埃克德

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志着英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare, Christopher Marlowe,Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney ,John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis, John Taverner, and William Byrd.

在英国，伊丽莎白时代标志着英国文艺复兴的开端，那时流行着作家威廉·莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，汤玛斯·摩尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

A who's-who of writers attended, including George Lucas, Lawrence Kasdan (The Big Chill, The Empire Strikes Back, Raiders of the Lost Ark), Nora Ephron (When Harry Met Sally...), Buck Henry, Brian Helgeland (L.A. Confidential), Bob Gale, Nicholas Pileggi, Eric Roth and Curtis Hanson.

功成名就的作家们出席了此晚会，其中包括乔治-卢卡斯，劳伦斯-卡斯丹(《山水又相逢》、《帝国大反击》、《法柜骑兵》)，诺拉-依弗朗，巴克-亨利，布莱恩-海尔格兰德，鲍勃-盖尔，尼古拉斯-皮莱基，埃里克-罗思和柯蒂斯-汉森。

Painters, adventurers and writers like Melville, Conrad, R.L. Stevenson, Pierre Loti, Rupert Brooke, Somerset Maugham, Charles Nordhoff, James Hall and many others made Tahiti famous with their paintings and stories.

画家、探险家和作家，如梅尔维尔、康拉德、史蒂文森、皮埃尔·洛提、鲁伯特·布鲁克、萨默塞特·毛姆、查尔斯·诺德霍夫、詹姆士·霍尔，还有其他很多人都通过自己的绘画或写作让塔希提闻名于世。

Andrew McEwen and Edmund Jocelyn set off on October 16 from Yudu in Jiangxi province to retrace the route of the Long March. Their journey - entirely on foot - will cover 6,000 miles, eight provinces, two autonomous regions and will take 368 days.

两个英国人，安德鲁-麦克尤恩和埃德蒙-乔斯林，于今年10月16日从江西省的于都出发，开始重走当年红军长征的路线，他们此行全部靠双脚，行程6000英里(约2万里)，将穿越8个省与两个自治区，预计368天走完。

Unimpeachable Muslim sources (Waqidi and al-Tabari) indicate that, prior to the flight to Medina, Muhammad was sitting with some important Meccan leaders, next to the Kaaba, and he began to recite Sura 53, which describes the Angel Gabriel's first and second visits to Muhammad.

无可指责的穆斯林来源（ Waqidi和al -塔巴里）表明，之前，飞行梅迪纳，穆罕默德坐在Meccan一些重要领导人，旁边的克尔白，他开始背诵苏拉53岁，其中叙述了天使加布里埃尔第一次和第二次访问穆罕默德。

2 Million. The sale was led by Edwin Lord Weeks'Nautch Girl Resting, which sold for $100,500 est.

拍卖会上埃德温·洛德·威克斯的"Nautch Girl Resting"十分令人瞩目，作品以100500美元出售(估价为20000美元-30000美元)。

He also traced his airplane against cars driven by barney Oldfield and Eddie Rickenbacker.

他还与巴尼。奥德费尔德和埃迪。里彻克尔驾驶的赛车进行过比赛。

Every level presents new and exciting opportunities to defeat enemies with Sid's spin attack, utilize Buck's lasso to swing across treacherous landscapes, avoid obstacles as Scrat using his wall jumping and ceiling crawling abilities and escape from perilous situations flying on the back of a pterodactyl with Buck, Crash and Eddie.

每一级提出新的和令人兴奋的机会克敌制胜的希德的旋转攻击，利用勃克穆利的拉索挥杆的奸诈景观，避免障碍Scrat利用自己的墙壁和天花板爬行跳跃能力和逃避危险的情况下飞行的背面的pterodactyl与勃克穆利，崩溃和埃迪。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过"斯芬克斯之谜"典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。