在空中

Hans Blix, the United Nation's chief weapons inspector in Iraq, in his March 7, 2003, address to the UN Security Council, said that as of that date, less than 3 weeks before Bush invaded Iraq, that Iraq had capitulated to all demands for professional, no-notice weapons inspections all over Iraq and agreed to increased aerial surveillance by the US over the "no-fly" zones.

汉斯布利克斯，联合国的首席武器检查员在伊拉克，他在2003年3月7日，地址提交到联合国安理会表示，由于该日期的，少于3个星期前，布什入侵伊拉克，伊拉克已经投降所有要求专业，没有事先通知的武器检查所有在伊拉克上空，并获通过增加空中侦察，由美国在"禁飞区"地带。

But instead of his usual countermove (which was twist in mid-air, spring off the wall, cartwheel and attack) he hit the wall flat on, with a sickening crack, and then dropped on the floor, out cold.

但是取而代之的是他平常的反对运动(一扭是在那一个空中，在墙壁，车轮和攻击外的春天)他击中墙壁公寓在，之上藉由一个令人作呕的裂缝，然后在地板上降低，出自寒冷。

Here Pilgrims roam, that stray'd so farr to seek In Golgotha him dead, who lives in Heav'n; And they who to be sure of Paradise Dying put on the weeds of Dominic, Or in Franciscan think to pass disguis'd; [ 480 ] They pass the Planets seven, and pass the fixt, And that Crystalline Sphear whose ballance weighs The Trepidation talkt, and that first mov'd; And now Saint Peter at Heav'ns Wicket seems To wait them with his Keys, and now at foot [ 485 ] Of Heav'ns ascent they lift thir Feet, when loe A violent cross wind from either Coast Blows them transverse ten thousand Leagues awry Into the devious Air; then might ye see Cowles, Hoods and Habits with thir wearers tost [ 490 ] And flutterd into Raggs, then Reliques, Beads, Indulgences, Dispenses, Pardons, Bulls, The sport of Winds: all these upwhirld aloft Fly o're the backside of the World farr off Into a Limbo large and broad, since calld [ 495 ] The Paradise of Fools, to few unknown Long after, now unpeopl'd, and untrod; All this dark Globe the Fiend found as he pass'd, And long he wanderd, till at last a gleame Of dawning light turnd thither-ward in haste [ 500 ] His travell'd steps; farr distant he descries Ascending by degrees magnificent Up to the wall of Heaven a Structure high, At top whereof, but farr more rich appeer'd The work as of a Kingly Palace Gate [ 505 ] With Frontispice of Diamond and Gold Imbellisht, thick with sparkling orient Gemmes The Portal shon, inimitable on Earth By Model, or by shading Pencil drawn.

此外还有很多，说起来未免太冗长，他们无非是些未成熟的、痴呆的、穿着黑、白、灰色衣的身带骗人的假法宝的隐士和托钵僧。其中有的在这里云游巡礼，曾到各各他去寻觅那活在天上的死人，临终穿上圣多明我派或圣方济派的袈裟，以证明自己确实去过极乐天堂，他们误以为这样打扮就可畅通无阻。他们通过七星天，通过"恒星天"，通过那权衡黄道振动均势的"水晶天"，并且还通过"原动天"。圣彼得手拿钥匙，站在天堂的边门口，像是在等待他们，正要举步登上天堂的阶梯时，看吧！从左右吹来一阵猛烈的横风，他们被斜吹到十万里外的远空中去：那时看见僧帽、头巾、袈裟，连同它们的穿戴者一起被吹翻扯烂，还有圣骨、念珠、免罪券、特免证、赦罪证、训谕，全被高高卷起，都成了风的玩具，他们飘过这世界的背面而远落在广大的地狱边缘，被称"愚人的乐园"，很久之后将是家喻户晓的，但是现在却是人迹罕至的地方。魔王走过这整个黑球，经过长久的漫游，终于发现一线曙光，便加紧他的步伐，向那边走去。他远远望见一座高大的建筑，从它那宽大的阶梯拾级而上，可以抵达天国的城垣，它的顶上，像有比王宫还要富丽的宫门，它的正面镶有金刚石和黄金；大门上密饰着东方的珠宝，光彩夺目，人间的浓淡画笔也无法描绘它。

Snow is falling from the sky in the middle of July The sun was shining in my eyes again last night It all goes off without a sound, the silence is so loud Something isn't right Footsteps echo down the hall, no one's there at all Dial your number but your voice says "I'm not home" Everything is inside out, don't know what it's about It keeps getting Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah Going for a walk outside, to see what I can find No reflections in the window as I pass by It feels hotter in the shade, water running from the drain Something going on Coversations with a mime,(?????????alguem sabe) Imagination must be working overtime The world is upside-down, everything is turned around It keeps getting, Stranger by the day Stranger by the day It keeps getting stranger by the day Stanger by the day, yeah By the time I reach your door, I can't take any more I just happened to be in your neighborhood I'm the one who gets surprised, I Don't believe my eyes Your alibi's no good.

