在那个时候

This also happened. As I walked towards the spot I had already decided in what corner I would kick the ball.

在我走向点球点的时候我已经决定好了将球踢向那个角。

But when he went back, he met a correctional officer and in order to avoid of knocking with him, he had to lean on a steam pipe and burned his back.

但是，当他返回来的时候，他遇到了一个狱警。为了避免撞上那个狱警，他不得不靠在一根蒸汽管上，结果把自己的背给烫伤了。

Without giving himself time to reconsider his decision, and, indeed, that he might not allow his thoughts to be distracted from his desperate resolution, he bent over the appalling shroud, opened it with the knife which Faria had made, drew the corpse from the sack, and bore it along the tunnel to his own chamber, laid it on his couch, tied around its head the rag he wore at night around his own, covered it with his counterpane, once again kissed the ice-cold brow, and tried vainly to close the resisting eyes, which glared horribly, turned the head towards the wall, so that the jailer might, when he brought the evening meal, believe that he was asleep, as was his frequent custom; entered the tunnel again, drew the bed against the wall, returned to the other cell, took from the hiding-place the needle and thread, flung off his rags, that they might feel only naked flesh beneath the coarse canvas, and getting inside the sack, placed himself in the posture in which the dead body had been laid, and sewed up the mouth of the sack from the inside.

他弯身凑到那个可拍的布袋面前，用法利亚制造的小刀将它割开，把尸体从口袋里拖出来，再把它背到自己的地牢里，把它放在自己的床上，把自己平常戴的破帽子戴在他头上，最后吻了一次那冰冷的额头，几次徒劳地试着合上仍然睁着的眼睛，把他的脸面向墙壁，这样，当狱卒送晚餐来的时候，会以为他已经睡着了，这也是常事，然后他又返回地道，把床拖过来靠住墙壁，回到那间牢房里从贮藏处拿出针线，脱掉他身上破烂的衣衫，以便使他们一摸就知道粗糙的口袋里的确是裸体的尸身，然后他钻进了口袋里，按尸体原来的位置躺下又从里面把袋口缝了起来。

One person responded disdainfully to my post on human rights: Who cares about that, when we're all losing our shirts in the stock market.

有人轻蔑地回应我那个关于人权的帖子：当我们在股市上连内衣都输掉了的时候，谁还在乎这些？

One person responded disdainfully to my post onhuman rights: Who cares about that, when we're all losing our shirtsin the stock market.

有人轻蔑地回应我那个关于人权的帖子：当我们在股市上连内衣都输掉了的时候，谁还在乎这些？

Ney, who was the last to pass with his corps of ten thousand, reached Napoleon at Orsha with only a thousand men, having abandoned all the rest, and all his cannons, and made his way by stealth at night, under cover of the woods, across the Dnieper.

走在最后面的是内伊，这是因为他要执行炸毁对任何人都不会构成威胁的斯摩棱斯克城墙的任务（虽然他们的处境已很不幸，或者正因为这种不幸，他们才捶打那块跌伤了他们的地板），内伊率领的那个军团本来有一万人，他跑到奥尔沙拿破仑那里的时候，就只剩下一千人了。

The master's wife would go on a visit to the country in a few days, and there would be nothing to interfere with the plan; the master always prepared himself for great occasions by getting pretty well fuddled, and the sign-painter's boy said that when the dominie had reached the proper condition on Examination Evening he would "manage the thing" while he napped in his chair; then he would have him awakened at the right time and hurried away to school.

过几天，老师的太太要到乡下去串门，这样他们就能顺利地实施计划。另外，每逢重要日子，老师都要喝得酩酊大醉。那孩子说大考那天晚上，等老师差不多醉倒在椅子上打盹的时候，他就"乘机下手"，然后再伺机弄醒他，催他快到学校去。到了预定的时间，晚上8点钟，那个有趣的时刻终于来临了。

The man in front of me shout: I clutched man the side of the door-way ,while the air outsides the plane seemed to be screeching past.

我前面那个人在大声喊了：飞机外面的空气似乎很刺耳的时候，我抓住了人门道入口的边的那个人。

Were waiting to exit the parking lot. As I waited, trying to pretend that the earsplitting rumble was coming from someone else's car, I saw the two

当我在队伍里等着，假装那个震耳欲聋的轰鸣是别人的车发出的时候，我看到卡伦两兄妹和黑尔双胞胎钻进了他们的车里。

Were waiting to exit the parking lot. As I waited, trying to pretend thatthe earsplitting rumble was coming from someone else's car, I saw the two

当我在队伍里等着，假装那个震耳欲聋的轰鸣是别人的车发出的时候，我看到卡伦两兄妹和黑尔双胞胎钻进了他们的车里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。