在第七

In preface, author discusses the meaning of this study and the actual state of research about culture of Tibetan oath at home and abroad. The first chapter analyzes two basic sources of oath culture. In the second chapter, by analyzing literature and actual examples, author explores the problem which the definition of "oath" is unclear in Tibetan dictionary. Combining with the definition of oath, in the third chapter ,the author differs the concept among promise, treaty, bargain and caution money. The fourth chapter is mainly about the element of oath; In the fifth chapter , author divides and explores the different content and meaning of Tibetan oath.

前言"论述了这篇论文的研究意义和目前国内外对于藏族盟誓文化的研究现状；第一章"盟誓文化的产生"论述了盟誓习俗产生的两个基本根源：思想根源和社会根源；第二章"盟誓的定义"通过分析文献资料和实例，对一些藏文词典中存在的对于"盟誓"的定义不够明确的问题进行了商榷和探讨；第三章"盟誓和几个近义词的区别"结合盟誓的定义，对诺言、条约、契约、保证金几个概念的定义进行区分；第四章"盟誓的要素"结合《格萨尔王传》论述了盟誓需要具备的要素；第五章"誓言的内容特征"中结合《格萨尔王传》中的盟誓形式，划分和探讨藏族盟誓的不同内容和意义；第六章"遵守誓言的意义和不守誓言的罪孽"通过相关文献资料分别探讨了遵守誓言的积极影响和不守誓的消极影响；第七章"违誓忏悔"论述了在违背誓言后，反省改过的意义；最后，"后记对《格萨尔王传》中的盟誓文化进行了概括总结，指出这一文化突显了藏族人民崇尚真诚的品格和渴望和谐的心愿。

Secondly, before reseeding white clove and cocksfoot firing disposal should be done to the main weed and the dead substance on pasture in June.

18.1 提高牧草生长速率的有效优化调控技术是：第一，7～10月牧草生长旺季适当增加载畜量；第二，6月份对草地主要杂草和死物质进行火烧处理，然后补播白三叶和鸭茅；第三，6月初雨期撒施钙镁磷肥、尿素；第四，实施划区围栏，有效控制放牧面积；第五，每年5—10月刈割杂草；第六，适度减少人工草地中非洲狗尾草和狼尾草的比例或予以清除；第七，在与常年风向垂直的地段建植防护林带。

He had just completed his thirty-first year when he was called on, in 1659, to give himself entirely to the work of hagiography, in which he was to have a remarkably long and fruitful career, for it lasted till his death, which occurred in the eighty-seventh year of his age, and the fifty-fifth of his work in this field.

他刚刚完成了他的第31次年度的时候，他呼吁，在1659年，让自己完全的工作hagiography ，他在其中是有一个显着长期和富有成效的职业生涯，因为它延续到他死后，发生在80 -第七个年头的他的年龄，并在第五十五届的，他在这一领域的工作。

Part One is an introduction focusing on the background,the significance and the purpose of the present study.Part two provides a brief overview of a theoretical review on the nature of reading process,a brief review of 3 traditional methods of teaching in reading and research on TBLT in china and abroad.Part three introduces Constructivism,Krashen"s "Input and Interactionist Hypothesis" and The affective filter hypothesis,which construct a theoretical frame for the study.Part four provides the application of TBLT to teaching reading in senior middle school,mainly including fundamental principles,types of the reading task design and finally introducing the design of TBLT models in senior high school according to Willis"task-implementing model in teaching.Part five elaborates the experiment itself,mainly including the hypothesis of the present study,the procedures of the experiments and questionnaires.Part six is data collection and analyses.The result of the experiment shows that TBLT is more effective than traditional method in senior middle school English reading.Part seven draws a conclusion to the study.Implications as well as limitations are discussed here.

陈述了目前研究的背景，意义和目的；第二部分为文献综述，介绍三种阅读模式，以往阅读课所用的传统教法及其局限性；任务的定义，国内外对任务型教学的研究；第三部分为任务型教学的理论基础，介绍了构建主义理论，克拉申的输入假设理论，情感过滤假设；第四部分探讨了任务型教学在高中英语阅读教学的具体应用，包括阅读课设计的原则，类型，以及根据Willis的教学模式所设计的高中英语阅读教学模式；第五部分为实验部分，包括本研究的假设、实验方法、实验过程、测量工具等；第六部分数据收集和分析，结果表明：任务型教学提高英语阅读教学成绩比传统的教法有效；第七部分是本研究的结论，本研究对外语阅读教学的启示及本研究的局限性。

Bindings worn, some corners showing cardboard at tips, hinges rubbed, most hinges starting to crack at top and bottom, 3 upper hinges cracked along half the length but covers still holding, some spines slightly chipped at top or bottom, title label missing on Volume I, label slightly chipped on 3 volumes, inscription to all pastedowns, occasional light staining and light soiling mainly to margins and chiefly in Volume I, some ink splashed on fore-edges of Volume II, just showing at edge of title page, small piece torn from fore-edge of 1 page in Volume I with loss of about 3 words on recto and verso, small closed tear to margin in Volume III, 2 in Volume IV, 1 just entering text, all neatly repaired with no loss of text, small piece missing from 1 corner in Volume V, no loss of text, title page of Volume VII slightly browned and with small piece missing from fore-edge margin, small hole in 1 text page with loss of a few letters, all still easily legible, map of the world has several repairs to reverse, no loss of image, plus several misfolds, lightly browned along 1 vertical fold, some calculations in old ink on reverse of 1 map, tiny hole in 1 map with very slight loss, a small brown stain to 1 plate, 3 tiny holes in lower margin of 1 plate.