雪是从空中向下，在7月中旬阳光明媚，在我的眼睛再次昨晚它一切顺利起飞，没有一个健全，沉默是如此响亮东西是不正确的脚步声回波下来大厅，没有人的存在，在所有拨打你的电话号码，但你的声音说："我没有家"一切都是里面出，不知道这是什么，它的约它总是陌生的，一天陌生的，一天它总是有陌生人一天陌生的，一天，是啊要设立一个走在外面看到有什么我可以了解没有思考，在窗口我擦肩而过它感到热，在阴凉处，水从排水管一些正在进行 coversations与默剧，）想象力必须超时工作世界是倒置式的，一切扭转它总是，陌生的，由天陌生的，由天它总是由陌生人一天 stanger由一天，是啊由那时，我到达你的门，我不能采取任何更多我只是刚巧在你的周边环境我是一个谁得到惊讶，我不相信我的眼睛你的不在犯罪现场的任何好处。

As the moon scudded across the warm sky toward midnight, Simon's steps grew heavier and heavier The lich-yard seemed to have no ending—indeed, the ground had begun to rise and fall over the gentle humps of the outer downs while he still walked among the weathered stone teeth, some solitary and upright, others leaning together like old men in senile colloquy He wove in and out among the buried pillars, stumbling across the uneven, tussocky ground Every step became a struggle, as though he waded in high waters

这温暖的夜空中，月亮渐渐地移向了午夜，Simon的脚步越来越沉重。这墓园，似乎没有尽头，总也走不完——实际上，在这远离城镇的丘陵上，这地面沿着那些并不陡峭的土堆，变得起伏不平，而他，不但要越过这些小土丘，还要绕过那些风化了的石头，这些石头，有的是单独竖立，有的则互相倾斜倚靠，象是默默交谈的老年人。他在这些埋在地上的墓碑间，绕进绕出，在这些坑坑洼洼、杂草丛生的地上，磕磕绊绊地走着。迈出的每一步，都那么艰难，就象是他在很深的水里跋涉着。

Meditation Alone/ firefly译 The Moon Is Mine The moon is mine And the sundries I home mail It's thin, cool and dark Like me under an unlucky star Who stay out straying, with a sadly sorrowful look When facing it You should feel esteem--in my opinion Also you could Weep when looking at it, and Be put in a tight spot, or Behold a man in it coming out Lay Open the Loneliness Lay open the loneliness, perhaps There be no loneliness Under the alone lamp, in the empty room The whole world's dyed orange with rays Everything represents nothing As someone been far away The deserted heart still misses Only lonely is still lonely Wine for one, when wine round three times for one Think of the drip drops, the fallen leaves, and Some time, some seasons, some persons, some Sundries when warm Like I lay open the loneliness Then nothing to keep lonely The Tree All the leaves in this tree fall Its loneliness falls into a face It's limpid and bright Where the sun shines There are blares of colored glaze Exclaim occasionally, or profoundly Stride one's line of sight, such height and weald Straying there --Why there is no wild Divide the Rain Drips Divide the dense rain drip Then you may see decaying scene-- A man in the sun walking with vigorous strides In the shallow puddle Immerges half his nose, spraying Continuous ripples It's simply a groundless guess at daytime Or rather a dream, yet that's it And that I see Sun's weak, and see The sun and water turns to be blank in the air Nov.

16th， 2007 原诗：《独想》《那些月光是我的》那些月光是我的是我寄给家里的物什它薄薄的，凉凉的，暗暗的就像我的薄命流浪在外，神情悲悯你们面对它应该感到高贵——这是我的想法你们也可以看着它流泪，看着它一筹莫展，或者看着一个人从里面走出来《把孤独摊开》把孤独摊开，或许就没有孤独了在孤灯下，空屋里万物都染着桔色的光万事都不代表什么就像远去了一个人心中空荡荡的，却总有惦念但孤独还是孤独的一个人的酒，一个人酒过三巡想想窗檐的滴水，想想落叶，想想一些时间，一些季节，一些人物，一些那时感到有温度的物什就如同把孤独摊开了没什么可继续孤独的《这棵树》这棵树落光了叶子它的孤独就成了一张脸它清澈与明亮太阳光照的地方，全然是时空中一簇琉璃的光泽偶尔让人惊叹，偶尔骨感地跨入人的视线，那样的旷野和高度停留在那里——为什么没有荒芜《把雨点分开》把稠密的雨点分开就可以看到颓废的景观——一个刚在太阳下健步如飞的男人在浅水坑中浸入了一半的鼻子，喷着连续不断的涟漪这只是我白日的一个臆念有点梦，但就是这样我才看到了阳光的软弱，看到了阳光和雨水原来就是一场空中之茫

His AERIAL LOCOMOTIVE, with a hydrogen-filled compartmented gas "spindle" 800 feet in length and 50 feet in diameter, was to carry between 50 and 100 people at a speed of 60 to 100 mph The great machine was to be remain aloft for 12 hours at a time, propelled by two steam engines driving two "fan wheels or propellers" each of which would be 20 feet in diameter and revolve at 200 rpm He estimated that the machine would weigh a total of some 14,000 pounds and would generate a total buoyant lift of 56,000 pounds, leaving 42,000 pounds for 200 passengers and luggage.

