在空中

Over this immensity the sky curved like a frescoed ceiling, where flotillas of white grey clouds floated on separate winds.

天空在无垠的大地上盘旋曲折，仿佛是一个刻有壁画的天花板，密集的白云和灰云在空中随着阵风飘移。

Over this immensity the sky curved like a frescoed ceiling, where flotilla s of white and grey clouds floated on separate winds.

天空在无垠的大地上盘旋曲折，仿佛是一个刻有壁画的天花板，密集的白云和灰云在空中随着阵风飘移。

Over thisimmensity the sky curved like a frescoed ceiling, where flotillas ofwhite and grey clouds floated on separate winds.

天空在无垠的大地上盘旋曲折，仿佛是一个刻有壁画的天花板，密集的白云和灰云在空中随着阵风飘移。

Over this immensity the sky curved like a frescoed ceiling, where flotillas of white and grey clouds floated on separate winds. copyright dedecms

天空在无垠的大地上盘旋曲折，仿佛是一个刻有壁画的天花板，密集的白云和灰云在空中随着阵风飘移。

Over this immensity the sky curved like a frescoed ceiling,where flotillas of white and grey clouds floated on separate winds. mmkey.net

天空在无垠的大地上盘旋曲折，仿佛是一个刻有壁画的天花板，密集的白云和灰云在空中随着阵风飘移。

Instead of attacking more, he hovered in the air on graceful but terfly wings in front of me.

他不再进攻了，只是在我面前振着那优美的蝴蝶翅膀在空中盘旋着。

Instead of attacking more, he hovered in the air on graceful butterfly wings in front of me.

他在我面前优雅地展开蝶翅，在空中盘旋，没有再攻击我。

His breath huffed in the air like he was smoking a cigar.

他呵出的热气在空中成了一道白烟，好像在抽雪茄。

I know that mother could not be incarnated in my vision, but would reborn in my memory.

在夜晚，我的周围是如此沉寂，夜莺停止了悲唱，夜魔在空中乱舞。

Then focus your mind on levitating the stone and the energy around the stone into the air about 3 feet using the power of thought.

然后把你的精神集中于在石头周围，用思想的力量使石头和能量升在空中到空气中大约3英呎。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。