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Had the pair not gone into the Spine of the World in pursuit of a giant band that had been scouting out the trail, obviously planning to waylay merchant wagons?

他们不也曾经跟踪着显然埋伏商对的巨人进入世界之脊的广大地域吗?

TIM:Being a well-traveled climber, skier, and all around athlete helps me get to locations very few people, never mind photographers, ever get to see.

作为一个到处旅行的攀登者、滑雪者和全能运动员,这些能力使我可以去那些很少有人去的,很少有摄影师可以看到的地域

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中,谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识,为中国画的现代性提供了一种方案;以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索,一直是中国画连绵的努力,在80年代后期汇聚成"现代水墨"(又或曰"抽象水墨"、"实验水墨"),是中国画的又一流向,但是不是没有脱离60、70年代美国的"抽象主义"意义,反而还有了拾人牙慧之嫌,所以始终难以获得更大的认可和成功;很有趣的是,与此"西化"流向同时的,还有以非常传统的方式出现的"新文人画"潮流,或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制,对传统理想的怀念和诉求,但由于已经失去了其语境和环境,"新文人画"显得娇情和造作,而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能;反而是延续传统一脉的国画,由于有巨大的人数基础的本土文化的认同,在中国经济发展后有了更大的市场,所以还是蔚然为中国画的一大潮向,从这也可以看到中国文化承传的保守性的力量。

The West of the Westland put forward by GAN Jian-hua is not only a regional concept, but also a literal banner, which caused great sensation by Qinghai Lake and added some vigor to the increasingly bleak altar of literature.

摘 要:"西部之西"不仅是甘建华先生提出的一个地域上的概念,也是他所举起的一面文学旗帜,这面旗帜曾在青海湖边产生过巨大的轰动效应,并为日渐凋敝的文学之圣坛增添了一些生气。

Ua would be Wicca - A pantheistic language that can easily be adapted for different cultures and locations.

UA 是威卡教---一种泛神论语言,很容易被不同文化和地域的人群所接受。

Archaeology is also the excavation done by non professionals, just because they want to know more of the past, of the history of humanity, even if limited to a particular area, that is the same reason at the end professional archaeologists have, or should have, in a widener scale.

考古也可以由非专业者来进行,仅仅是因为他们想多了解一些人类过去的历史,即便被限制在一块特定区域,对于专业考古者来说,在一个更大的地域框架内,理由最终也是或应该如此。

The number of reporters and the wideness of areas were unprecedented.

前来采访的记者人数之多、地域之广,创下历届之最。

Generate electricity to differ with waterpower with wind-force, solar energy generates electricity not to accept the restriction of district and dimensions.

与风力发电和水力发电不同,太阳能发电则不受地域和规模的限制。

The windswept ice of Victoria Land in Antarctica stretches for hundreds of desolate miles.

暴露在风中冰的维多利亚陆地在南极洲延伸好几百英里的荒凉地域

Today, they survive precariously in a few patches, having retreated from 95% of their former domain, in the face of relentless human pressures: clearing of land for farming and grazing, woodcutting for fuel and timber, over-hunting of prey, and killing of tigers themselves.

而今天,老虎已经从其95%的栖息地上绝迹,仅仅在一些零星的地域苟延残喘,这一切的罪魁祸首正是人类无情的重压:为了耕作和放牧而清除森林,为了燃料和木材而砍伐树木,过度捕猎老虎的食物,甚至直接杀戮老虎。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

The new PS20 solar power tower collected sunlight through mirrors known as "heliostats" to produce steam that is converted into electricity by a turbine in Sanlucar la Mayor, Spain, Wednesday.

聚光:照片上是建在西班牙桑路卡拉马尤城的一座新型PS20塔式太阳能电站。被称为&日光反射装置&的镜子将太阳光反射到主塔,然后用聚集的热量产生蒸汽进而通过涡轮机转化为电力