在那个时候

The masseur and the masseuse took good care of the aged at an early age.

那个男按摩师和女按摩师在很年轻的时候就把老人照顾得很好。

I live in Germany and, like the person from Singapore, will be ashamed to mee

我住在德国，就像那个住新加坡人说的，明天去见朋友的时候会变的很丢脸。

Maybe God wants you to meet many wrong people before you ment the right one, so when this happens, you'll be thankfull.

也许上帝让你在遇见那个合适的人之前遇见很多错误的人，所以当这一切发生的时候，你应该

Maybe God wants you to meet many wrong people before you ment the right one, so when this happens, you'll be thanksfull.

也许上帝在让你遇见那个合适的人之前遇见很多错误的人，所以，当这一切发生的时候，你应该心存感激。

She saw nothing at supper-time of the superior milker who had commented on the story, and asked no questions about him, the remainder of the evening being occupied in arranging her place in the bed-chamber.

吃晚饭的时候，她没有看见那个评论故事的挤牛奶的上等工人，也没有问起过他，晚上剩余的时间她都在寝室里安排自己睡觉的地方。

Vickie said that when the molester pressed his penis against her she went "blank." She continued

Vickie说当那个骚扰者将自己的阴茎压在她身上的时候，她的脑子一片空白。

He still lives in the same small 3-bedroom house in mid-town Omaha that he bought after he got married 50 years ago.

他现在仍然住在奥马哈市中心区的那个三居室的房子里，那是他50年前结婚的时候买的。

Isn't going to help your position on that pecking order I was talking about.

在他们没能治疗你的时候满肚子气地死去并不能改变我前面所说的那个先后次序。

I'm a coward, afraid to go and look in case the one-legged man is there.

我是一个胆小鬼，我怕当我去看一眼的时候，那个独腿男人就呆在那里。

Two, is other-directed: being what you say you are to others.

那也是 一点也不以外在莎士比亚的剧本《哈姆雷特》中，《哈姆雷特》剧本中有个部分是《哈姆雷特》剧中对人物特征最具有虚构地方，波洛尼厄斯说了这样一段循循善诱、意味深长的真心话，他在写给儿子雷欧提斯的临别赠言的最后，这样说道：雷欧提斯，尤其要紧的：你必须对你自己忠实，正像有了白昼才有黑夜一样，对自己忠实才不会对别人欺诈，这三句赠言是真实性的核心，它含有两个方面的真实性：第一，忠于自己自我定向做你自己；第二，他人定向，成为你对外宣称的那个你，我不知道你们是怎样想的，但无论我什么时候遇到碰到这两方面，我立刻会啊~两两矩阵！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。