在空中

"Its compounds, in which it has valence 2, 3, or 4, include titanium trichloride (used as a catalyst in polypropylene production), titanium dioxide (extensively used as a pigment -with the greatest hiding power of all white pigment s-in paints, enamels, and lacquers), and titanium tetrachloride (used in skywriting, smoke screens, and as a catalyst)."

钛的化合物(其中钛的原子价为2、3或4)包括三氯化钛(在聚丙烯生产中作催化剂)、二氧化钛(在油漆、釉药和漆器中广泛用作颜料，在所有白色颜料中掩盖能力最强)以及四氯化钛(用于空中显示图形文字、烟幕以及催化剂)。

"Its compounds, in which it has valence 2, 3, or 4, include titanium trichloride (used as a catalyst in polypropylene production), titanium dioxide (extensively used as a pigment-with the greatest hiding power of all white pigments-in paints, enamel s, and lacquers), and titanium tetrachloride (used in skywriting, smoke screens, and as a catalyst)."

钛的化合物(其中钛的原子价为2、3或4)包括三氯化钛(在聚丙烯生产中作催化剂)、二氧化钛(在油漆、釉药和漆器中广泛用作颜料，在所有白色颜料中掩盖能力最强)以及四氯化钛(用于空中显示图形文字、烟幕以及催化剂)。

"Its compounds, in which it has valence 2, 3, or 4, include titanium trichloride (used as a catalyst in polypropylene production), titanium dioxide (extensively used as a pigment-with the greatest hiding power of all white pigments-in paints, enamels, and lacquers), and titanium tetrachloride (used in skywriting, smoke screens, and as a catalyst )."

钛的化合物(其中钛的原子价为2、3或4)包括三氯化钛(在聚丙烯生产中作催化剂)、二氧化钛(在油漆、釉药和漆器中广泛用作颜料，在所有白色颜料中掩盖能力最强)以及四氯化钛(用于空中显示图形文字、烟幕以及催化剂)。

Further away, beyond the black trees, was the roof of something glistening with dew; to the right was a great, leafy tree, with its trunk and branches brilliantly white, and above it the moon, almost full, in a clear, almost starless, spring sky.

在距离更远的黑色的树木后面，有一个被露水映照得闪闪发亮的屋顶，右面有一棵枝叶繁茂的、树干和树枝白得耀眼的大树，一轮将近浑圆的皓月悬挂在大树的上方，悬挂在明朗的、几乎看不见星星的春日的天空中。

Different combinations of nickel/titanium foils were used; brazing was done in vacuum at 6 x 10-6 torr at 960°C, 1010, and 1030°C for different brazing times.

不同组合的镍/钛箔使用；钎焊是在真空中在6× 10-6托在960 ℃， 1010年和1030年° C的不同钎次。

On the one hand, particularly during the early days of the war when US ground forces were few and the Vietcong posed a greater challenge to hamlet defenders than they did later, air attack at night sometimes played a critical role in permitting a hamlet's defenders to hold out until daylight, when the Vietcong would typically break contact.

从一个方面来说，特别是在战争初期的日子里，当时的美军地面部队很少，与后来的情况相比，越共对于村庄的保卫也处于面临极大挑战的境地，夜间空中打击在有些时候对于一个村庄的守卫者是否能够坚守到天亮扮演着关键的角色，在这种情况下越共通常会失去踪迹。

During the siege of Dien Bien Phu, the Vietminh moved in heavy antiaircraft artillery formations and succeeded in inflicting air denial upon the French; by May 1954, just before the collapse, French fighters and bombers (let alone transports and liaison airplanes) could not operate over the valley without taking prohibitive losses.18 American fixed-wing aircraft losses in Southeast Asia, while not large in the context of the entire SEA air effort, were certainly not inconsequential, and the introduction of the shoulder-fired SAM during the 1972 North Vietnamese spring offensive added a new problem for tactical air planners.

