在那时

From that time on, the advances of the Roman primacy find no serious opponents in France before Hincmar, the famous Archbishop of Reims, in whom some have been willing to see the very founder of Gallicanism.

从那时起，进步的罗马至高无上没有发现严重的反对者在法国之前Hincmar ，著名的兰斯大主教，在其中一些已经愿意看到的创始人

When gaslight replaced kerosene lamps, but already, and flickering flames in extinguishing produce harmful gases, After has invented, and in public places, but due to the use of combustion hissed and light shoulds not be too bright, used for indoor.

那时煤气灯已代替煤油灯，但火焰闪烁不定，而且在熄灭时产生有害气体；弧光灯也已发明，并在公共场所使用，但由于燃烧时发出嘶嘶声而且光亮过于耀眼，不宜用于室内。

At the same time Ghost Style met international dance music producer Dan F. At that time Dan F was creating breakbeat tracks and both collaborated on the remix.

正是此时，Ghost Style遇到了国际舞曲制作人Dan F，那时Dan F也在负责制作这套混音的节拍与音轨――Dan F曾在英国拿过两个专业的节拍制作奖。

I hope that one day you make me your friends.it is good to find sb here to talk with when you feel homesick.really sometimes we people who are far form hometown will take homesickness or sth just like that.befor leaving home almost all of us have some big and fantastic dreams to realise.at that time we got enough inspiration and passion ,there is no difficulty in our eyes,it seems all the things would go well ,never worry about sth tough would happen to us.so what a kind of great life it is!

希望有一天你可以把我当作是你的朋友。当你想家时，在这里有一个人与你谈心是非常舒服的事情。的确，我们这些远离家乡的人会想家。离开家之前我们中几乎所有的人都有一些美好的梦想希望能实现。那时我们充满灵感和热情。在我们的眼中任何事情都显得如此简单。一切都会很一帆风顺，从不担心会发生什么棘手的事情。那是多么美妙的生活啊。

My parents and grandparent told us tales of our people in China, because we don't have any photo to see at the time, it remains convinced in our head.

我的父母和祖父母告诉我们在中国有我们的苗族人。因为那时我们没有一张照片，它只能在我们的脑海里想像。

That's countryside's time. Those days Asin lived with grandauntie and granduncle.

那时阿信在乡下，跟姨婆、姨丈公住在一起。

If you will only get alone, where the lights and shadows of earth cannot interfere, where human opinions fail to reach and if you will dare to wait there silent and expectant, though all around you insist on immediate decision or action--the will of God will be made clear; and you will have a new conception of God, a deeper insight into His nature and heart of love, which shall be for yourself alone a rapturous experience, to abide your precious perquisite forever, the rich guerdon of those long waiting hours.

只要你肯独自安静在一个地方──人世间的光明和黑暗，一概接触不到的地方──人们的意见不能到达的地方──只要你敢在那里静静地等候著，不顾你四围一切的催促，那时上帝旨意就要向你显明；你对上帝就会有一种新的概念，对祂的神性和爱心会有更深的洞见，这会成了你极乐的经历──永久可宝贵的经历。你等待的时间虽长，至此也得到了丰富的酬报。

This said, he sat; and expectation held His look suspence, awaiting who appeer'd To second, or oppose, or undertake The perilous attempt; but all sat mute, [ 420 ] Pondering the danger with deep thoughts; and each In others count'nance read his own dismay Astonisht: none among the choice and prime Of those Heav'n-warring Champions could be found So hardie as to proffer or accept [ 425 ] Alone the dreadful voyage; till at last Satan, whom now transcendent glory rais'd Above his fellows, with Monarchal pride Conscious of highest worth, unmov'd thus spake.

V1：一席话说完，他坐下，眼光里显露期待的神情，等待众人的赞成或反对，或起而表示自己甘冒风险一试。可是大家都默坐，相视无言，思虑那危险而面面相觑，各从别人的脸上照出自己的心惊胆战。就是在天战中最勇敢的精英，也没有一个自告奋勇承担起这个可怕的远征。直到最后，撒旦，那时他的荣光超群，自恃力量最大，俨有寡君的骄矜，神态自若地开口说道： V2：这样说后，他坐下，眼光里显露期待的神情，等待谁来赞成，或反对，或起而表示自己甘冒风险一试。可是大家都默坐，噤若寒蝉，沉思那危险而面面相觑，各从别人的脸上照出自己的心惊胆战。就是在天战中最勇敢的精英，也没有一个自告奋勇敢于承担这个可怕的远征。

Harrison Dillard began hurdling at the age of eight, running in an alley and using the springs from abandoned car seats as barriers.

哈里森-迪拉德在八岁的时候就开始跨栏项目的训练，那时他用从废旧汽车坐垫下找来的弹簧作为障碍在跑道上训练。

Under his guidance, the first ice show got under way in 1959 and since then, it hasn't looked back .

在他的指导下，第一场冰上舞蹈秀在一九五九年开始演出，自那时起，就一直勇往直前。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。