在西方

As for coseismic deformation of Chi-Chi earthquake, the footwall of Chelungpu Fault moved southeastwards 0.3-1.5 m, and the value was increasing toward the fault; the hanging wall moved northwestwards 1.4-7.0 m, but the value was smaller south of the Choshui River. After the Chi-Chi earthquake, the hanging wall of Chelungpu Fault was still moving west-northwestwards and kept uplifting, while the footwall gradually changed direction from ESE to WSW or even WNW, clockwise resuming to inter-seismic deformation pattern. It is interesting to notice that despite the largest coseismic deformation in the northernmost segment of Chelungpu Fault, the post-seismic deformation peaked around the epicenter of Chi-Chi earthquake.

集集地震之同震变形，在车笼埔断层下盘向东南方向位移0.30~1.5 m，且越靠近断层位移量越大；车笼埔断层上盘则向西北方向大幅位移约1.4~7.0 m，浊水溪以南的位移量较小；集集地震以后之震后变形型态，以车笼埔断层为分界，上盘在震后向西北西方向位移的型态仍与同震时相同，下盘由同震时一致性的向东南东方向，逐步向西北西或西南西方向位移，亦即在车笼埔断层下盘有逐步依顺时针方向回归至震间的滑移型态；另就位移速率而言，虽然同震变形最大地区在车笼埔断层北端，但其震后的变形量最大地区，却集中於震央位置附近；就地震循环而言，震后的6年期间仍处於地层压密重整阶段，尚未回归至该区震间阶段的位移状态。

So the West is scientific, the non-West is not; physicians are scientific, midwives and alternative healers are not; chemists are scientific, wives and husbands in their kitchens are not. This process is most pronounced, in general, in those societies that border occident and orient. If our focus is on science, then the process of orientalizing and occidentalizing should be most pronounced just at the boundary between science and the humanities, and even more so at the boundary between the physical, the natural, and the social sciences.

西方是科学的，非西方则不是；医师是科学的，接生婆和江湖术士则不是；化学家是科学的，厨房里的妻子和丈夫则不是；总体上，这一过程非常明显，在那些社会之中界定着西方的和东方的；如果我们的焦点是在科学上，那么西方化和东方化的过程应该是在科学与人文的分界点上是最明显的，甚至是在物理科学、自然科学和社会科学的分界点上是最明显的。

Transcription, and analyzes Wangs inheritance, reproduction and development of Chinese ethical folk music. She also makes transverse comparisons between the musical forms of piano works by composers of both China and abroad, and illustrates that Wang uses for inference but not copies the western musical forms, that he attaches importance but not stickles to the framework of traditional Chinese music, and also that he demonstrates a characteristic of not sticking to one pattern. She makes contrastive comparisons as well of the melodies and harmonies of piano works by composers of both China and abroad, and indicates that in inquiries into the folk style of counterpoint, Wang is flexible and creative in harmonies by inheriting the character of a clear melody and the method of multi-voice in Chinese traditional music and also by absorbing the character of emphasizing the layers of texture in western piano music.

拿民族民间音乐与钢琴改编曲作纵向比较，分析其对中国民族民间音乐的继承再现与发展；拿中外钢琴作品的曲式原则作横向比较，说明他借鉴但不照搬西方音乐曲式规范，重视但不拘泥于传统中国音乐结构方法，在作品的结构上，呈现出不拘一格的特点；拿中外钢琴作品在旋律、和声等方面作相异比较，指出了在探索多声部音乐的民族风格过程中，王建中一方面继承了传统音乐中旋律线条十分突出的特点，另一方面又吸收了西方钢琴音乐注重织体的网状结构的特点，有意识地运用了我国民间多声手法，在和声的运用方面表现出灵活多样而又富于创新的特点。

This study argues that national officialdom (especially in superior officialdom in government) has to reinforce the training of the core competence in order to meet the challenge of the new century."Universals" methods in western countries are referenced by the training of the core competence, but do not ignore the unique regime in Mainland China; therefore, we have to notice the precise differences of the ideas of the training, a series of accessory demarches via systematical designing and impeccable also fare-thee-well methods, in contrast to western countries.

