埃尔比勒

Vasari divides the age into three phases: the first phase contains Cimabue, Giotto, and Arnolfo di Cambio; the second phase contains Masaccio, Brunelleschi, and Donatello; the third centers on Leonardo da Vinci and culminates with Michelangelo.

第一个阶段的代表人物包括：契马布埃，乔托和阿诺尔弗迪坎比奥；第二个阶段的代表人物包括马萨乔，布鲁内勒斯基和多纳泰罗；第三个阶段的代表人物以列奥那多达芬奇为焦点，米开朗基罗则将这一时期艺术作品推向高潮。

Soon he joined the Royal Shakespeare Company where his productions, many of them featuring Simon Russell Beale, included Troilus and Cressida, Richard III and The Tempest.

接著他加入了皇家莎士比亚剧团，导演了《特洛埃勒斯与克雷雪达》、《理查三世》、《暴风雨》等剧作，这些戏剧多由西门罗素贝尔担当主演。

There is hardly any one on earth who is not acquainted with those singular spots, the Glaciere, the Cunette, the hideous wall of Grenelle all speckled with balls, Mont-Parnasse, the Fosse-aux-Loups, Aubiers on the bank of the Marne, Mont-Souris, the Tombe-Issoire, the Pierre-Plate de Chatillon, where there is an old, exhausted quarry which no longer serves any purpose except to raise mushrooms, which is closed, on a level with the ground, by a trap-door of rotten planks.

世上几乎没有人不认识下面8ttt8这些奇怪的地方：冰窖、古内特、格勒内尔那道弹痕累累怪难看的墙、巴纳斯山、豺狼坑、马恩河畔的奥比埃镇、蒙苏里、伊索瓦尔坟，还有石料采尽后用来养菌、地上还有一道朽了的活板门的沙迪翁磐石。

Then there are large tracts of Shakespeare, Bacon, Spen ser, nearly all Chaucer, Congreve, Dryden, Pope, Swift, Sterne, Johnson, Scott, Coleridge, Shelley, Byron, Edgeworth, Ferrier, Lamb, Leigh Hunt, Wordsworth, Tennyson, Swinbume, and Brontes, George Eliot, W. Morris, George Mered ith, Thomas Hardy, Savage Landor, Thackeray, Carlyle—in fact every classical au thor and most good modern authors, which I have never even overlooked. A list of the masterpieces I have not read would fill a volume.

莎士比亚、培根、斯宾塞的大部分作品我也不曾读过，乔叟的书几乎没读过；康格里夫、德莱顿、蒲柏、斯威夫特、斯特恩、约翰逊、斯科特、科勒律治、雪莱、拜伦、埃奇沃斯、兰姆、利·亨特、华兹华斯、丁尼生、史文朋、勃朗特姐妹、乔治·艾略特、N·毛里斯、乔治·梅瑞迪斯、托马斯，哈代、萨维奇·兰道、萨克雷、卡莱尔——事实上每一位古典作家和大多数现代大家的作品我都不曾拜读过，我未读过的名著的名字也可以写一卷书了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。