在那时

Well, I know that you're in love with him 'cause I saw you dancing in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pickup truck But I knew I was out of luck The day the music died I started singing Now, for ten years we've been on our own And moss grows fat on a rolling stone But that's not how it used to be When the jester sang for the king and queen In a coat he borrowed from James Dean And a voice that came from you and me Oh and while the king was looking down The jester stole his thorny crown The courtroom was adjourned No verdict was returned And while Lenin read a book on Marx The quartet practiced in the park And we sang dirges in the dark The day the music died We were singing Helter skelter in a summer swelter The birds flew off with a fallout shelter Eight miles high and falling fast Landed foul on the grass The players tried for a forward pass With the jester on the sidelines in a cast Now the half-time air was sweet perfume While sergeants played a marching tune We all got up to dance Oh, but we never got the chance 'Cause the players tried to take the field The marching band refused to yield Do you recall what was revealed The day the music died?

我知道奶爱上了他因为我看到你们在体育馆里跳舞你们踢掉鞋子老天，我深深感受到节奏与蓝调那时的我是个寂寞的年轻人别着一朵粉红色的康乃馨，有一辆小货车但我明白自己并不走运在音乐死亡的那一天我开始唱着。。。。。。如今十年了，我们全靠自己熬过来了滚动的石头上长满了青苔但，它原来不是这个样子的当弄臣为国王与皇后歌唱穿着向詹姆斯狄恩借来的外套用来自你我的声音当国王低头弄臣偷走了荆棘桂冠法庭当时休会没有任何判决宣判当蓝尼读着马克思主义的书四重奏在公园里排练我们在黑暗中唱着挽歌在音乐死去的那天我们唱着。。。。。。在酷暑中手忙脚乱鸟群飞过辐射尘防护罩高度为八英哩，急速下降错误的降落在草地上球员尝试把球向前传靠着边线上弄臣的帮忙在中场休息时间，空中充满着香味当士官们奏起了进行曲我们都起身准备跳舞但我们始终没有机会因为球员们占据了球场军乐队拒绝让步你还记得当时透露了什麽讯息吗？

Snow is falling from the sky in the middle of July The sun was shining in my eyes again last night It all goes off without a sound, the silence is so loud Something isn't right Footsteps echo down the hall, no one's there at all Dial your number but your voice says "I'm not home" Everything is inside out, don't know what it's about It keeps getting Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah Going for a walk outside, to see what I can find No reflections in the window as I pass by It feels hotter in the shade, water running from the drain Something going on Coversations with a mime,(?????????alguem sabe) Imagination must be working overtime The world is upside-down, everything is turned around It keeps getting, Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah By the time I reach your door, I can't take any more I just happened to be in your neighborhood I'm the one who gets surprised, I Don't believe my eyes Your alibi's no good.

雪是从空中向下，在7月中旬阳光明媚，在我的眼睛再次昨晚它一切顺利起飞，没有一个健全，沉默是如此响亮东西是不正确的脚步声回波下来大厅，没有人的存在，在所有拨打你的电话号码，但你的声音说："我没有家"一切都是里面出，不知道这是什么，它的约它总是陌生的，一天陌生的，一天它总是有陌生人一天陌生的，一天，是啊要设立一个走在外面看到有什么我可以了解没有思考，在窗口我擦肩而过它感到热，在阴凉处，水从排水管一些正在进行 coversations与默剧，）想象力必须超时工作世界是倒置式的，一切扭转它总是，陌生的，由天陌生的，由天它总是由陌生人一天 stanger由一天，是啊由那时，我到达你的门，我不能采取任何更多我只是刚巧在你的周边环境我是一个谁得到惊讶，我不相信我的眼睛你的不在犯罪现场的任何好处。

So,perhaps,shall break upon us that eternal morning,when crag and chasm shall be no more, neither hill and valley,nor great unvintaged ocean;when glory shall not scare happiness,neither happiness envy glory,but all things shall arise,and shine in the light of the Father's countenance,because itself is risen.

也许，那永恒的晨光就会这样降临人间，那时不再有危岩沟壑，不再有峰峦山谷，也不再有浩瀚无际的海洋，那时荣耀不会吓走幸福，幸福嫉妒荣耀；万物都将踊跃升腾，在造物主慈爱的光芒中生辉，因为太阳已经升起。

So, perhaps, shall break upon us that eternal morning, when crag and chasm shall be no more, neither hill and valley, nor great unvintaged ocean; when glory shall not scare happiness, neither happiness envy glory; but all things shall arise, and shine in the light of the Father's countenance, because itself is risen.

也许，那永恒的晨光就会这样降临人间，那时不再有魄岩沟壑，不再有峰峦山谷，也不再有浩瀚而无益的海洋，那时荣耀不会吓走幸福，幸福也不会忌妒荣耀，万物都将涌跃升腾，在造物主慈爱的光芒中生辉，因为太阳已经升起。

In many people's eyes, then simply do not understand our feelings, in fact, when the feelings are the most innocent and most real.

在许多人眼里，那时的我们根本就不懂感情，其实，那时的感情是最纯真的，最真实的。

Back then, no one nearby had a record player and TV like us. Meat, cloth, cooking oil and such goods were still rationed .

那时周围没有人家像我们一样拥有唱机和电视机，那时肉，布，油等物品还在实行配给制

Then into the When the company did not ask questions, they go in, and signed a one-year contract, the wage is 900 yuan / month, paid three gold, net of pension, medical insurance and so on, probably to be 780 yuan, then said he was in self-export, Take profit 40% commission, but now every day to do some document, how do I can do export business?

那时进公司的时候也没有问清楚，就进去了，签了一年的合同，工资是900元/月，交三金，扣除养老，医保等，大概就780元，那时说是做自营出口，拿利润的40%为提成，现在却每天在做一些单证，我该如何才可以做到自营出口业务？

My point is, when the two people dance together, they are like friends play the music instruments (if they are singing together then their bodies are the music instruments) together, the harmony is more important than the skills of showing-off the steps.

那时，我所认识的跳舞女孩儿眼光都很开阔，没什么成见。你要知道，那时，在美国人的舞场上只有几个亚洲人面孔。

Yet before the floating impress of the woods could clear it self, suddenly the gladsome light leaped over hill and valley, casting amber, blue, and purple, and a tint of rich red rose; according to the scene they lit on, and the curtain flung around; yet all alike dispelling fear and the cloven hoof of darkness, all on the wings of hope advancing, and proclaiming, God is here!

也许，那永恒的晨光就会这样降临人间，那时不再有险崖沟壑，不再有峰峦山谷，也不再有浩瀚无际的海洋；万物都将踊跃升腾，也许，那永恒的晨光就会这样降临人间，那时不再有险崖沟壑，不再有峰峦山谷，也不再有浩瀚无际的海洋；万物都将踊跃升腾，在造物主慈爱的光芒中生辉，因为太阳已经升起。

I didst play at a game with mine friend, I wast hidden, and mine friend sought me... then a hag, a bent and evil apparition, came from the darkness... near enough to touch, and mine friend didst scream... but I was a child, and afraid...

那时我和我的朋友在玩捉迷藏，我藏着，我的朋友找我…然后一个巫婆，扭曲而邪恶的出现了，从黑暗中显现…近到伸手可触，然后我朋友尖叫起来…但我那时还是个孩子，非常害怕…然后就结束了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。