埃德加

But that's because I'm used to Edgar Isabella Linton.

但这是我习惯了埃德加和伊莎贝拉的缘故。

I'm sure Mr Edgar will excuse me.

我相信埃德加先生一定会谅解我的。

Excuse me. I don't believe we've met. I'm Edgar Snow.

对不起，我想我们没见过面，我是埃德加·斯诺。

Today, Edgar Linton has asked me to marry him, and I've given him an answer.

今天，埃德加·林惇要求我嫁给他，我也已经给他回答了。

He's got a son called Edgar.

他拿到一个称为埃德加的儿子。

You're looking fat and heartly, Edger. May your shadow never grow less.

埃德加，你看起来又胖又壮，愿你长生不老。

Edger Snow's Red Star over China, published just as the all-out Japanese assault on China began, holds its place as a classic because of the author's own unchallengeable honesty and because he was the first to tell us, more than thirty years ago, what the Chinese Communists were like when they assembled at Yenan at the end of the Long March, and what their leading representatives had to say for themselves and their movement, in their own words.

埃德加·斯诺的《西行漫记》一书是在日本开始全面侵略中国时问世的。该书一直被尊为经典着作，这一方面是因为作者的记述忠实、严谨，同时也因为在三十多年前，最早使我们了解中国共产党情况的就是他。

Michael Ende （11.12.1929-----） Biography Michael Ende was born on November 12, 1929 in Garmisch-Partenkirchen, Germany, the only son of Edgar Ende, a surrealist painter who was barred from painting by the Nazis in 1936, and his physiotherapist wife Luise.

迈克尔恩德（ 1929年11月12日-----）传记迈克尔恩德出生于1929年11月12日在Garmisch - Partenkirchen ，德国，唯一的儿子埃德加恩德，一个超现实主义的画家，他们被禁止绘画，由纳粹党在1936年，他的物理治疗师的妻子Luise被。

The taste for them is as enigmatical and yet as common as the taste for dogmatic theology and the poetry of Edgar A Guest.

人们对这类丑陋图案的欣赏，就同某些人对教条主义神学和埃德加·A格斯特的诗歌的迷恋一样，既不可思议，又让人习以为常。

One day, Study of Heathcliff and Catherine secret out of the neighboring understanding of the thrush farmstead master aidejia· Clinton.

一天，希斯克利夫与凯瑟琳秘密外出，认识了邻近的画眉田庄的小主人埃德加·林顿。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。