埃德

Lastly, we mark that the views on the consequences of the Fall are much more limited than those expressed in 4 Esdras.

最后，我们认为，马克的意见，对的后果，秋天是有限得多，比那些表示，在4埃斯德拉斯。

Many Fathers admitted the inspiration of Fourth Esdras.

许多父亲承认的启示第四埃斯德拉斯。

He seems also to recognize IV Esdras, and the Sibyl, though he admits that there are many sibylline forgeries.

他似乎也认识到四埃斯德拉斯和Sibyl ，但他承认，有许多sibylline伪造的。

The work has affinities with Fourth Esdras and the "Apocalypse of Baruch".

这项工作亲和力与第四埃斯德拉斯和"启示巴鲁克"。

Esdras does so, and, after having received a wondrous drink, begins to dictate.

埃斯德拉斯这样做，而且，以后她收到了令人惊奇的饮料，开始占上风。

It is found in the fourth Book of Esdras, a work written by a Jew in the first century after Christ and widely read by the Christians.

它是发现，在第四本书的埃斯德拉斯，著作，由犹太人，在第一世纪后，基督教会，并广泛阅读的基督徒。

The probabilities favour the hypothesis that the Baruch apocryphon is an imitation of that of Esdras and therefore later.

概率的假设，即赞成的巴鲁克apocryphon是一个模仿的埃斯德拉斯，因此以后。

The position of intermediary fully belonged to Esdras on the hypothesis that he was the last of the prophets and the first member of the "great synagogue".

的立场，中介完全属于埃斯德拉斯就假设他是最后一个先知和第一位"伟大的犹太教堂"。

We cannot say whether this reading and interpretation should not be considered as an effect of Jewish speculations concerning the identity of the author of the book with Esdras, or whether an interpretation of this kind was not at the foundation of the same speculation.

我们不能说这是否阅读和解释不应该被看作是影响犹太投机的身份一书的作者与埃斯德拉斯，或是否有这样的解释并没有在相同的基础猜测。

First Esdras is thought by most scholars to be the work of a single, unknown translator who produced it sometime between 150 and 50BC.

第一埃斯德拉斯被认为是由大多数的学者成为工作的一个单一的，译者不详制作人，这之间150和50bc 。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。