埃德加

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话："在我有急事时谁突然抓住了我的衣襟？"

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话：&在我有急事时谁突然抓住了我的衣襟？&

Josie指着这几张钱背面解释说:on the back side of 5 pound note depicts elizabeth fry'sface,she was a philanthropist in 19th century britain,the left side picture showing a scene with her reading in a charity campaign;the 10 pound note depicts mr.charles darwin who was an aturalist in 19 th century britain;the 50 pound note depicts sir.john houblon who was the first governor of the bank of england;the back side of his face is his house;as for the back side of 20 pounds,it depicting sir.edward elgar's face with aview of worcester cathedral,elgar was a famous composer in the world.

5镑背面描绘的是英国19世纪慈善家伊丽莎白弗雷的肖像，左侧是她参加慈善活动的图案；10镑钱描绘的是英国19世纪博物学家查尔斯达尔文；50镑钱描绘的是英格兰银行第一任董事约翰霍布伦，他肖像的后面是他的家；至于20镑钱，描绘的是爱德华埃尔加的脸和伍斯特大教堂埃尔加是著名的作曲家）

With limited story, Edgar throws you directly into the action of an endless procedurally g..

在有限的故事，埃德加抛出你直接进入湾行动无限程序。，程序。，程序。，程序。

With limited story, Edgar throws you directly into the action of an endless procedurally g.., procedurally .

在有限的故事，埃德加抛出可以直接进入程序上的无休止克。，行动程序上。

This psychic reading given by Edgar Cayce at his home in Pinewood on Lake Drive, Virginia Beach, Va., this 28th day of April, 1932, in accordance with request made by those present.

在1932年4月28日这一天，在从弗吉尼亚海滩驱车赶往家里的松林路上埃德加·凯西给出了这篇精神读物。

Edgard Varese emigrated from France to America, and he found his true new world in New York. The impact of the city transformed him into the music's skyscraper mystic.

埃德加。瓦雷兹从法国移居到了美国，他在纽约发现了自己的新世界，大都会带来的冲击改变了他，让他从此进入了音乐摩天大楼的神秘地带。

EDGARD VARESE,"Today's an age of speed, synthesis and dynamics. Consequently we expect contemporary forms to reflect those qualities. I tell people I am not a musician, I work with rhythms, frequencies and intensities. Tunes are merely the gossips in music."

埃德加。瓦雷兹&如今是速度、合成物与动力学的时代，我们期待着能够反映这些内容的形式，我对人们说我不是一个音乐家，我干的只是关于节奏、频率和强度的工作，曲调在音乐中不过是扯淡。&

Edward Elgar's face with aview of Worcester Cathedral,Elgar was a famous composer in the world.

5镑背面描绘的是英国19世纪慈善家伊丽莎白弗雷的肖像，左侧是她参加慈善活动的图案；10镑钱描绘的是英国19世纪博物学家查尔斯达尔文；50镑钱描绘的是英格兰银行第一任董事约翰霍布伦，他肖像的后面是他的家；至于20镑钱，描绘的是爱德华埃尔加的脸和伍斯特大教堂埃尔加是著名的作曲家）

Sharp's murder became the inspiration for fictional works, most notably Edgar Allan Poe's unfinished play Politian and Robert Penn Warren's World Enough and Time.

夏普遇刺时间成为了作家的创作素材，比较有名的作品是埃德加·爱伦·坡未完成的戏剧《Politian》以及罗伯特潘沃伦的《World Enough and Time

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。