在第十二

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术；第二首是赋予了肖邦典型技术特征的指法；第三首与第六首是多声部织体的演奏；第四首是以其速度和音乐进行的尖锐性而独具难度；第五首是"黑键"练习曲；和声的创新手法在第七、第十以及第十一首里都有明显地体现；第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律；第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

Report from our correspondent yesterday afternoon, on routine press conference, qin Gang of spokesman of Ministry of Foreign Affairs announces, should Thailand premier A wraps around solid invite, wen Jiabao of premier of the State Council will come on April 10 what 12 sunrise banquet holds in Thailand is dozenth second China and east alliance leader meeting, dozenth east peak of the 4th meeting of alliance and Sino-Japanese Han leader, East Asia is met and Sino-Japanese Han Ling.

本报讯昨日下午，在例行记者会上，外交部发言人秦刚宣布，应泰国总理阿披实邀请，国务院总理温家宝将于4月10日至12日出席在泰国举行的第十二次中国与东盟领导人会议、第十二次东盟与中日韩领导人会议、第四届东亚峰会和中日韩领导人早餐会。

The missionary zeal of Tibetan lamas led to the extension of their religion to Tatary in the twelfth and following centuries.

传教士热情的藏族喇嘛导致延长其宗教Tatary在第十二和下面的世纪。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术；第二首是赋予了肖邦典型技术特征的指法；第三首与第六首是多声部织体的演奏；第四首是以其速度和音乐进行的尖锐性而独具难度；第五首是&黑键&练习曲；和声的创新手法在第七、第十以及第十一首里都有明显地体现；第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律；第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

The plaintiff and his father, who had been a customer of the defendant's for some time, had bought six one-eighth tickets in the Twelfth North-West German Class Lottery.

案件事实原告及其父亲曾是被告的顾客，在第十二届西北德国类彩票节购买了六张八分之一彩票。

In chapter twelve Lord Krishna extols the glory of devotion to God.

在第十二章里，主奎师那赞美了奉献的光荣。

In addition to applying the provisions of Paragraphs 1of Article 9, Paragraph 7 of Article 11, or Paragraph 6 of Article 12, the interest, royalties and other disbursements paid by an enterprise of a party to a resident of the other party shall, for the purpose of determining the taxable profits of such enterprise, be deducted under the same conditions as if they had been paid to a resident of the first-mentioned party.

二、除适用第九条第一款、第十一条第七款或第十二条第六款的规定外，一方企业支付给另一方居民的利息、特许权使用费和其它款项，在确定该企业应纳税利润时，应与在同样情况下支付给该一方居民同样予以扣除。

Except where the provisions of Paragraph 1 of Article 9, Paragraph (7) of Article 11, Paragraph (6) of Article 12 apply, interests, royalties, technical fees and other disbursements paid by an enterprise of one side to a resident of the other side shall, for the purpose of determining the taxable profits of such enterprise, be deductible under the same conditions as if they had been paid to a resident of the first-mentioned side.

二、除适用第九条第一款、第十一条第七款或第十二条第六款规定外，一方企业支付给另一方居民的利息、特许权使用费和其它款项，在确定该企业应纳税利润时，应与在同样情况下支付给该一方居民同样予以扣除。

The former champion went down to a hammer - blow in the twelfth round.

这位前冠军在第十二回合中受到一拳重击而败北了。

However, the Laudian or Carolinian divines must not be supposed to have ever succeeded in driving out their Calvinistic rivals, so powerful when the Thirty-Nine Articles were drawn up, and known from Shakespeare's time as Puritans (see Malvolio in "Twelfth Night").

不过， laudian或carolinian divines绝不能假定有以往任何时候都成功地驾驶自己的calvinistic的对手，如此强大时， 39条制定的，和已知从莎士比亚的时间作为清教徒（见马伏里奥在&第十二夜&）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。