在那方面

LADY AUDLEY went from the garden to the library, a pleasant oak-panelled homely apartment in which Sir Michael liked to sit reading or writing, or arranging the business of his estate with his steward, a stalwart countryman, half agriculturalist, half lawyer, who rented a small farm a few miles from the Court.

奥德利夫人从花园走到书斋，那是个镶嵌着栎木板的舒适朴实的套间，迈克尔爵士喜欢在这里读书写字，或者跟他的管家安排些产业方面的事情。管家是个高大健壮的乡下人，算得上半个农艺师、半个律师，他还在离庄院府邸几里外租了一小块农田。

A nice aspect of Chauvet's book is that he does place his work and his approach in a general framework and historical background of the work performed by pioneers in a variety of fields ranging from physics to biology.

一个Chauvet的书的好的方面是，他确实安置的那他的工作和他的方法在工作的一种一般的框架和历史背景里在从物理学到生物学的多种领域由先驱者运作。

Two things that your name is often associated with in Law Society circles are conveyancing and professional indemnity insurance ?both major areas of continuing interest.

有两方面的事情会令你的名字常常与律师会连在一起，那是：物业转易和专业弥偿保险，而它们在目前仍然有著显著的重要性。

Decapitator allowed the designers to focus on one goal and and that was to take the modeled analog sound even further and with more detail than their previous plugins, creating a realistic high quality analog saturation that can be used in all aspects of audio production.

Decapitator允许设计师在一个重点和目标，那就是采取模型模拟声音再进一步，超过他们以前的插件细节，创造一个现实的高品质模拟饱和度，可在音频生产的各个方面使用。

James, the former by his 1d bazaar at 42 George's street, south, the latter at his 6 1/2d shop and world's fancy fair and waxwork exhibition at 30 Henry street, admission 2d, children 1d: and the infinite possibilities hitherto unexploited of the modern art of advertisement if condensed in triliteral monoideal symbols, vertically of maximum visibility, horizontally of maximum legibility and of magnetising efficacy to arrest involuntary attention, to interest, to convince, to decide.

前者是在南乔治街四十二号举办一便士展销会，后者在亨利街三十号开了一爿六便士半店铺并举办世界小商品市场和蜡制品展览会，门票：成人两便士，儿童一便士。还有近代广告术方面迄未开拓的无限可能性。如果压缩成三字母单一观念的记号，那就是：竖着，能够最大限度地看到；横着，能够最大限度地读到，还有着不知不觉地吸引人的注意力，产生兴趣，使之信服并采取行动的催眠般功效。

As rock interface are crossed, the elastic characteristics encount eredgenerally change abruptly, which causes part of the energy to be reflected back to the surface, where it is recorded by seismic instruments. 83、 While the new doctrine seems almost certainly correct,the one papyrus fragment raises the specter that another may be unearthed,showing,for ins tance,that it was a posthumous production of the Danaid tetralogy which b ested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》（后两者现在则变成了&原始&的剧作）之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct, one papyrus the fragment raises the specter that another may be unearthed,showing, for instance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》《七雄攻忒拜》和(后两者现在则变成了&原始&的剧作)之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

While the new doctrine seems almost certainly correct,the one papyru s fragment raises the specter that another may be unearthed,showing,for in stance,that it was a posthumous production of the Danaid tetralogy which bested Sophocles,and throwing the date once more into utter confusion.

数据资料已被统计出来，或被重新统计出来，以便证明在文体学这方面，《乞援衰女》实际上确实在《波斯人》和《七雄攻忒拜》（后两者现在则变成了&原始&的剧作）之后以及在轴残片却唤起了一种幽灵似的疑虑，即另一块残片有可能再度被挖掘出来，并证明，比如说，《乞援衰女》是作者藉以击败索福克勒斯的《达那特四部曲》的一部死后出版之作，从而将创作年代再度置于极度的混乱之中。

The only definite sexual events that I can remember as having occurred before my thirteenth birthday (that is, before I first saw my little Annabel) were: a solemn, decorous and purely theoretical talk about pubertal surprises in the rose garden of the school with an American kid, the son of a then celebrated motion-picture actress whom he seldom saw in the three-dimensional world; and some interesting reactions on the part of my organism to certain photographs, pearl and umbra, with infinitely soft partings, in Pichon's sumptuous Le Beauté Humaine that that I had filched from under a mountain of marble-bound Graphics in the hotel library.

我有记忆的，十三岁生日之前（也就是在认识安娜贝尔之前）有关性方面的事件仅有如下：在学校的玫瑰园与一个美国男孩进行的一次严肃而有分寸的关于青春期反应的纯理论的讨论——那个男孩的母亲是一位当时极其著名的电影演员，他们之间的交流常常不是在三维世界进行的（引申义：只有书信，电话等间接交流，译者注）；还有就是，我从旅馆图书馆中成堆的装订成册的《图形学》底下偷出来皮雄的那本装帧精美的《人性之美》中的有些照片、&珍珠&和有着柔和裂缝的影子引起过我的某些器官的有趣反应。

But as a rule only lives when it is perpetually broken by contact with the books themselves—nothing is easier and more stultifying than to make rules which exist out touch with facts, in a vacuum—now at least, in order to steady ourselves in this difficult attempt, it may be well to turn to the very rare writers who are able to enlighten us upon literature as an art.

但是当一之时规则只住当它是长备地打破被连络由于那书他们自己-无是容易的和更使超过显得愚蠢制造规则存在出自和事实的触觉，在真空中-现在至少，为了要使我们自己稳定在这种困难的尝试方面，它可能是好的求助于能够在文学之上授与我们知识的非常稀有的作家当一种艺术之时。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。