条件绑定破旧，在一些弯道显示提示纸板，摩擦铰链，铰链最开始打击在顶部和底部，3上铰链沿长度的一半，但其涵盖破获仍然持有，有些刺略有顶部或底部缺口，标题标签上卷失踪一，标签上稍微切3卷，所有pastedowns题词，偶尔光染色和轻弄脏主要是利润率和主要余卷，一些墨水溅到突出，第二卷的边缘，就显示在标题页的边缘，小件撕裂的前奏，1页边卷约3对直肠和Verso的损失我的话，小封闭撕裂，在第三卷，第四卷2，1只输入文本，所有整齐，没有文字的损失修复保证金，从一小块角落的第五卷，没有文字的损失，卷扉页七略变黄，并从一小块突出失踪的边缘利润，在1文字页小孔与几个字母损失失踪，所有仍然很容易辨认，在世界地图上有几个维修扭转，没有形象的损失，再加上一些变异，轻轻沿1垂直倍褐变，在对1地图，地图上，在一洞非常小的损失，改变旧墨水一些计算小褐变1盘，3小孔低1板块边缘。

Imported seven-year itch is a term that originally meant a lot to the development of the seventh year will not be people's will be some problems, was often used to explain some aspects of marriage Problems arise seven-year itch is the key to people tired of psychology, in the same environment have to stay for a long time, can not help but think Henfan, very boring, will inevitably give birth to a number of other ideas.

根据介绍，七年之痒是个舶来词，原本的意思是说许多事情发展到第七个年头都会不以人的意志为转移出现一些问题，后来经常被用来解释婚姻方面出现的一些问题，出现七年之痒的关键在于人有厌倦心理，在同一个环境中呆得久了，难免会觉得很烦、很没劲，难免会生出一些别的想法。

In the first section, the effect of sodium houttuyfonate on the level of lysozyme secreted by macrophages was first tested by bacteriolytic method; then the effect of sodium houttuyfonate on the level of tartaric acid resistant acid phosphatase produced in macrophages was investigated by analyzing the phenol generated in the reaction that was catalyzed by the enzyme; the third, the effect of sodium houttuyfonate on the phagocytic activity of macrophages was observed by microscopy; the forth, the effect of sodium houttuyfonate on the production of complement C4 from macrophages was tested by hemolytic method; the fifth, the effect of sodium houttuyfonate on the expression of C3b receptors on the surface of macrophages was analyzed by observing the formation percentage of zymosan wreath; the sixth, the effect of sodium houttuyfonate on the respiratory burst in macrophages was tested by flow cytometry; the seventh, the effect of sodium houttuyfonate on the production of IL-1α and IL-1β from macrophages was tested by ELISA method.

在这一章中，首先，采用溶菌法考察合成鱼腥草素对巨噬细胞分泌溶菌酶水平的影响；其次，采用游离酚法研究合成鱼腥草素对巨噬细胞产生的耐酒石酸酸性磷酸酶水平的影响；第三，采用显微镜观察法考察合成鱼腥草素对巨噬细胞吞噬功能的影响；第四，采用溶血法测定合成鱼腥草素对巨噬细胞产生的补体C4水平的影响；第五，采用酵母花环法检测合成鱼腥草素对巨噬细胞表面C3b受体水平的影响；第六，采用流式细胞术法观察合成鱼腥草素对巨噬细胞呼吸爆发的影响；第七，采用ELISA法探讨合成鱼腥草素对巨噬细胞产生IL-1α及IL-1β水平的影响。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始，对它的这种艺术形式中的说与唱分别做了介绍；第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍，探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化；第三章是对唱词体裁的分析和它的变化类型；第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型；第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类；第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点；第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

He had just completed his thirty-first year when he was called on, in 1659, to give himself entirely to the work of hagiography, in which he was to have a remarkably long and fruitful career, for it lasted till his death, which occurred in the eighty-seventh year of his age, and the fifty-fifth of his work in this field.

他刚刚完成了他的第31次年度的时候，他呼吁，在1659年，让自己完全的工作hagiography ，他在其中是有一个显著长期和富有成效的职业生涯，因为它延续到他死后，发生在80 -第七个年头的他的年龄，并在第五十五届的，他在这一领域的工作。

Many such excellent practices moved Westward; the Latin rites borrowed prayers and songs, antiphons, antiphonal singing, the use of the alleluia, of the doxology, etc. If the East adopted the Latin Christmas Day, the West imported not merely the Greek Epiphany, but feast after feast, in the fourth, fifth, sixth, and seventh centuries.

许多这样的优秀的做法西迁；拉丁美洲借来的祈祷仪式和歌曲， antiphons ， antiphonal唱歌，使用的哈里路亚，在三一颂等如东通过了拉丁美洲圣诞节，西方国家进口的不仅仅是希腊主显节，但节日盛宴后，在第四，第五，第六和第七世纪。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。