在第七

Claiming kinship with Greenpeace's war on motorised "climate criminals" in Britain, the group has immobilised dozens of Range Rovers, Mercedes, Jeeps and other upmarket quatre-quatres in the well-heeled sixth and seventh arrondissements since July.

声称要效法英国绿色和平组织成员向汽车「气候犯罪」宣战的作法，这群年轻人自今年七月起已让数十辆停放在富人集中地的巴黎第六及第七区街头的 Rover s 、 Mercedes 、 Jeeps 和其他高级四轮传动车动弹不得。

Article 17 Securities companies are encouraged to adopt the cumulative voting system in electing directors including independent directors and supervisors.

第十七条鼓励证券公司在董事、监事的选举中采用累积投票制度。

Charles Brandon was the third son of Sir William Brandon who, as Henry VII's standard bearer, had been killed by Richard III in person at the Battle of Bosworth Field.

查尔斯·布兰登是威廉·布兰登的第三子，威廉是亨利七世的掌旗官，他在博斯沃思菲尔德战役『1』中被理查德三世亲手杀死。

G. Johnston on the events of the past, or fixtures for the actual, years, entitled If Brian Boru could but come back and see old Dublin now , commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48, 49 South King street, and to be introduced into the sixth scene, the valley of diamonds, of the second edition (30 January 1893) of the grand annual Christmas pantomime Sinbad the Sailor produced by R Shelton 26 December 1892, written by Greenleaf Whittier, scenery by George A.

勃鲁如今回来看到了老都柏林》的主题歌（并由R.G。约翰逊配乐）的呢？那本是坐落于南国王街门牌四十六、四十七、四十八、四十九号的欢乐剧场的承租人迈克尔。冈恩约他编写的。该歌原来预定插在照例于圣诞节期间公演的大型哑剧《水手辛伯达》第六场《钻石谷》（一八九三年第二版，作者：格林利夫。惠蒂尔，舞台装置：乔治。A。杰克逊和塞西尔。希克斯；服装：惠兰太太与惠兰小姐；导演：R。

Article 37 The people's court may, upon the application of the parties concerned, arrange for them to exchange evidences prior to holding a session of court hearing.

第三十七条经当事人申请，人民法院可以组织当事人在开庭审理前交换证据。

King Hassan II, the 17th in a line of Alawite Moslems who have ruled here since 1649, has lived

哈桑二世国王是第十七代的阿拉槐特穆斯林，他们从1649年起即在此地进行治理。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。