埃

At this point, at the extreme left flank, Bennigsen talked a great deal with much heat; and gave instructions, of great importance from a military point of view, as it seemed to Pierre.

在这极左翼的地方，贝尼格森激动地讲了很久，然后发布了一个皮埃尔觉得是重要的军事命令。

Boris had said a few words to his general, and Count Bennigsen addressed Pierre, proposing that he should accompany them along the line.

鲍里斯对他的将军说了几句话，于是贝尔格森转向皮埃尔，邀他一同去视察战线。

Pierre did not know that the troops had not been placed there to defend their position, as Bennigsen supposed, but had been stationed in that concealed spot in ambush, in order unobserved to deal a sudden blow at the enemy unawares.

皮埃尔不知道，这些军队布置在那儿，并不像贝尼格森所想的那样是为了守卫阵地，而是隐蔽起来打伏击的，也就是出其不意地打击来犯的敌人。

CHAPTER XXIII Chinese FROM GORKY Bennigsen went down the high-road to the bridge, which the officer on the knoll had pointed out to Pierre as the centre of the position, where by the riverside lay rows of sweet-scented, new-mown hay.

第二十三章英文贝尼格森离开戈尔基，顺着山坡大路向大桥进发，这就是军官指给皮埃尔看的那个阵地中心，那座桥旁边的河岸上堆放着刚割下来的，散发着香味的干草。

I am Beowulf, son of Ecgtheow.

我是埃戈西奥之子，贝奥武甫是我的名字

The magical element in the First Edda and in the Beowulf is simple and closely connected with nature phenomena.

神奇的因素在第一埃达和贝奥武夫是简单和密切的联系与自然的现象。

Second Encounter: Eddie can be found in Berchem.

第二次相遇：埃迪中可以找到贝尔赫姆。

This "soprano problem" was formally recognized at least as far back as 1843, when French composer Hector Berlioz wrote in his Treatise on Instrumentation that " should not be required to sing many words on high phrases, since this makes the pronunciation of syllables very difficult if not impossible."

这个"女高音问题"早在至少1843年就已经被认识到。当时法国作曲家埃克托·柏辽兹在他的《管弦乐法》中写道："不应该被要求在高音域演唱太多的歌词，因为这使得发音非常困难，甚至不可能。"

This "soprano problem" was formally recognized at least as far back as 1843 when French composer Hector Berlioz wrote in his Treatise on Instrumentation that " should not be required to sing many words on high phrases since this makes the pronunciation of syllables very difficult if not impossible."

这个"女高音问题"早在至少1843年就已经被熟悉到。当时法国作曲家埃克托·柏辽兹在他的《管弦乐法》中写道："不应该被要求在高音域演唱太多的歌词，因为这使得发音非常困难，甚至不可能。"

Joao Bernardo Vieira and his wife Isabella arriving to vote in Bissau

维埃拉和他的妻子伊莎贝拉抵达比绍的投票

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。