在那时

Babel, Tower of (Hebrew Bābhel, from Assyro-Babylonian bāb-ili,"gate of God"), according to the Old Testament (see Genesis 11:1-9), tower erected on the plain of Shinar in Babylonia by descendants of Noah.

巴别塔的故事，来自《圣经*旧约》，主要讲人类不同语言出现的原因：那时，天下人的口音言语都是一样。他们往东边迁移的时候，在示拿地遇见一片平原，就住在那里。他们彼此商量说：&来吧，我们要做砖，把砖烧透了。&

If a battle takes place in a storm, then you'll see rain and high waves on the tactical level.

如果一场战役发生在暴风雨中，你在战术上的平面上将看到那时的雨和高的波浪。

There, a bob-haired 28-year-old drove from office a grizzly 68-year-old, known as "the Bear", who had won nine consecutive elections for the Liberal Democratic Party.

在长崎，28岁的短发人迫使68岁的白发人下台。那时&熊&已代表自由民主党连续九届在选举中获胜。

We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared.

在英国，20世纪之交和第二次世界大战前夕，那时新闻纸是非常便宜，时髦艺术批评被认为是一种装饰出现在这些出版物，报纸发表的评论主题不定，在很久以前我们已经失去了这些。

While he was in Tirzah, drinking himself drunk in the house of Arza, who was over the household in Tirzah

那时他在得撒，在得撒家宰亚杂家里喝醉了

Taylor Swift - Love Story We were both young when I first saw you I close my eyes and the flashback starts I'm standing there on a balcony in summer air See the lights, see the party, the ballgowns See you make your way to the crowd And say hello, little did I know That you were Romeo, you were throwing pebbles And my daddy said,"Stay away from Juliet!"

粗粗翻译了下：初次见面我们都还年少我合上双眼，记忆闪回那时我站在夏风中的阳台上看着烛光，舞会，人们的晚装看你在人群中穿过向我问好，我甚至不认识你那就是你罗密欧，向窗户扔小石子的罗密欧我爸爸说：&离朱丽叶远一点！&

On that day You need not be ashamed of all your deeds, your rebellious actions against me; For then will I remove from your midst the proud braggarts, And you shall no longer exalt yourself on my holy mountain.

在那一天，你决不再因你反抗我的一切作为而羞惭，因为那时我必由你中间驱逐你那些骄矜自夸的人，使你不再在我的圣山上自夸

On his house-top, he displayed pike and cap, as a good citizen must, and in a window he had stationed his saw inscribed as his 'Little Sainte Guillotine'--for the great sharp female was by that time popularly canonised.

他在屋顶插了枪和便帽，那是好公民必办的事。他还把锯子摆在一个窗户里，标上&小圣徒断头台&，那时那伟大锋利的女性正受到普遍的崇敬。

On his house-top, he displayed pike an'd cap, as a good citizen must, an'd in a window he had stationed his saw inscribed as his 'Little Sainte Guillotine'--fo'r the great sharp female was by that time popularly canonised.

他在屋顶插了枪和便帽，那是好公民必办的事。他还把锯子摆在一个窗户里，标上&小圣徒断头台&，那时那伟大锋利的女性正受到普遍的崇敬。

We could lose We could fail In the moment It takes To make plans Or mistakes 30 minutes, a blink of an eye 30 minutes,to alter our lives 30 minutes,to make up my mind 30 minutes,to finally decide 30 minutes,to whisper your name 30 minutes,to shoulder the blame 30 minutes,of bliss, thirty lies 30 minutes,to finally decide Carousels In the sky That we shape With our eyes Under shade Silhouettes Casting shade Crying rain Can we fly?

我们会输，我们也会赢在那一秒钟决定了成与败 30分钟，眼睛眨了一下 30分钟，改变我们的生活 30分钟，让我思考 30分钟，我决定了 30分钟，让我默念你的名字 30分钟，让我肩负起我的过失 30分钟的祝福，是30个谎言 30分钟，用来做最后的决策蔚蓝的天空那时我们塑造我们的未来在天空的护阴下逃离羞耻伤心的雨我们能飞翔？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。