埃伦

This rendition of a Jobim tune colored with overtones of Emily's swinging version is courtesy of Guatemalan Allan Urbizo .

这演奏的若宾调与色彩的彩色埃米莉的摆动版本是礼貌危地马拉艾伦乌尔比索。

In a forgiving mood, Pierre returns to Helene and they live together once again.

在一个宽容的气氛，皮埃尔返回海伦妮和他们生活在一起再次。

"That," answered Helen, is huge Ajax, bulwark of the Achaeans, and on the other side of him, among the Cretans, stands Idomeneus looking like a god, and with the captains of the Cretans round him.

长裙飘舞的海伦，女人中闪光的佼佼者，答道：他是巨人埃阿斯，阿开亚人的屏障。那位是伊多墨纽斯，在联军的那一头，像神似地站在克里忒人里，身边拥围着克里忒人的军头。

Glen Edwards from Art Center, also with a traditional approach, guided Eric in a loose, impressionistic style.

格伦爱德华兹从艺术中心，也与传统的办法，引导埃里克在一个松散的，印象主义风格。

Representing some of the most influential models including Kate Moss, Jourdan Dunn, Cindy Crawford, Lily Cole, Sophie Dahl, Eva Herzigova, Alek Wek, Carla Bruni and boys Trent Ford, Sam Branson and Matthew Avedon, Storm began life in 1987 in a tiny house in Battersea.

约占最有影响力的车型包括凯特莫斯，卓丹邓恩，辛迪克劳馥，百合，科尔柔达尔，爱娃赫兹高娃， Alek Wek ，卡拉布鲁尼和男孩特伦特福特，三布兰森和马修埃夫登，风暴开始于1987年生活在一个小家中巴特西。

A who's-who of writers attended, including George Lucas, Lawrence Kasdan (The Big Chill, The Empire Strikes Back, Raiders of the Lost Ark), Nora Ephron (When Harry Met Sally...), Buck Henry, Brian Helgeland (L.A. Confidential), Bob Gale, Nicholas Pileggi, Eric Roth and Curtis Hanson.

功成名就的作家们出席了此晚会，其中包括乔治-卢卡斯，劳伦斯-卡斯丹(《山水又相逢》、《帝国大反击》、《法柜骑兵》)，诺拉-依弗朗，巴克-亨利，布莱恩-海尔格兰德，鲍勃-盖尔，尼古拉斯-皮莱基，埃里克-罗思和柯蒂斯-汉森。

The roster of composers and conductors who have led the Philharmonic includes such historic figures as Theodore Thomas, Pyotr Ilyich Tchaikovsky, Antonín Dvoák, Gustav Mahler (Music Director, 1909–11), Otto Klemperer, Richard Strauss, Willem Mengelberg (Music Director, 1922–30), Wilhelm Furtwngler, Arturo Toscanini (Music Director, 1928–36), Igor Stravinsky, Aaron Copland, Bruno Walter (Music Advisor, 1947–49), Dimitri Mitropoulos (Music Director, 1949–58), Klaus Tennstedt, George Szell (Music Advisor, 1969–70), and Erich Leinsdorf.

曾与乐团合作过的史上著名作曲家和指挥包括：西奥多托马斯、柴科夫斯基、德沃夏克、马勒、奥托克伦佩勒、理查施特劳斯、威廉孟高贝格、富尔特文格勒、托斯卡尼尼、斯特拉文斯基、科普兰、布鲁诺瓦尔特、迪米特里米特罗普洛斯、克劳斯腾斯泰德、乔治塞尔、埃里克雷恩斯朵夫。

A: Fine, thanks. Mr. Emory would like to meet with Mr. Macmillan tomorrow afternoon.

很好，谢谢。埃莫里先生明天下午想和麦克米伦先生见次面。

Fine, thanks. Mr. Emory would like to meet with Mr. Macmillan tomorrow afternoon.

很好，谢谢。埃莫里先生明天下午想和麦克米伦先生见次面。

That calm profile under the little three-cornered hat of the school of Brienne, that green uniform, the white revers concealing the star of the Legion of Honor, his great coat hiding his epaulets, the corner of red ribbon peeping from beneath his vest, his leather trousers, the white horse with the saddle-cloth of purple velvet bearing on the corners crowned N's eagles, Hessian boots over silk stockings, silver spurs, the sword of Marengo,--that whole figure of the last of the Caesars is present to all imaginations, saluted with acclamations by some, severely regarded by others.

布里埃纳①军校的小帽下那种镇静的侧面像，那身绿色的军服，遮着勋章的白翻领，遮着肩章的灰色外衣，坎肩下的一角红丝带，皮短裤，骑匹白马，马背上覆着紫绒，紫绒角上有几个上冠皇冕的N和鹰，丝袜，长统马靴，银刺马距，马伦哥剑，在每个人的想象中都有着这副最后一个恺撒的尊容，有些人见了欢欣鼓舞，有些人见了侧目而视。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。