在那个时候

No such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is more than 30 now; I remember, a poet said to me in his good willing that writing love poems are quite beyond age of 50, however, poetry is not my expertise, I write for I have to. Nothing wrong with the age of 50 either; now, its pretty far from my age of 50; but I go on writing, no body says one can not write when you re 50 years of age? People still can do that, of cause, something ought to be changed, you feel the time-changing, or some agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

No, such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is 30 years age now; remember a poet said to me in his good willing that love poems are quite beyond age of 50, however, poems composing is not my expertise, I write for I have to, nothing wrong with age of 50 either; now, its pretty far from my age of 50; but I still write, no body says one could not write when you re 50 years of age? We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

Cosette was, moreover, passing through that dangerous period, the fatal phase of feminine revery abandoned to itself, in which the isolated heart of a young girl resembles the tendrils of the vine which cling, as chance directs, to the capital of a marble column or to the post of a wine-shop: A rapid and decisive moment, critical for every orphan, be she rich or poor, for wealth does not prevent a bad choice; misalliances are made in very high circles, real misalliance is that of souls; and as many an unknown young man, without name, without birth, without fortune, is a marble column which bears up a temple of grand sentiments and grand ideas, so such and such a man of the world satisfied and opulent, who has polished boots and varnished words, if looked at not outside, but inside, a thing which is reserved for his wife, is nothing more than a block obscurely haunted by violent, unclean, and vinous passions; the post of a drinking-shop.

珂赛特并且正在经历那个危险时期，也就是女性没人指点、全凭自己面壁虚构的那个一失足成千古恨的阶段，在这种时候，孤独的年轻姑娘便好象葡萄藤上的卷须，不管遇到的是云石柱子上的柱头还是酒楼里的木头柱子，都会一样随缘攀附。这对于每一个无父无母的孤女，无论贫富，都是一个危机，一种稍纵即逝、并且起决定作用的时机，因为家财并不能防止错误的择配，错误的结合往往发生在极上层；真正的错误结合是灵魂上的错误结合，并且，多少无声无臭的年轻男子，没有声名，没有身世，没有财富，却是个云石柱子的柱头，能撑持一座伟大感情和伟大思想的庙宇。同样，一个上层社会的男人，万事如意，万贯家财，穿着擦得光亮的长靴，说着象上过漆的动人的语言，如果不从他的外表去看他，而是从他的内心，就是说，从他留给一个妇女的那部分东西去看他，便只是一个至愚极蠢、心里暗藏着多种卑污狂妄的强烈欲念的蠢物，一根酒楼里的木头柱子。

A,an=not ab,abs=away ad,a,ac,ad,af,al,an,ap,as,at=to;at ambi=both ana=up ante=before anti=against auto=self be=do bene=good cata=complete cent=hundred circum=around co,com,con=together contra=against de=down,off dec,deka=ten dia=across dis=apart duo,di,twi=two dys=bad en=make ento=inside epi=upon equi=equal eu=good ex,ec,e=out fore=ahead hetero=different holo=complete homo=same hyper=above hypo=below in,il,im,ir=inside;not infra=below inter,intel=between intra,intro=within iso=same macro=big mal=bad medi=middle mega=giant meta=change micro=small mis=wrongly mono=one multi,poly=many neo=new nona,ennea=nine ob,oc,of,op=toward oct=eight omni=all orth=straight pan=all para=beside per=through peri=around post=after pre,pri=before prin=first pro=forward quad,tetra=four quint,penta=five re=back retro=back se=apart semi,demi,hemi=half sept,hepta=seven sext,hexa=six solo=alone sub,suc,suf,sug,sum,sup,sur,sus=under super,sur=over supra=above syn,sym=same tele=far trans,tra=across tri,ter=three un,ne,non=not uni=one ultra=beyond

成年人学英文的第一课和第二课刊出后，有数位读者写E-mail给我。有一位说道：「一篇文章的每一个单字都查到解释了，但整篇文章就是看不懂，怎麼办？」另一位说：「我的文法很差，没办法写完整的英文句子，要如何补救？」当发音和字汇都掌握住学习要领之后，剩下的就是「读」和「写」了，这才符合学习英文的正确步骤：听→说→读→写。台湾传统的学习方式由「写」开始，再「读」，然后才「说」，最后再去补救「听」力，可以说是背道而行，难怪效果不彰。那麼学习「读」的要诀是什麼呢？当然最重要的是能够了解整个句子的涵义。记得初中的时候背了很多文法规则，考试的分数虽然很高，但是对「读」的能力没有帮助。连那个时候流行的「英语九百句型」，也从来没有耐心读完过。然而我们今天能够看懂中文的文章，难道是因为我们熟悉中文的文法吗？答案是否定的。同样地，一个美国人虽然能阅读报纸，但是要求他做「英文文法分析」，他可能也会傻眼。英文的句子其实不需要去靠文法书中的规则去了解，文法书只应当作参考书，在有疑惑的时候才去查阅。平常应养成「约定成俗」的习惯，就是看别人怎麼用，然后「依样画葫芦」，日积月累，文法规则就化为无形了。因此，要训练「读」的技巧，不应该是靠文法规则，而是要多读。但是在读之前，要具备「了解句子」的基本能力，这就是我们的第三课─了解英文句子的要诀。了解英文句子的关键，在於先抓住「主词」和「动词」。看到一句很长的英文句子，不要害怕：先找主词，再找动词。动词如果是「及物动词」，再去找「受词」。主词、动词、受词之外，剩下的通通当做修饰语，有的修饰主词，有的修饰动词，有的修饰受词，有的修饰全句；任何两个完整的句子都可以用连接词连接起来。以上简单几句话，就是了解英文句子的基本观念。了解英文句子的第二步是熟悉英语的五种基本句型，其中前两种与不及物动词有关，后三种与及物动词有关。以下的句子中，用大括号表示{主词}或{受词}，中括号表示，剩下的部份都是修饰语。第一种与不及物动词有关的基本句型叫做「简单不及物句型」（Intransitive Verb，简称I），请背住以下五个句子

