在空中

If I had one wish, it would be to have wings and soar high in the sky.

如果我能有一个愿望，那就是长出一对翅膀，在空中翱翔。

He could sojourn in the air for fifteen days and then go home safely.

他可以在空中待上十五天，然后安然返家。

He could sojourn in air for fifteen days and then go home safely.

他可以在空中待上十五天，然后安然返家。

He turned a somersault in the air.

他在空中翻了一个筋斗。

Can you glide? Can you somersault in the air?

可以滑行？你能否空翻在空中吗？

To turn a somersault in the air.

在空中翻筋斗

When you travel in space, your body has no weight.

当你在空中旅行，你的身体会失重。

There was also ice-type trap that has its own CD, a fire trap type has its own CD, now did not materialize, DZ down the trap speed was a lot faster, you may also have their own snow, I feel that the survival of LR should be the introduction of mechanical traps, and before this is not magic-type traps were CD, and talents from the survival of deep point out that the characteristics of mechanical trap is triggered only once, the effect of the main tactics, such as an elastic traps, and the task: I would like to bird eggs inside the elastic bed is similar to the trap of those who touch the vertical bounce as high as 20-30 yards, ex, yes, he has been in the air, hit two shots.

还记得以前有说冰类陷阱有自己的CD，火类陷阱也有自己的CD，现在都没有实现，DZ拆陷阱的速度倒是快了不少，可能暴雪也有自己的考虑，我觉得生存LR应该引入机械陷阱，这个不和之前的魔法类陷阱共CD，且由生存深天赋才能点出，机械陷阱的特点是只触发一次，战术效果为主，比如出现一个弹力陷阱，和任务：我要鸟蛋里面的弹力床相似，把触碰陷阱的人垂直弹起20-30码那么高，（恩，对，他在空中了，打两枪。

Crown is spherical, and in the air to draw a beautiful curve.

树冠是球形的，在空中画出优美的曲线。

The plane with its wings spread, just like an eagle, wassoaring in the sky.

飞机展开翅膀，像鹰一样在空中飞翔。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。