在那方面

His to-do list was dispiritingly inadequate on some of the thorniest problems, such as nationalising insolvent banks, dealing with toxic assets and failing mortgages.

在一些最棘手的问题方面，诸如资不抵债银行的国有化、处理有毒资产及无力偿还抵押借款，他那待办事宜的清单是令人沮丧的不充分。

Of such we have had an example in the condition of Europe during the times immediately following the Reformation; another, though limited to the Continent and to a more cultivated class, in the speculative movement of the latter half of the eighteenth century; and a third, of still briefer duration, in the intellectual fermentation of Germany during the Goethian and Fichtean period.

关于那种活跃情况，有三个历史时期可以为例：一个是紧接宗教改革之后一段时间内的欧洲的情况；另一个仅限于欧洲大陆并仅限于较有文化的阶级，那是十八世纪后半期的思考运动；第三个时期为时更短，就是德国在歌德和费希特时期知识方面的跃动。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

His forms include two aspects. One is the formal originality. He deeply looks down the set of academic rules of oil painting. The dead and unspiritual language of oil painting only belongs to history and cannot describe today's life which asks for new expressive ways.

他的形式包括两个方面，一个是形式的独创性，他在骨子里是瞧不起那套学院派的油画规则，那种无生命无精神性的油画语言只是属于历史，无法表现今天的生活，今天的需要新的表达方式。

But on a side, he was fortunate to have a gem of ﹍ to stay in the heart of precious stones he would lose before the day has been bright.

但是就某方面来讲，他还是幸运的﹍还有一颗宝石留下来，在他将那颗宝石丢掉之前，天己经亮了。

Anytime if you are upset about that other people said,that is you yourself are double as well

任何时候，如果别人所说的关于你或你所做的事，让你感到不安，那是因为在某种程度上，你对自己的这个方面也有些怀疑。

Her research on that disease proved to be invaluable in finding a cure for it.

他对於那项疾病的研究，显示在找出治疗方法方面有极珍贵的价值。

Ever since, senior Tories have been forced into humiliating contortions when asked whether Lord Ashcroft, who is now deputy chairman of the party, was resident in Britain for tax purposes: ask him, they blustered, knowing that he was unlikely to answer.

从那以后，资深的保守党员都不得不面对这样羞辱性的质问：现任保守党副主席的Ashcroft勋爵是否是为了税务方面的目的而在英国居住的。去问他啊，他们大吼道，知道他不太可能回答。

Cartooning is a job, and if you have any success at all, you will one day be competing withhundreds of other cartoonists who have taken the time to develop these skills.

毕竟，画漫画是一种职业，如果你想要成功，那就得作好准备有一天和上百号其他的漫画家竞争，他们在锻炼绘画技巧方面可没闲着。

Or if some person should publicly repeat, in a manner not pleasing to his betters, the tenth and the eleventh verses of the fifty-sixth chapter of the same book, there Mr. Attorney would have a large field to display his skill in the artful application of his innuendoes.

或者，如果某人以一种令他的上司不快的方式公开重覆同一本书中五十六章的第十和第十一节，那麼检查官先生在巧妙运用他的注释本领方面就有发挥他技巧的广阔天地。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。