在那个时候

And during the dry season in that region

在那个地区，旱季的时候

However, Tunstall isn't entirely convinced by the compromise ("I'm struggling to cater for the space I'm meant to fill" she sings) and "Miniature Disasters"--one of several strong numbers showcasing her aptitude for wrapping up pop tunes in either folky bluesiness or ponderous jazz--catalogues her desires for unfettered self-expression. The opening cut "Other Side Of The World" might sound like Dido without the giftwrapped grief (she's none too flattered with the comparisons) but Eye to the Telescope is spiritually closer to Carole King and Elvis Costello than Katie Melua.

中英混血的KT内化成长过程中影响她的各类型音乐，将心中真挚的情感升华为动人悦耳的音符，成长于苏格兰当地大学城St Andrews的她，还是小女孩时便开始她和音乐的缘份，最早接触的音乐是哥哥房间传出来的重金属音乐，那个时候的她便懂得坐在哥哥门外录下从门鏠中流泄而出的音符，接下来她遇上了她的最爱-摇滚变色龙David Bowie的Hunky Dory，这张1971年出版的作品启发了她对音乐创作的热情和品味。

I have learnt a lot from the job,now it is time to show a step foward.

我在那个工作上已经学会了很多东西，是时候迈出前进的步伐了。

I have learned a lot of things from that job,its time to stride the foward steps

我在那个工作上已经学会了很多东西，是时候迈出前进的步伐了。

Fowl Pox was a frequent occurrence in poultry at that time.

鸡痘是一种经常发生在家禽那个时候。

Fowl Pox was afrequent occurrence in poultry at that time.

鸡痘是一种经常发生在家禽那个时候。

As the little boy wanted to get his game from Ben's room,Ben went upstairs and inquired about him.

就在那个小男孩准备把他的游戏从本的房间里拿出来的时候，本上去询问他了。

Can you talk us through your emotions at half-time on that night?

你能告诉我们在那个夜晚，半场时候你的心情是怎么样的吗？

Finally, we ran into hundreds of high-spirited kids in a museum; only then were my friends mollified.

最后，我们在一个博物馆里看到数百名兴致勃勃的孩子，到了那个时候，我的朋友们才感到心安。

Once I became comfortable with it, I could look outside instead of staring at the HUD.

在我的姿态回复正常的那个时候，我就可以不用盯着平显而是转头看看舱外。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。