在空中

It is so that my transgressions have born a withered fruit,the sun has scorched the rising plans;alas they have no root, the bleached bones of animals bound by leather strips,dance through the air with laughter as i wield this wicked whip,as you did warn me carpenter, this world has weakened my heart,so easily i disparage, self-seeking the work of my art,and there you have come to me at the moment i bathe in my sorrow,so in love with myself, sought after avoiding tomorrow,where do you find the love to offer he who betrays you?

就这样，偶地违规行为已经枯死出生的水果，太阳烤焦了上升的打算；可惜他们没有根，由皮革带约束动物的白骨，在空中舞蹈，因为我这个邪恶的鞭子挥舞的笑，如你没有提醒我的蔷匠，这个世界上削弱了我的心，这么容易i贬低，自我追求我的艺术作品，有你来我在现阶段，我洗澡，我悲伤，因此爱上了自己，避免追捧明天，你在哪里找到他喜欢哪位提供背叛你？

At the parties, many games are played, including "snap-apple", a game in which an apple on a string is tied to a doorframe or tree and players attempt to bite the hanging apple.

在聚会中，会进行很多游戏项目，其中就包括&咬苹果&，这个游戏是将一只苹果用绳子拴在门框或树上，而参与者则试图去咬悬在空中的苹果。

Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.

在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂，超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感，自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现，很多80后艺术家将自己描述成没有重量的物体，在空中自由自在的飞行、飘浮，这种主观意识状态驱使下的描述，意味着客观精神状态的失常和空虚，极度膨胀和自我良好的唯心意识观严重背离了现实，凌驾于现实之上的感觉建立在空想或幻想的思维中。

I say it is to wage war by land, sea and air.

我的回答是：在陆地上、在海上、在空中作战。

The way of an eagle in the sky, the way of a snake on a rock, the way of a ship on the high seas, and the way of a man with a maiden.

就是鹰在空中飞的道，蛇在磐石上爬的道，船在海中行的道，男与女交合的道。

The way of an eagle in the sky, the way of a snake on a rock, the way of a ship on the high seas, and the way of a man with a girl.

19鹰在空中飞行；蛇在磐石上爬动；船在海上航行；男女相恋。

I've always dreamed of traveling in space, floating in zero gravity, gazing down on the Earth.

我一直梦想在在空中遨游，漂浮在零重力环境中，向下注视着地球。

Now it was the custom for two people to hold the train of the king s long robe and walk behind him in a procession , and this time , too , two chamberlains stooped down and pretended to be holding something in the air.

按照惯例，在游行中有两个人跟在皇帝后面拿着他的长袍。这时，也有两个御前侍臣弯腰曲身装着在空中手里拿着什么东西似的。

Nicholas Tse for Mandarin recently released a new album,"Finally", a helicopter hovered in the air for a few weeks before landing on the aircraft carrier, one step over the door was surrounded by bodyguards and police enters the stage, together with more than 70-year-old father Xie, together严实wearing the Air Force uniform, standing shoulder to shoulder under the hot scorching sun deck with dozens of news media to meet and accept the crazy fans cheering at the scene.

近日谢霆锋为发布国语新专辑《最后》，乘坐的直升机在空中盘旋了数周才降落在航母上，一踏出舱门随即被多名保镖和武警簇拥登场，又联同70多岁的父亲谢贤，一起身穿严实的空军制服，并肩站在烈日下滚烫的甲板上，与数十家媒体的记者见面，接受现场粉丝的疯狂欢呼。

Dorothy thought she would go next; so she took Toto in her arms and climbed on the Lion's back, holding tightly to his mane with one hand. The next moment it seemed as if she were flying through the air; and then, before she had time to think about it, she was safe on the other side.

多萝茜想她应该第二个过去；所以在她的臂弯里带着托托，爬上狮子的背，一只手紧紧地揪住它的复毛，一会儿，她似乎在空中飞过；当她还在想的时候，已经平安地到达那一边了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。