本研究认为，面对新世纪的挑战，国家公务员应加强核心能力培训：公务员核心能力培训可借鉴西方国家&共性&做法，但不可忽视中国大陆特有国情，因此在培训理念上自不同于西方国家，制度设计的配套措施与完善做法自然与西方国家有所差异。

Due to the country's location, Ukraine artist accept more easily the modern western artistic impactions. One is the direct introduction to the modern western arts. The other is when artists are on the way to return the noumenon of art, they no longer settle for the traditional narrative style and this happen to have the same view with the language manner in modern western art.

地处欧洲使乌克兰画家更易接受西方现代艺术的影响，一是西方现代艺术的直接传入，再是画家们在回归艺术本体过程中，已不满足于传统绘画的叙事方式，而与西方现代艺术的语言风格不谋而合。

The plan it designed to change such reality was to enhance the moral level of people. However, in deep thoughts of members of the Xueheng School, there was strong aptitude to depend on authority. The author also analysis the relationship between thoughts of Xueheng School and conservatism of the West.

但在现实操作层面，他们表现出非常强烈的权威政治的倾向；本章还探究了学衡派政治观念与西方保守主义的关系；指出他们受西方保守主义的影响很大，但对西方保守主义着重保守的自由却并不强调。

The mode is formulated on the strength of the classification theory of law and order and the fact that China is building a "Welloff Society"in an allround way.

正因为法治理想源自西方，因此，在人们的心目中，一提法治，自然而然就想到西方的法治模式，并以西方法治模式为常态来衡量法治的形态。

China first introduced in the German style of windows and doors and realize the localization of production enterprises in the first domestic product of pure wood, wood kits series of high-grade aluminum windows and doors of the enterprise; first independent development and production of high-end Italian-style windows and doors to the enterprise; The first domestic product in the U.S.-wood, aluminum doors and windows of the series of package-enterprises; first in domestic development and production of wood walls of the family business; first independent development and production of a bullet-proof, anti-riot high-grade security doors and windows; first In the domestic development of intelligent control window and put into application the enterprise; first designed and produced in line with developed Western countries, diplomatic building a high standard and comprehensive prevention requirements of the special windows and doors; first to the United States, Japan and other developed Western countries, exports High-end doors and windows of the enterprise; first in the developed countries to establish branches of the windows and doors manufacturing enterprises in 2000 passed the ISO9001 international quality system certification, and in 2003 for the successful version in 2000 by the British Royal USK international certification in 2001 by Branch Appointed as "Technology Pilot-oriented enterprises" in Beijing in 2003 were rated "famous trademark" in 2003 by Beijing as "a brand-name enterprises" in 2003 was China Building Decoration Association as "well-known brands." Municipal Science and Technology Commission in 2005 was awarded the "high-tech enterprises that certificate" for five consecutive years was in the Trade and Industry Bureau as "Shou credibility of the contract unit."

第一个在中国引入德国风格门窗并实现本地化生产的企业；第一个在国内生产纯木、铝包木系列高档门窗的企业；第一个自主开发并生产出意大利风格高档门窗的企业；第一个在国内生产美式纯木、铝包木系列门窗的企业；第一个在国内开发并生产木质幕墙系列产品的企业；第一个自主开发并生产出防弹、防暴高档安全门窗；第一个在国内开发出智能化控制窗并投入应用的企业；第一个设计并生产出符合西方发达国家外交机构建筑高标准、综合性防范要求的特种门窗；第一个向美国、日本等西方发达国家出口高档门窗的企业；第一个在发达国家设立分公司的门窗制造企业；2000年通过ISO9001国际质量体系认证，并于2003年成功换版；2000年通过英国皇家USK国际认证；2001年被科委评为&科技先导型企业&；2003年被评为北京市&著名商标&；2003年被北京市列为&创名牌重点企业&；2003年被中国建筑装饰协会评为&知名品牌&；2005年获得市科委颁发的&高新技术企业认定证书&；连续五年被市工商局评为&重合同守信誉单位&。

A study of forms, contents, languages, themes, and styles in western literature and literary works from the Roman Empire period to the present day. Focus is on the value and the importance of Western literature and the background of time that connect literary work with Western spiritual culture. Contemporary

研究罗曼时期至今的西方文学以及各种形式的文学作品，范围涉及文学作品的形式、内容、语言、构思以及西方文学的写作风格、价值和重要性等，另外还包括了使西方人的精神文化与西方文学作品相联在一起的时代背景。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。