在甲板上

"Next!" the man called, and didn't give the kid cowering on the deck another glance.

&下一个！&那人叫到，没有给那瑟缩在甲板上的孩子第二眼。

He was sitting on the deck disentangling a coil of rope.

他坐在甲板上理一捆绳索。

Mr Fogg and Aouda, who were seated on deck, cast a last glance at the quay, in the hope of espying Passepartout.

旅客们都在甲板上坐着。福克先生和艾娥达夫人向码头作最后一次的眺望，他们希望看到路路通是不是真正就此失踪了。

A number of fish were flopping on the deck.

数条鱼在甲板上啪啪乱跳。

Then you comment, that "The pips must still be in the deck somewhere!"

那么您的评论指出，&点子仍必须在甲板上的某个地方&！

He promenaded back and forth on the ship 's deck.

他在甲板上踱来踱去。

That evening, all the men sat around on the deck recounting the day's triumph.

那天晚上，所有的人围坐在甲板上述说白天的胜利。

We lay sunning ourselves on the deck.

我们躺在甲板上晒太阳。

We often repair the cargo winches on deck .

我们经常在甲板上修理起货机。

He looked out through the window and observed me walking along the boat deck.

他从窗子望出去看到我在甲板上行走。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。