埃克德

By late 1166, and the birth of her final child, however, Henry's notorious affair with Rosamund Clifford had become known, and her marriage to Henry appears to have become terminally strained.

晚至1166年，他们最后一个孩子出生，亨利与罗萨蒙德。克利福德之间的丑闻才公开，埃利诺与亨利之间的婚姻最终变得紧张了。

"This bag makes use of Mrs Bruni-Sarkozy's image without her consent and for commercial gain," said Iqbal Akhoun, a spokesman in Saint-Denis for the first lady's lawyer Thierry Herzog.

布吕尼的律师蒂埃里赫尔佐格在圣德尼的发言人伊克巴尔阿克霍恩说：帕尔顿公司未经第一夫人本人许可，将她的照片用于商业目的。

Many of the sex-related businesses seen in Clint Eastwood's Dirty Harry movies, Paul Schrader's Hardcore and TV's The Streets of San Francisco have been converted to other, more mainstream uses.

许多性有关的行业看到克林特伊斯特伍德的肮脏的哈里电影，保罗施埃德的硬核和电视的街头旧金山已转换为其他更主流的用途。

Subsequently, Ewald, Knobel, Hupfeld, Noldeke, and Schrader advanced each a different explanation of the documentary hypothesis.

随后，埃瓦尔德，克诺贝尔，霍普菲， Noldeke和施拉德先进的每一个不同的解释纪录片假说。

Neil Armstrong, Edwin "Buzz" Aldrin and Michael Collins, Nelson indicates, weren't daredevils with the "right stuff." They were supercool nerds, with advanced science or engineering degrees, who accepted rules and hierarchies.

尼尔森在书中描写阿姆斯特朗、埃德温·阿尔德林（Edwin "Buzz" Aldrin）和迈克尔·柯林斯绝非仰仗尖端技术和工具的胆大妄为之徒，他们是服从规则和制度的高素质人才，并且都拥有尖端科学或者工程学学位。

Terrier-like in his harassment of opponents and tigerish in the tackle, McMahon's combative aura helped fill the void left by Souness in the mid-Eighties, while his bone-shuddering midfield clashes with Peter Reid have since passed into Mersey derby folklore.

面对对方球员，他总是保持了很旺盛的斗志，并且时刻准备着放出凶猛的铲断。在上实际80年代中期索内斯缺阵的情况下，麦克马洪凭借这不屈的斗志填补了索内斯留下的空白。而自从与埃弗顿球员皮特·里德在比赛撞破骨头之后，马克马洪就也成为了默西塞德比的一段传奇。

Anderson, The Coming Prince; L. Boettner, The Millennium; MJ Erickson, Contemporary Options in Eschatology; RN Gundry, The Church and the Tribulation; SN Gundry,"Hermeneutics or Zeitgeist as the Determining Factor in the History of Eschatology," JETS 20:45-55; AA Hoekema, The Bible and the Future; JE Hartley, TWOT, II, 778-79; R. Schippers, NIDNTT, II, 807-9; H. Schlier, TDNT, III, 140-48; T. Weber, Living in the Shadow of the Second Coming; D. Wilson, Armageddon Now!

传译安德森，即将王子；属boettner ，千年；兆焦耳埃里克森，现代选择在末世；氡冈德里，教会和磨难；锡根德里，"诠释学或时代精神作为决定性因素，在历史上的末世"喉20：45-55 ；机管局赫克玛，圣经和未来；哈特利是， 2吨，二， 778-79 ；传译schippers ， nidntt ，二， 807-9 ；每小时施利尔， tdnt ，三， 140-48 ；汤匙，韦伯，生活在阴影下的第二次来；四威尔逊，世界末日！

Michael's single friends, flamboyant roommate Emmett a window dresser and cyberporn-loving accountant Ted, urge him to date other guys.

迈克尔的单身朋友们：时髦的室友埃米特，一名橱窗服装师，和喜欢网络色情的会计师泰德(剧中主演斯科特-洛厄尔饰)，他们都希望迈克尔尽快和其他人约会。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过&斯芬克斯之谜&典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

Individual chapters treat the work of Eliel and Eero Saarinen, Eric Gunnar Asplund, Richard Neutra, Alvar Aalto, Le Corbusier, and Louis Kahn, as well as the Case Study, High Tech, Postmodern, and Deconstructivist architects.

个别章节对待伊利尔和Eero Saarinen的，埃里克贡纳尔阿斯普伦德，理查德努特拉，阿尔瓦阿尔托，勒柯工作，路易斯康，以及案例研究，高科技，后现代和解构主义建筑师。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。