在舞台上

As is true in other areas of business, what happens behind the scenes determines success on the stage.

就如同在其他领域的业务，发生什么幕后决定成功在舞台上。

In a short interview the author Bla Tomain summed up his impressions from the premiere: It was great to see the movie on a big screen, I also had to go on the stage, so I was a bit nervous, but it turned out well.

在短期采访撰文Bla Tomain总结了首映式的感想：这是非常高兴看到大屏幕上的电影，我也是要在舞台上，所以我有点紧张，但事实证明好。

In great anger, he makes a huge chandelier fall onto the stage.

在巨大的愤怒中，他将一个巨型的装饰灯打落在舞台上

Thomas Lesinski, president of Paramount Pictures Digital Entertainment, joined Jobs on stage at Macworld and called the rental service a "defining moment" for the distribution of digital video content.

托马斯lesinski ，总统派拉蒙影业公司的数码娱乐，加入就业机会在舞台上在Macworld上，并呼吁该租赁服务"决定性的时刻"为分布的数字视频内容。

When you stood there with that cheeky grin and said 'I want to be like Elaine Paige' everyone was laughing at you.

当你站在舞台上，告诉他家你想成为伊莲·佩姬，所有人都在笑你。

"To be honest, it would have been a good moment if someone had come onstage," Kaulitz reminisces a year later."I was onstage at the VMAs and I was speechless."

&说实话，如果当时台上有人来的话，那将会是一个非常好的时刻&Kaulitz在一年后回忆道，&我站在舞台上，但是却震惊的说不出话来…&

She tells it all while also performing a belly dance in a sequined dress and veil.

在舞台上，面纱遮面，身着点缀着金属亮片的舞裙，她用她的肚皮舞来演绎她的故事。

Televisions cluttered the stage, while, with a craftsman's touch he debunked the mystique of a rock gig: the Green Room where the band intermittently rested was actually on stage, the roadies' work with the ever changing backdrops wasn't hidden and before the encore, Hayes's clothes change was silhouetted for all to see.

电视让舞台混乱，同时，有了一个能工巧匠的接触他揭穿了摇滚音乐会的奥秘：绿屋子，在那里乐队间歇性地休息，其实在舞台上，巡回乐队管理员一直改变背景幕的工作不被隐藏，以及在安可之前，Hayes的换衣的轮廓让全部人都看得见。

See, my whole life has been onstage, and the impression I get of people is applause, standing ovations and running after you.

他在另一个场合说，瞧，我的全部生活都在舞台上，我对人的印象就是掌声，长时间的起立鼓掌，然后跟在你的后面。

Equally at home in the control room, the studio, and news or recording truck, at the house console, on the stage, direct-to-DAT, or at the artist's disposal for the source of his music.

同样在控制室内的家庭，工作室，新闻或记录卡车，在房子的控制台，在舞台上，直接到逸，或在艺术家为他的音乐源处置。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。