在围攻殿边府的战斗中，越盟调来了重型防空火炮部队，并成功对法国人造成了空中阻隔；在1954年5月底，也就是法国人崩溃的之前，法国战斗机和轰炸机没有付出无法接受的损失是无法在山谷上空作战的。

The Samara Sutradhara is a scientific treatise dealing with every possible angle of air travel in a Vimana. There are 230 stanzas dealing with the construction, take-off, cruising for thousand of miles, normal and forced landings, and even possible collisions with birds. In 1875, the Vaimanika Sastra, a fourth century B.C. text written by Bharadvajy the Wise, using even older texts as his source, was rediscovered in a temple in India.

Samara Sutradhara是一篇涉及用维曼拿空中旅行的每一种可能，有230节是有关构造，起飞，巡航一千里，普通和紧急降落，甚至可能碰到鸟类。1875年，一本由智者巴拉瓦杰在公元前四世纪写的《维曼尼卡萨塔》，甚至在他的内容里面引用更古老的资料，在印度一座庙宇里重新被发现。

The death peeled off the veil of people, making love to grow and develop. Love is coming now in the swinging of the boats, in the yellowy sky and in the long and winding bamboo tubes.

死亡将所有人的面纱剥落开去，让爱缓慢地滋长，爱情，慢慢地来了，在摇船的摆动中，在微黄的天空中，在灌满泉水的长长的蜿蜒的竹筒中。

S Broad asphalt along the main road, followed by the array of more than 30 of its significant interest in large, medium and small Recreation: If the crazy "roller coaster" in the air on the track and came to a series of somersaults, and let you experience a soul-stirring centrifugal, rapid rotation of panic, can be done to stimulate;"fast scooters" in the track km On the fast, as Shirupozhu dive 30 meters high slope, Huer mad to Jixuan, feelings like Cloud Nine fall, as if riding a bull at running back; in particular, the addition of new large-scale projects,"Challenger Tour" Mars will give you the speed of excitement around the world,"wind speed," you over 10 meters in height, during which around and up and down several times before and after the turnover, there is a non-feet under the ultimate experience weightlessness; and the "monster House "is another boost fan, pitch dark, cold wind gusts, desperate calls and setting of zombie ghosts and volatile side of the creeps you scared, scared; 50 meters out to the" Ferris wheel "to let you enjoy the" List Small hills,"the sense of endless;" Liu Yong Jin,"When you enjoy the" drift "Huiguoshenlai no sense, as water spilled from the mountain 10 meters high fly drift down the moment, the heart Has been hanging in the air to the; also hit eyeful of Venus "bumper car"; as the mischievous people Shuaixiang half-empty,"Spider-Star,""rotating aircraft" and "forest mouse car," and so on, you will be able to bring a Although the stimulus was accompanied by tears, but more interest is the doubling of the situation, a test of your willpower.

沿着宽阔的柏油大马路，依次排列着三十多个各显其趣的大、中、小型游乐项目：如疯狂&过山车&在凌空的轨道上急转直下而又接连翻腾，让你经历一场惊心动魄的离心、快速旋转的恐慌，可谓极尽刺激；&快速滑行车&在千米的轨道上风驰电掣，势如破竹般俯冲三十米高坡，忽儿狂转急旋，那感觉仿如九霄云外下坠，又好象骑在蛮牛背上狂奔；特别是新增设的大型项目&挑战者之旅&将带给您火星绕地球的速度快感，&极速风车&，你凌驾十米高空中，其间几度上下左右和前后翻转，真有一种双脚无着下的终极失重体验；而&妖怪屋&又是另番刺激，伸手不见五指，寒风阵阵，绝望的叫声和出没无常的僵尸鬼面，吓得你毛骨悚然，胆战心惊；拔地五十米的&摩天轮&让你享受&一览众山小&的无垠感觉；&激流勇进&，当你优悠的&漂&感还没回过神来的时候，高山泻流水般从十米高处向下飞漂的那一刻，心已悬到半空中了；还有撞到满眼金星的&碰碰车&；恶作剧般把人甩向半空的&星际蜘蛛&、&旋转飞机&和&森林老鼠车&等，都能将你带到一个虽然伴有被刺激后的泪花，但更多的是兴致倍增的境地，考验了你的意志力。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。