present time, the time of the Vietnam war, than to read Snow or William Hinton.

正是由于这种情况，值此越南战争时期，现在阅读贝尔登的这本书，甚至比阅读埃德加·斯诺或韩丁的书有更加重要的意义。

Edgar Fucking Hoover, I don't work for you.

·埃德加·胡佛我不是你的下属

And I should delight to look round me from the brow of that tallest point: my little pony Minny shall take me some time.

她一家都是体质脆弱的人：她和埃德加都缺乏你在这一带地方常可以见到的健康的血色。

Linton mixed a tumbler of negus , and Isabella emptied a plateful of cakes into her lap , and Edgar stood gaping at a distance .

林顿先生调了一杯尼格斯酒，伊莎贝拉往她手里塞了满满一盘的蛋糕，埃德加张着嘴远远的看着。

Linton mixed a tumbler of negus, Isabella emptied a plateful of cakes into her lap, Edgar stood gaping at a distance.

林顿先生调了一杯尼格斯酒，伊莎贝拉往她手里塞了满满一盘的蛋糕，埃德加张着嘴远远的看着。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。