埃利斯

Juno, again, suffered when the mighty son of Amphitryon wounded her on the right breast with a three-barbed arrow, and nothing could assuage her pain.

右胸，用一枚带着三枝倒勾的利箭，伤痛钻心，难以弥消。和别的受害者在普洛斯，在死人堆里，这同一个凡人，带埃吉斯的宙斯的

The King sent Thomas of Earley, Archdeacon of Wells, to break the news to Eleanor at Sarum.

国王派韦尔斯的执事长埃莱的托马斯，将这一消息带给了在塞勒姆的埃利诺。

He had lost the sense of what the Chorus was in the hands of the great masters, say in the Bacchae or the Eumenides. He mistakes, again, the use of that epiphany of a God which is frequent at the end of the single plays of Euripides, and which seems to have been equally so at the end of the trilogies of Aeschylus. Having lost the living tradition, he sees neither the ritual origin nor the dramatic value of these divine epiphanies. He thinks of the convenient gods and abstractions who sometimes spoke the prologues of the New Comedy, and imagines that the God appears in order to unravel the plot. As a matter of fact, in one play which he often quotes, the _Iphigenia Taurica_, the plot is actually distorted at the very end in order to give an opportunity for the epiphany.

亚里士多德还忘了合唱队是由那掌握命运者来控制，比如酒神的女祭司或者复仇女神欧墨尼得斯；他弄错了神的显现的用处，欧里庇德斯的单幕悲剧结尾处常有神显现，埃斯库罗斯三部曲的结尾好像与此相似，由于失去了活生生的传统，亚里士多德没有意识到神灵显现的仪式渊源和戏剧价值，而把神认为是有时去朗诵新喜剧开场白的这样一种方便和抽象，想象神的出现是为了解开情节的死结，而事实上，在他经常引用的《在奥利斯的伊菲革涅亚》里，情节实际上在结尾处被搅乱，目的是为了给神一个显现的机会。

The South West is a region of contrasts对比,对照,(对照中的差异-- Wiltshire, where South West England begins less than an hour from London; Gloucestershire, home to the Forest of Dean and the Cotswolds; Dorset, an area of outstanding natural beauty and bordered by the Jurassic coastline; Bristol and Bath, with centuries of history and culture; Somerset, a mix of heather covered Exmoor and the levels of Devon, with two coastlines and wide open spaces; Cornwall, bounded by the sea and steeped in Celtic tradition with the delightful Scilly Isles, each with its own features and attractions.

西南部的景色对比鲜明威尔特郡是西南部的开端，离伦敦不到一小时路程；格洛斯特郡拥有迪恩森林和科茨沃尔德丘陵；多塞特郡是杰出自然风景区，与侏罗纪海岸线接壤；布里斯托尔和巴斯享有几个世纪的历史与文化；萨默塞特郡有石楠覆盖的埃克斯穆尔和层层叠叠的塞奇穆尔高沼；德文郡的两条海岸线和广阔空间相互衬托；康沃尔郡以海为界，凯尔特传统根深蒂固，锡利群岛美丽如画；每个郡都各有特色。

Her first film, Ratcatcher, set during the binmen strikes of 70s Glasgow, was the anti-Billy Elliot; her second, adapted from Alan Warner's novel More about Morvern Callar, confirmed her promise.

她的第一部电影，捕鼠者，70年代期间格拉斯哥binmen罢工设置，是反比利埃利奥特，她的第二个，从格林斯潘时代华纳的小说对莫文卡利亚尔更多信息，适应证实了她的承诺。

It had been hard for him that spake it to have put more truth and untruth together in few words, than in that speech, Whatsoever is delighted in solitude, is either a wild beast or a god For it is most true, that a natural and secret hatred, and aversation towards society, in any man, hath somewhat of the savage beast; but it is most untrue, that it should have any character at all, of the divine nature; except it proceed, not out of a pleasure in solitude, but out of a love and desire to sequester a man's self, for a higher conversation: such as is found to have been falsely and feignedly in some of the heathen; as Epimenides the Canadian, Numa the Roman, Empedocles the Sicilian, and Apollonius of Tyana; and truly and really, in divers of the ancient hermits and holy fathers of the church But little do men perceive what solitude is, and how far it extendeth For a crowd is not company; and faces are but a gallery of pictures; and talk but a tinkling cymbal, where there is no love The Latin adage meeteth with it a little: Magna civitas, magna solitudo; because in a great town friends are scattered; so that there is not that fellowship, for the most part, which is in less neighborhoods But we may go further, and affirm most truly, that it is a mere and miserable solitude to want true friends; without which the world is but a wilderness; and even in this sense also of solitude, whosoever in the frame of his nature and affections, is unfit for friendship, he taketh it of the beast, and not from humanity

