埃丁

A onelegged sailor crutched himself round MacConnell's corner, skirting Rabaiotti's icecream car, and jerked himself up Eccles street.

70一个独腿水手架着丁字拐，在麦康内尔药房跟前拐了个弯，绕过拉白奥蒂的冰淇淋车，一颠一颠地进了埃克尔斯街。

In any man .hath somewhat of the savage beast; but it is most untrue, that it should have any character at all, of the divine nature; except it proceed, not out of a pleasure in solitude, but out of a love and desire to sequester a man's self, for a higher conversation; such as is found to have been falsely and feignedly in some of the heathen; as Epimenids the Canadian, Numa the Roman, Empedocles the Sicilian, and Apollonius of Tyana; and truly and really, in divers of the ancient hermits and holy fathers of the church, But little do men perceive what solitude is, and how far it extendeth, For a crowd is not company; and faces are but a gallery of pictures; and talk but a tinkling cymbal, where there is no love.

只有一点可为例外，那就是当这种憎恨社会的心理不是出于对孤独的爱好而是出于一种想把自己退出社会以求更崇高的生活的心理的时候；这样的人异教徒中有些人曾冒充过，如克瑞蒂人埃辟曼底斯罗马人努马西西利人安2辟道克利斯和蒂安那人阿波郎尼亚斯是也；而基督教会中许多的古隐者和长老则确有如此者。但是一般人并不大明白何为孤独以及孤独底范围。因为在没有&仁爱&的地方，一群的人众并不能算做一个团体，许多的面目也仅仅是一列图画；而交谈则不过是铙钹丁令作声而且。

The "Chronicles of Jerahmeel," translated by Gaster from a unique manuscript in the Bodleian (1899), are professedly compiled from various sources; they contain large portions excerpted from the Greek Bible, Philo, and "Yosippon," as well as writings like the Pire de R.

在&纳尼亚Jerahmeel ，&翻译的法莫替丁从一个独特的手稿在伯德雷恩（ 1899 ），是表面汇编从各种来源；它们包含大部分摘自希腊圣经斐罗，和& Yosippon ，&以及著作，如Pire日河埃利泽等

The two Epistles to the Thessalonians are included among the canonical books accepted by the Councils of the Vatican, of Trent, and of Florence, and are among the homologoumena of all early lists of canonical New-Testament Scriptures; for instance, to mention only such early lists as accord with the received canon of Trent, these two Epistles are listed in the Muratorian Fragment (AD 195-205), in the canons of St.

双方的撒罗书信中有规范的图书接受安理会的梵蒂冈的特伦特和佛罗伦萨，并在所有早期homologoumena名单规范新旧约圣经，例如，只提及诸如早期名单符合收到佳能的遄达，这两个书信中列出穆拉多利片段（公元195-205 ），在大炮的圣亚他那修亚历山大（公元373 ），第三次理事会迦太基（公元397 ），其中参加了圣奥古斯丁，圣埃皮法尼乌斯（公元403 ），我的清白（公元405 ），和格拉西（公元492 ）。

Eight works by internationally renowned artists Valentin Carron, General Idea, Mark Handforth, Jeppe Hein, Gabriel Kuri, Mathieu Mercier, John McCracken and Ken Price will be installed.

八国际知名的艺术家瓦伦丁卡伦，总体思路，马克Handforth，耶珀海恩，加布里埃尔库里，马修名士，约翰McCracken和肯价格将安装工程。

Pedal - his legs started to leave the ground One day in 1863, Frenchman Pierre Mijiaokeshi riding a bicycle early two out of the house, in the streets of Paris St. Maarten people are staring him.

脚蹬——双脚开始离开地面 1863年的一天，法国人皮埃尔·米乔克斯骑着一辆早期二轮脚踏车出了家门，在巴黎圣马丁大街上的人全都凝视着他。

Among pathogens , the most common pathogens associated with VAP were Pseudomonas aeruginosa ( 3013 %), Acinetobacter baumanii (1115 %), Klebsiella pneumoniae ( 1017 %), Escherichia coli ( 716 %) and S taphylococcus aureus ( 618 %). Their multiple drug2resistance to antibiotics was serious. Drug sensitivity tests indicated that the GNB had lower drug2 resistance to such antibiotics as imipenem , amikacin , piperacillin/ tazobactam , ceftazidime , cefepime , cefoperazone/sulbactam , ciprofloxacin and ticarcillin/ clavulanate. Polymicrobial pathogens were more isolated in late2onset VAP than in early2onset VAP.

结果 共检出致病菌383 株，革兰阴性细菌占8411 %，其中非发菌占5114 %，肠杆菌科占3216 %，革兰阳性球菌占1218 %，其中MRSA和MRSE 占615 %，真菌占311 %；前5 位致病菌分别为铜绿假单胞菌(3013 %)、鲍氏不动杆菌(1115 %)、肺炎克雷伯菌(1017 %)、大肠埃希菌(716 %)、金黄色葡萄球菌(618 %)等；药敏结果显示这几类菌株的多重耐药现象严重，较为敏感的抗菌药物有亚胺培南/西司他丁、阿米卡星、哌拉西林/他唑巴坦、头孢他啶、头孢吡肟、头孢哌酮/舒巴坦、环丙沙星及替卡西林/克拉维酸等，革兰阳性细菌均对万古霉素敏感；迟发性VAP 的混合培养比例显著高于早发性VAP。

In two performances of Die Walküre, audiences in the War Memorial Opera House heard Flagstad as Brünnhilde and Lotte Lehmann as Sieglinde, with Fritz Reiner conducting, Lauritz Melchior as Siegmund, Emanuel List as Hunding, and Friedrich Schorr as Wotan.

于是乎在歌剧《女武神》的第二幕演出中，在旧金山著名的战争纪念剧院里，观众们听到了前所未有的巨大威武却又美妙无比的声音之艺术，其中就有我们的顶级瓦格纳女高音弗拉格丝塔特小姐所饰演的拿手好戏——主角&布伦希尔德&以及另一位超级瓦格纳女高音劳特莱曼小姐所饰演的&齐格琳德&一角，在匈牙利著名指挥大师弗朗兹莱纳的杰出指挥棒下，还有名伶大师的加盟呢：那就是歌唱大师劳瑞兹梅尔乔所饰演的&齐格蒙德&，埃曼努尔里斯特所饰演的&洪丁&以及大师弗里德里希肖尔所饰演的&沃坦&：这样那令人叹为观止的舞台表现和戏剧效果是不是活灵活现的呈现在你眼前了呢？

Both are 43, tallish and, as Martin Amis writes of a certain kind of well-bred Englishman,"pointlessly handsome".

他们都年仅43，高大挺拔，而且正如马丁·埃米斯笔下的高贵的英国绅士，&虽然没什么大不了的，但是他们的确都很英俊&。

That is precisely what has come to pass and Mourinho's plan will be formulating. He will be aware of the success Guus Hiddink's Chelsea had in asphyxiating the Catalans for long periods in last season's semi-final second leg, an evening when Michael Essien's dynamism and the relentless hassling and harrying of Michael Ballack, Frank Lampard and Florent Malouda stifled the visitors.

当这些都恰恰变成了现实，也变成鸟叔必须度过的难关，他的计划必须像公式一样精密，他也一样会意识到，希丁克的切尔西在上一个赛季欧冠半决赛第二回合令加泰罗尼亚人在泥沼挣扎了一段很长的时间，那是一个埃辛无穷活力和无情的判罚纠结，巴拉克，兰帕德，马卢达侵略性的抢断令做客的巴萨被压制住的夜晚。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。