地方主义

P912 The nineteenth-century dream of detaching people from their narrow localisms and connecting them across the nation began to realized,… Inevitably, a highly conflicted relation to popular culture became a leading trait of the modern, skeptical, apprehensive temper.

世纪想把人们从他们各自的地方主义中抽离出来并跨越国际的使彼此连结的理想，开始被体悟到。因此，无可避免的，高度的和大众文化的冲突成了 modern temper 的主要特点。

Neither simple localisms nor simple universalisms are sustainable here -- neither claims to a monolithic national sovereignty or interest or character (which are cast into doubt by internal dissent and pluralism), nor claims to universally grounded standards (which founder on the plurality of actual worldviews and moral perspectives).

在此，单独的地方主义或单独的普世主义都是不能持续的——无论是宣称完整的民族国家主权，国家利益或民族特性（这些会因为内部的异议和内部的多元主义而受到质疑），还是主张奠基于普遍基础的规范（这种主张因为实际的世界观和道德视角的多元性而失败）。

This direction called Critical Regionalism is exemplified in the works of architects such as B.V.

这种方向就称为批判地方主义，在B.V。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。