在第十二

In 1990, as the Eleventh Asian Games host city of water sports, the opening and closing ceremonies of the large scale theatrical performances Qunyi Guan offers a comprehensive showcase for the stage, followed by the Seventh National Gameskai mu shi yan chu , the World B Class Cycling Championships opening ceremony of cultural performances, a nationwide "advocating science, doing away with superstition, clear the cult of" cartoon exhibition, the city's Ying-Qing Shi Liutai and the Sino-Japanese War and the World Anti-Fascist War to commemorate the 60th anniversary of the million people singing the General Assembly to commemorate the 110th anniversary of Mao Zedong's Square performance, Hebei Province, Qinhuangdao City, the Eleventh Asian Games and Asian Games opening ceremony of the fourth large-scale cultural and sports show,"Twenty-first Century International Chinese Music Festival"kai mu shi yan chu activities have been amply demonstrated the strength of large-scale events Qunyi Guan.

每年策划、组织、承办国家、省、市大中型群众文化活动几十项，有些活动在国内外产生了重大影响。50年代业余剧团的普及；60年代"南属上海，北属秦皇岛"的故事活动；70年代综合性的文艺汇演、调演；80年代的群众歌咏活动等都曾为群艺馆的历史写下光辉的一页。1990年，作为第十一届亚洲运动会水上运动项目的承办城市，开幕式、闭幕式的大型文艺表演为群艺馆提供了全面展示的舞台，接下来全国第七届运动会开幕式演出、世界B级自行车锦标赛开幕式文艺表演、全国"崇尚科学、破除迷信、清除邪教"漫画展览、全市迎庆十六大和纪念抗日战争暨世界反法西斯战争胜利60周年万人歌咏大会、纪念毛泽东诞辰110周年广场演出、河北省第十一届运动会和秦皇岛市第四届运动会开幕式大型文体表演、"二十一世纪国际华乐节"开幕式演出等活动都充分显示了群艺馆举办大型活动的实力。

Especially since 1994, Xi'an High-tech Zone of the composite indicator has been ranked 53 in the forefront of state-level high-tech zones has been named National Advanced High-tech Zone; 2001, Ministry of Science and Technology in Xi'an High-tech Zone has been classified as "15" During construction of the five countries, one of the Model High-tech Zone, Xi'an and was elected as members of the public votes "Ten twenty-first century Xi'an historic event," one; December 2002, Xi'an High-tech Zone by United Nations Industrial Development Organization study finds for six,"China's most dynamic cities and regions", one of …… After more than a decade of construction and development, Xi'an High-tech Zone in western China to become the most popular, the environment the best, one of the fastest growing region, and Hailed as "the ninth Guanzhong King."

特别是自1994年以来，西安高新区的综合指标一直位居53的前列国家一级高新区已被命名为全国先进高新区； 2001年，科学和技术部在西安一个高新区已被列为"十五"期间建设的五个国家之一，示范高新区，西安，当选为市民投票"十大二十一世纪西安历史活动，"一个； 2002年12月，西安高新技术产业开发区由联合国工业发展组织研究发现6，"中国最具活力的城市和地区"之一……经过十多年的建设和发展，西安高新区在西部成为中国最流行的，环境是最好的，增长最快的一个地区，被誉为"关中第九景"。

Article 57 Whoever, in violation of the provisions of the first paragraph of Article 41 of this Law, burns asphalt, asphalt felt, rubber, plastics, leather, garbage or other materials that may produce toxic or harmful smoke or dust or fetor in densely inh

第五十七条违反本法第四十一条第一款规定，在人口集中地区和其他依法需要特殊保护的区域内，焚烧沥青、油毡、橡胶、塑料、皮革、垃圾以及其他产生有毒有害烟尘和恶臭气体的物质的，由所在地县级以上地方人民政府环境保护行政主管部门责令停止违法行为，处二万元以下罚款。

Article 57 Whoever, in violation of the provisions of the first paragraph of Article 41 of this Law, burns asphalt, asphalt felt, rubber, plastics, leather, garbage or other materials that may produce toxic or harmful smoke or dust or fetor in densely inhabited areas or other areas that need special protection according to law shall be ordered to stop the illegal act and imposed upon a fine of not more than 20,000 yuan by the administrative department of environmental protection under the local people's government at or above the county level in the place the violator is located.

第五十七条违反本法第四十一条第一款规定，在人口集中地区和其他依法需要特殊保护的区域内，焚烧沥青、油毡、橡胶、塑料、皮革、垃圾以及其他产生有毒有害烟尘和恶臭气体的物质的，由所在地县级以上地方人民政府环境保护行政主管部门责令停止违法行为，处二万元以下罚款。