他的空中机车，与氢气填充compartmented气体&主轴&八百英尺在长度和50英尺，直径，是进行50至100人的速度在60至一百英里每小时伟大的机器是要继续高举12在一小时的时间，推进两个蒸汽火车驾驶&两个风扇车轮或螺旋桨&，其中每会20英尺，直径和旋转，在200 rpm的他估计，机器重量共约一四○○○磅，并会产生一个总蓬勃解除五六〇〇〇磅，离开四二零零零磅为200名乘客和行李。

Here Pilgrims roam, that stray'd so farr to seek In Golgotha him dead, who lives in Heav'n; And they who to be sure of Paradise Dying put on the weeds of Dominic, Or in Franciscan think to pass disguis'd; [ 480 ] They pass the Planets seven, and pass the fixt, And that Crystalline Sphear whose ballance weighs The Trepidation talkt, and that first mov'd; And now Saint Peter at Heav'ns Wicket seems To wait them with his Keys, and now at foot [ 485 ] Of Heav'ns ascent they lift thir Feet, when loe A violent cross wind from either Coast Blows them transverse ten thousand Leagues awry Into the devious Air; then might ye see Cowles, Hoods and Habits with thir wearers tost [ 490 ] And flutterd into Raggs, then Reliques, Beads, Indulgences, Dispenses, Pardons, Bulls, The sport of Winds: all these upwhirld aloft Fly o're the backside of the World farr off Into a Limbo large and broad, since calld [ 495 ] The Paradise of Fools, to few unknown Long after, now unpeopl'd, and untrod; All this dark Globe the Fiend found as he pass'd, And long he wanderd, till at last a gleame Of dawning light turnd thither-ward in haste [ 500 ] His travell'd steps; farr distant he descries Ascending by degrees magnificent Up to the wall of Heaven a Structure high, At top whereof, but farr more rich appeer'd The work as of a Kingly Palace Gate [ 505 ] With Frontispice of Diamond and Gold Imbellisht, thick with sparkling orient Gemmes The Portal shon, inimitable on Earth By Model, or by shading Pencil drawn.

此外还有很多，说起来未免太冗长，他们无非是些未成熟的、痴呆的、穿着黑、白、灰色衣的身带骗人的假法宝的隐士和托钵僧。其中有的在这里云游巡礼，曾到各各他去寻觅那活在天上的死人，临终穿上圣多明我派或圣方济派的袈裟，以证明自己确实去过极乐天堂，他们误以为这样打扮就可畅通无阻。他们通过七星天，通过&恒星天&，通过那权衡黄道振动均势的&水晶天&，并且还通过&原动天&。圣彼得手拿钥匙，站在天堂的边门口，像是在等待他们，正要举步登上天堂的阶梯时，看吧！从左右吹来一阵猛烈的横风，他们被斜吹到十万里外的远空中去：那时看见僧帽、头巾、袈裟，连同它们的穿戴者一起被吹翻扯烂，还有圣骨、念珠、免罪券、特免证、赦罪证、训谕，全被高高卷起，都成了风的玩具，他们飘过这世界的背面而远落在广大的地狱边缘，被称&愚人的乐园&，很久之后将是家喻户晓的，但是现在却是人迹罕至的地方。魔王走过这整个黑球，经过长久的漫游，终于发现一线曙光，便加紧他的步伐，向那边走去。他远远望见一座高大的建筑，从它那宽大的阶梯拾级而上，可以抵达天国的城垣，它的顶上，像有比王宫还要富丽的宫门，它的正面镶有金刚石和黄金；大门上密饰着东方的珠宝，光彩夺目，人间的浓淡画笔也无法描绘它。

To be sure, China's military is becoming increasingly assertive, as seen by occasional tiffs at sea and in the air, notably in 2001 when a U.S. spy plane made an emergency landing on Hainan island after a collision with a Chinese fighter jet.7 l3 ^: E5 ^9 J3 w% q: k/ b,?

有一点是可以确定的，那就是中国的军力是在变强，可以从近几次在海上与空中的冲突看出来，特别是在2001年的那次事故：美国的侦察机紧急降落在了海南岛——当然是在把中国的战斗机撞下海之后。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当傍晚的迷雾用它薄纱般的诗意笼罩着河岸，古老的建筑迷失在朦胧的天空，高耸的烟囱幻化成一座座孤立的钟楼，林林总总的仓库就像夜里的宫殿整个城市都悬挂在了天空中，宛如仙境展现在我们眼前，在那时，路上的行人匆匆地赶回家；劳动者和文人，智者和浪子，他们视而不见，自然也就不能理解，而只在此时才开始歌唱的大自然便把自己美妙的歌曲献给了艺术家们——她的儿子和她的主人；说他是儿子是因为他爱她，说他是主人是因为他理解她。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。