埃克德

Edwin Derick, it is with great pleasure to meet you.

埃德温。德里克先生，你好，很高兴见到你。

The final representative of the naturalistic orientation, Parmenides of Elea (sixth century B.C.), attacked the problem of change using a rather different tactic than Heraclitus.

自然主义方向的最终代表，埃利亚的巴门尼德（Parmenides，公元前6世纪）使用与赫拉克利特完全不同的策略来应对改变的问题。

Thou art a little soul bearing about a corpse, as Epictetus used to say.

你是一个带躯体的小小灵魂，正像埃比克太德常说的那样。

No word is a word of bad omen," said Epictetus,"which expresses any work of nature; or if it is so, it is also a word of bad omen to speak of the ears of corn being reaped.

那表示自然的活动的词没有一个是凶兆之词，"埃比克太德说："或者如果这是的话，它也只不过是那种跟说麦穗的收割一样的凶兆之词。

A Comparison between Piaget s and Erikson s Outlooks on Moral Development;2. Erikson s eight phases theory about development of personality is representative theory of New Freudism.

埃里克森的人格发展的八阶段理论是新弗洛伊德主义的经典理论，认为人格发展是通过特定年龄阶段的特有危机的解决来实现的。

As Rosencrantz and Guildenstern meet Vladimir and Estragon.

罗森克莱兹和吉尔德遇见瓦莱迪米和埃斯冈

And the TV talk shows began to show more balance, as commentators like Greta Van Sustren and Susan Estrich, and guests like lawyers Lanny Davis, Alan Dershowitz, Julian Epstein, and Vincent Bugliosi made sure that both sides of the case were heard.

电视上的访谈节目开始更多地显示均势，如评论员格里塔·范·萨斯特伦、苏珊·埃斯特里克，嘉宾律师兰尼·戴维斯、艾伦·德肖维茨、朱利安·爱泼斯坦、文森特·巴格里奥兹，都确保民众听到双方想说的话。

One day, Study of Heathcliff and Catherine secret out of the neighboring understanding of the thrush farmstead master aidejia· Clinton.

一天，希斯克利夫与凯瑟琳秘密外出，认识了邻近的画眉田庄的小主人埃德加·林顿。

Frank Lloyd Wright designed buildings for more than seventy years.

弗兰克劳埃德赖特设计的七10多年的建筑物。

Frank Lloyd Wright,who built an art museum in New York, found himself inspired by Japanese seashells.

弗兰克·劳埃德·赖特设计了纽约的艺术博物馆，是日本的海贝壳激发了他的灵感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。