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Charles Jared Ingersoll, a Philadelphia lawyer of note, wrote a five act tragedy "Edwy and Elgiva" which was performed in Philadelphia in 1801, with Mrs.

查尔斯贾里德英格索尔，一个值得注意的费城律师在信中女主人公的行为的一部分，5悲剧"埃德威和埃尔吉娃"风流夫人于1801年在费城演出。

I am Pierrot, wand'ring Pierrot, passing on my way.

我是皮埃罗，彷徨的皮埃罗，走在自己的路上

I am Pierrot, simple Pierrot, singing to the moon!

我是皮埃罗，单纯的皮埃罗，对着月亮歌唱

I am Pierrot, lovelorn Pierrot, seeking Columbine!

我是皮埃罗，相思的皮埃罗，苦苦追寻柯伦巴因！

"Oh, yes, I am from a famous family," the monkey answered."Do you know Piraeus?"

"你知道比雷埃夫斯（译者注：比雷埃夫斯是希腊东南部港口城市）吗？"

Their preferred subjects were landscapes and scenes from daily life. The best known names in Impressionist painting are Edouard Manet, Claude Monet, Edgar Degas, Camille Pissarro and Pierre Auguste Renoir in France and Alfred Sisley in England.

最著名的印象派画家有法国的爱德华·马奈、克洛德·莫奈、埃德加·德加、卡米耶·毕沙罗、皮埃尔·奥古斯特·雷诺阿，以及英国的阿尔弗莱德·西斯莱。

Resultsthe lowest spermicidal concentration of ethanol extract of rhynchosia volubilis lour roots on mouse and human sperm were 50mg/ml and 100mg/ml, respectively.the lowest inhibiting concentration of ethanol extract of rhynchosia volubilis lour roots on staphylococcus aureus, pseudomonas aeruginosa, escherichia coli, and pneumobacillus were 1.0,1.0,4.0,4.0 mg/ml,respectively.conclusionthe ethanol extract of rhynchosia volubilis lour roots has spermicidal and antibacterial effect.

结果鹿藿醇提取物对小鼠和人精子最低杀精浓度分别为50和100 mg/ml；对标准菌金黄色葡萄球菌、铜绿假单胞菌、大肠埃希菌、肺炎克雷伯菌mic分别为1.0，1.0，4.0，4.0 mg/ml。对临床分离菌金黄色葡萄球菌、铜绿假单胞菌、大肠埃希菌mic分别为0.5，2.0，8.0 mg/ml。结论鹿藿醇提取物对小鼠和人精子有一定杀精作用，对临床常见致病菌有比较强的抗菌作用。

Of all her influence on culture, Eleanor's time in Poitier was perhaps the most critical and yet the least is known of what happened.

埃利诺的最大影响是在文化方面，她在普瓦提埃期间或许是最具争议的，期间发生的事我们所知甚少。

Célimène comments on Arsinoé's flaws, implying that Arsinoé's pretentiousness is also a topic of conversation.

Célimène意见阿尔西诺埃的缺陷，这意味着阿尔西诺埃的自负也是一个话题。

A new theme then arrives with slow quaver on the lower manuel and pedal and ascending scales in the upper manuel.

然后到达一个新的主题缓慢发抖的曼努埃尔和踏板低，在规模上曼努埃尔上升。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。