坦尼

The language of early-century steamships is something we are familiar with, thanks to "Titanic."

由于&泰坦尼克号&，我们对20世纪早期蒸汽船所运用的语言技法略为熟悉。

The greatest Roman poet, called by Tennyson wielder of the stateliest measure ever moulded by the lips of man.

&最伟大的罗马诗人，所谓的坦尼森&凶徒的stateliest措施以往塑造的嘴唇的男人。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：摄影师克里斯多夫已经推动海底摄影术在他漫长的事业生涯，他提倡创造远距离的操作工具，高亮度照明，机器人照相机，来探明失事的船舶或飞机的残骸，例如：泰坦尼克号船的沉没，还有为深海的鱼类和飘浮的鳟海鞘在。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：摄影师Emory Kristof 在他的职业生涯中推进海底摄影术，从倡导发明用远距离的操作工具，高亮度的照明设备，以及遥控机器人或摄影机，去探索失事的海底残骸如泰坦尼克号，也要给深海的鱼群拍照和漂浮的樽海鞘Bowie海山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

摄影师克里斯多夫已经推动海底摄影术在他漫长的事业生涯，他提倡创造远距离的操作工具，高亮度照明，机器人照相机，来探明失事的船舶或飞机的残骸，例如：泰坦尼克号船的沉没，还有为深海的鱼类和飘浮的鳟海鞘在。

Photo Gallery: Underwater Scenes Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景色图片美术馆。摄影师埃默里克里斯托夫已经推进水下摄影的界线在他的长期生涯上，从开拓型发明的远程地操作交通车，高强度光源，和机器人照相机，去探测沉船像泰坦尼克号和深海摄影生物像这些鱼和浮动的樽海鞘在鲍伊海底山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景色图片。摄影师埃默里克里斯托夫推动了边界水下摄影，他长期的职业生涯，从开创性的发明，遥控车辆，高强度照明，摄像机和机器人，以探索沉船比如泰坦尼克号和拍摄深海生物像这些鱼和浮动的樽海鞘在鲍伊海底山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景观图片系列。摄影师艾莫里克里什托夫推动水下摄影的分界线，他长期的职业生涯，从开创性的发明遥控操作的车辆，高强度照明，和机器人照相机，探索像失事的泰坦尼克号沉船和拍摄深海生物像这些鱼和浮动樽海鞘在鲍伊的海底山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：海底图库。摄影师Emory Kristof已经推动海底摄影新时代在他漫长的生涯中，他创造发明遥远的操作交通车，高亮度灯光还有机器人摄像，来显示失事的船如泰坦尼克号，还有摄取深海的鱼群浮游生物在Bowie海山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下面的情景图片美术馆。摄影师艾莫里克里什托夫推动边界的水下摄影越过他长期的职业生涯，从先驱的发明遥控操作的交通工具，高强度照明，和机器人照相机，探索像泰坦尼克号沉船和摄影深海生物像这些鱼和浮动樽海鞘在鲍伊海底山。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。