因为，若说一个人心里有了一种天生的、隐秘的、对社会的憎恨嫌弃，则那个人不免带点野兽的性质，这是极其真实的；然而要说这样的一个人居然有任何神灵的性质，则是极不真实的。只有一点可为例外，那就是当这种憎恨社会的心理不是出于对孤独的爱好而是出于一种想把自己退出社会以求更崇高的生活的心理的时候；这样的人异教徒中有些人曾冒充过，如克瑞蒂人埃辟曼尼底斯、罗马人努马、西西利人安辟道克利斯和蒂安那人阿波郎尼亚斯；而基督教会中许多的古隐者和长老则确有如此者。但是一般人并不大明白何为孤独以及孤独的范围。因为在没有&仁爱&的地方，一群人众并不能算做一个团体，许多面目也仅仅是一列图画；而交谈则不过是铙钹叮铃作声而已。这种情形有句拉丁成语略能形容：&一座大城市就是一片大荒野&；因为在一座大城市里朋友们是散居各处的，所以就其大概而言，不像在小一点的城镇里，有那样的交情。但是我们不妨更进一步并且很真实地断言说，缺乏真正的朋友乃是最纯粹最可怜的孤独；没有友谊则斯世不过是一片荒野；我们还可以用这个意义来论&孤独&说，凡是天性不配交友的人其性情可说是来自禽兽而不是来自人类的。

Two works may here find mention which enjoyed a wider circulation than any other book on moral theology and which are frequently used even today: the Scavini's "Theologia moralis universa", and the shorter "Compendium theologi moralis" by Jean-Pierre Gury, together with the numerous revisions which appeared in France, Germany, Italy, Spain, and North America.

两项工程可在这里找到一提享有更广泛的流通比任何其他书上的道德神学，其中经常使用的，甚至今天： scavini的& theologia莫拉利斯universa &，而且越短&汇编theologi莫拉利斯&让-皮埃尔gury ，连同多次修改，其中出现在法国，德国，意大利，西班牙和北美洲。

The Ophites possessed "thousands" of apocrypha, as Epiphanius tells us; among these he specially mentions:"Questions of Mary, great and small"(some of these questions are perhaps extant in the Pistis Sophia); also many books under the name of "Seth","Revelations of Adam", Apocryphal Gospels attributed to Apostles; an Apocalypse of Elias, and a book called "Genna Marias".

该ophites拥有&千& apocrypha ，埃皮法尼乌斯告诉我们；其中他特别提到：&问题的玛丽，大和小&（一些对这些问题的也许是，在现存的信实的索菲亚）；也有很多书籍的名义下，&塞思&，&启示亚当&，猜测福音归因于使徒；一的启示埃利亚斯，和一本书，所谓元和

But Athena sprang quickly from the immortal head and stood before Zeus who holds the aegis, shaking a sharp spear: great Olympus began to reel horribly at the might of the bright-eyed goddess, and earth round about cried fearfully, and the sea was moved and tossed with dark waves, while foam burst forth suddenly: the bright Son of Hyperion stopped his swift-footed horses a long while, until the maiden Pallas Athene had stripped the heavenly armour from her immortal shoulders.

女神跳出那不朽的头颅，站到了手持埃癸斯的宙斯面前，摇动着手中的长矛：在明眸的雅典娜的神力中，雄伟的俄林波斯圣山发出可怕的颤抖，周遭的大地恐惧地哭喊着，大海中翻滚着黑色的波涛，夹杂着白色的泡沫，汹涌前行：光明的许珀里翁之子（注：指赫利俄斯，太阳神，驾驭由四匹喷火快马拽引的太阳车）勒住了快马的缰绳，直到纯洁的帕拉斯·雅典娜从她不巧的肩膀上脱下神圣的甲胄。

Books and articles on Modern Greek Literature, especially on George Seferis, Odysseus Elytis, Andreas Empeirikos, Yannis Ritsos, N. Kazantzakis, C.P. Cavafy etc. Editor of A.

也有现代希腊文学方面的书和文章，尤其是乔治·塞弗里斯、奥德修斯·埃利蒂斯、Andreas Empeirikos、杨尼斯·里索斯、N。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。