地带地

Instant LandscapeTM was conceived to tackle precisely this problem, providing a natural scenery in the most barren pockets of the city. A green backdrop in a concrete jungle.

速成景观TM旨在精准地解决这一问题，在城市最荒芜的地带，营造自然的景观，是混凝土丛林的绿色背景。

The bathyalzone is the dimly lit middle zone,which because it has little sunlight dose not contain photosynthesizing producers.

半深海带是昏暗地中间地带，因为只有少量的阳光不足提供生产者进行光合作用。

The opportunists who took over, preempting all the strugglers, find they are being pushed, steadily, to assume their former status.

具有机会主义特性的植物会优先于其他艰难挣扎的植物生长，并接管这一地带，被不断地扩展，恢复到它们原先的状态。

The American Indian is the soil, whether it be the regionof forest, plains, pueblos, or mesas.

不论是来源于森林，平原，高原或是干旱地带的美洲印地安人是有泥土气息的，他们融入山水。

By means of his works, Flaubert criticizes and satirizes the French capitalist class bitterly at that time, thinks and explores the realistic living conditions. Therefore, there exists class awareness in his works obviously. Meanwhile, he is aware of class division and inequality in society, so his ideas have the marked humanism.

福楼拜通过创作，辛辣地批判、讽刺了当时的法国资产阶级社会，思考和探索了当时人类的现实生存状况，明显地带有阶级意识，同时他也意识到了社会中阶级的分化与不平等，他的思想带着鲜明的人道主义精神。

A week later the country was teetering on the brink of civil war.

而一周之后，肯尼亚却偷天换日地走到了内战的边缘地带。

Casually he transfers the handle from one hand to the other, catching it as it twirls, the music leaping around him as if it would whisk him and his machine over the rooftops and away past Notre Dame Cathedral or along the Champs Elysees.

他不在意地将摇柄从一只手换到另一只手，在柄快速旋转时，抓住它。音乐在他身边跳跃，似乎能急速地带着他和他的乐器飞过层层屋顶，越过巴黎圣母院，穿过爱丽舍大街。

Having entered, Yangzi presented towel and water to Laotse for cleaning feet and laid his shoe tidily outside the room.

阳子没有答腔，他只是默默地带着老子到预定的茶馆，进门后阳子递上毛巾、洗脚水，并将鞋子整齐地放在房间外面。

Without answer, in silence, he led Laotse to the appointed teahouse. Having entered, Yangzi presented towel and water to Laotse for cleaning feet and laid his shoe tidily outside the room.

阳子没有答腔，他只是默默地带著老子到预定的茶馆，进门后阳子递上毛巾、洗脚水，并将鞋子整齐地放在房间外面。

Without answer, in silence, he led Laotse to a teahouse. Having entered, Yangzijie presented towel and water to Laotse for cleaning feet and laid his shoe tidily outside the room.

阳子居没有答腔，他只是默默地带著老子到一家茶馆，进门后阳子居递上毛巾、洗脚水，并将鞋子整齐地放在房间外面。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。