The battle once begun, its very various changes,--the resistance of Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the disabling of Foy; the unexpected wall against which Soye's brigade was shattered; Guilleminot's fatal heedlessness when he had neither petard nor powder sacks; the miring of the batteries; the fifteen unescorted pieces overwhelmed in a hollow way by Uxbridge; the small effect of the bombs falling in the English lines, and there embedding themselves in the rain-soaked soil, and only succeeding in producing volcanoes of mud, so that the canister was turned into a splash; the uselessness of Pire's demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons, almost exterminated; the right wing of the English badly alarmed, the left wing badly cut into; Ney's strange mistake in massing, instead of echelonning the four divisions of the first corps; men delivered over to grape-shot, arranged in ranks twenty-seven deep and with a frontage of two hundred; the frightful holes made in these masses by the cannon-balls; attacking columns disorganized; the side-battery suddenly unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised; Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the Polytechnic School, wounded at the moment when he was beating in with an axe the door of La Haie-Sainte under the downright fire of the English barricade which barred the angle of the road from Genappe to Brussels; Marcognet's division caught between the infantry and the cavalry, shot down at the very muzzle of the guns amid the grain by Best and Pack, put to the sword by Ponsonby; his battery of seven pieces spiked; the Prince of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both Frischemont and Smohain; the flag of the 105th taken, the flag of the 45th captured; that black Prussian hussar stopped by runners of the flying column of three hundred light cavalry on the scout between Wavre and Plancenoit; the alarming things that had been said by prisoners; Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont in less than an hour; eighteen hundred men overthrown in a still shorter time about La Haie-Sainte,--all these stormy incidents passing like the clouds of battle before Napoleon, had hardly troubled his gaze and had not overshadowed that face of imperial certainty.

交锋以后，战争的非常复杂惊险的变化，乌古蒙的阻力，圣拉埃的顽抗，博丹的阵亡，富瓦战斗能力的丧失，使索亚旅部受到创伤的那道意外的墙，无弹无药的吉埃米诺的那种见死不退的顽强，炮队的陷入泥淖，被阿克斯布里吉击溃在一条凹路里的那十五尊无人护卫的炮，炸弹落入英军防线效果不大，土被雨水浸透了，炸弹陷入，只能喷出一些泥土，以致开花弹全变成了烂泥泡，比雷在布兰拉勒出击无功，十五营骑兵几乎全部覆没，英军右翼应战的镇静，左翼防守的周密，内伊不把第一军的四师人散开，反把他们聚拢的那种奇怪的误会，每排二百人，前后连接二十七排，许多那样的队形齐头并进去和开花弹对抗，炮弹对那些密集队伍的骇人的射击，失去连络的先锋队，从侧面进攻的炮队突然受到拦腰的袭击，布尔热瓦、东泽洛和迪吕特被围困，吉奥被击退，来自综合工科学校的大力士维安中尉，冒着英军防守热纳普到布鲁塞尔那条路转角处的炮火，在抡起板斧去砍圣拉埃大门时受了伤，马科涅师被困在步兵和骑兵的夹击中，在麦田里受到了贝司特和派克的劈面射击和庞森比的砍斫，他炮队的七尊炮的火眼全被钉塞，戴尔隆伯爵夺不下萨克森－魏玛亲王防守的弗里谢蒙和斯莫安，第一○五联队的军旗被夺，第四十五联队的军旗被夺，那个普鲁士黑轻骑军士被三百名在瓦弗和普朗尚努瓦一带策应的狙击队所获，那俘虏所说的种种悚听的危言，格鲁希的迟迟不来，一下便倒在圣拉埃周围的那一千八百人，比在乌古蒙果园中不到一个钟头便被杀尽的那一千五百人死得更快，凡此种种迅雷疾风似的意外，有如阵阵战云，在拿破仑的眼前掠过，几乎不曾扰乱他的视线，他那副极度自信的龙颜，绝不因这些变幻而稍露忧色。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

First, know what you want to do the second, how to do the third, you need something to do to complete the fourth, to do the next decade to achieve the next goal of the fifth, in the next two years to complete your ideal Sixth, the number of tickets sat ...

第一，知道你想要做什么第二，怎么来做第三，需要什么东西来完成你要做的事第四，做下未来十年内要达到的目标第五，在未来二十年完成你的理想第六，开始坐到数票子。。。

Sentence closed on the word XX, he noted in the title that his revision extended from XX to XX; and so the mysterious XX-XX (later on misconstrued and misspelled XXXXX) has neither a patronymic nor a gentile connotation.

一句封闭的字第XX号，他指出在标题中，他的修订延长至第XX号至第XX等等神秘二十，二十（后来误解和拼错XXXXX ）既没有父，也不是一个犹太人的内涵。

In the 39th Worldskills International Competition held in November 2007 in Shizuoka, Japan, Mr Chang Ka-ho, a participant from the Hong Kong Special Administrative Region was awarded a Medallion for Excellence in CNC Milling. Mr Chang is the 5th highest score out of 21 competitors from all over the world, outranking those from United Kingdom and Europe.

在二零零七年日本静冈县举行的第三十九届世界技能比赛中，香港参赛选手郑嘉豪先生在电脑数控铣床组击败来自欧洲强国选手，在二十一位选手中勇夺第五名，获得大会颁发优异奖章。

King Hassan II, the 17th in a line of Alawite Moslems who have ruled here since 1649, has lived

哈桑二世国王是第十七代的阿拉槐特穆斯林，他们从1649年起即在此地进行治理。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。