Perhaps sometimes on that roof, 40 stories above the East River, my mother imagined she could hear the Atlantic Ocean, breaking against the jetties16 of Rockaway Beach, and thought of old summer times walking along the boardwalk17 and of playland with its merry-go-round18, fun house, haunted house, loop-the-loop19, bumper cars, and hordes of hucksters20, selling cotton candy, popcorn, caramel corn, hot dogs, French fries, and candy apples.

就在那个楼顶上，那个在东河之上40层高的地方，也许有的时候，母亲会想象自己听到了大西洋的涛声，波浪拍打着洛克威海滩上的防波堤；想到很久以前的夏天沿着木板路漫步的时光；想到游乐场里的旋转木马、奇幻屋、鬼屋、绕环滑车、碰碰车，还有成群结队的小贩兜售棉花糖、爆米花、焦糖玉米、热狗、法式炸薯条和糖苹果。

Indeed, immediately after the victory, Juve chief Alessio Secco sought out Zalayeta's agent, Paco Casal, to assure him the forward was a required player for the rest of this season.

也许在那个夏天，那个午后，那个蓝色飘舞的时候，一切都已经注定，你是童话中的王子，而我却是现实中的灰姑娘-------写给巴乔

Xu Anbin: The conference with the more immediate impact of economic crisis is our IDC operation business, when individual stationmaster goes looking for IDC operation business to buy a server, when been compare a little according to the economy previously, a server gives IDC operation business head of a station, buy a server, oneself throw a server, hire our stationmaster by the month, our stationmaster presses this moment it is good that the month pays fee, nodical cash pledge, but economic crisis came, everybody does not have money, when this time head of a station looks for them to hire a server again, pay them by the month already not quite actual, the hire that we discover a server now is according to the quarter, year hiring, not according to will pay by the month, the cost of this moment operation can rise, the income of individual stationmaster actually not tall also, I am in 98 years when myself does individual website, we are the free spaces that put a tradition at that time, to 2000 when I just have a server, the doorsill that I see operation cost now can be higher threshold to them.

许广彬：经济危机的影响更直接的会是我们的IDC运营商，个人站长去找IDC运营商购买服务器的时候，按照以前的经济稍微比较好的时候，IDC运营商一台服务器给站长，买一台服务器，自己投入服务器，按月租给我们的站长，这个时候我们的站长按月付费就好了，交点押金，但是经济危机来了，大家都没有钱，这个时候站长再找他们租服务器的时候，按月付给他们已经不太现实了，现在我们发现服务器的租用都是按照季度，年在租，没有按照按月来付，这个时候运营的成本就会提高，个人站长的收入其实也不高，我在98年的时候我自己做个人网站，那个时候我们都是放传统的免费空间，到2000年的时候我才拥有一台服务器，现在我看运营成本的门槛对他们会是比较高的门槛。

Ariana is frivolous, insensitive and manipulative woman, who feels no shame in betraying her husband with his divorce so he can be with Anita, until he finds out that Ariana is expecting a child, though he doesn't suspect that the child is actually not his, but Ramiro's.

阿丽安娜十分水性杨花，对勾引其他男性当作家常便饭。于是艾杜阿多就想和那个巫婆离婚和他心爱的安妮达在一起，但就在这个时候阿丽安娜怀孕了，但那个孩子并不是艾杜阿多的而是拉米罗的，但善良的艾杜阿多还是没有怀疑过那个孩子。

It's time for everyone to go back to certain values, to begin respecting the institutions and the forces of law and order once more, which represent one of the bulwarks of the country.

也许在那个夏天，那个午后，那个蓝色飘舞的时候，一切都已经注定，你是童话中的王子，而我却是现实中的灰姑娘-------写给巴乔

Wang Hang: I am helping a lot of people, a lot of friends say you with me this website is very useful, when does the person need to help most actually, when he falls ill, when he is the flimsiest, at that time if you this website popularized valuable information to help them, I feel they can be written down all one's life certainly, and they can tell their friend, main discharge and growth, likelihood 70%, 80% it is to come from the conduct propaganda at public praise.

王航：我在帮助很多人，很多朋友跟我说你这个网站很有用，其实人什么时候最需要帮助，在他生病的时候，在他最脆弱的时候，那个时候假如你这个网站推广了有价值的信息帮助了他们，我觉得他们一定会记一辈子的，并且他们会告诉自己的朋友，主要的流量和增长，可能70%、80%都是来自于口碑的宣传。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。