在甲板上

Perhaps it was because we were having such a good time and on deck as much as possible playing shuffle board, deck tennis or swimming.

大概是因为我们一直在甲板上都玩得很尽兴吧，从跳舞，打网球到游泳，样样都试过了。

He stood on the deck with his hand waving to us.

他站在甲板上向我们频频挥手。

He's sitting on the deck.

他正坐在甲板上。

I've been working on the deck all day.

我一直工作在甲板上一整天。

We're on deck.

我们在甲板上。

He was sitting alone on the deck.

他一个人坐在甲板上。

The sailor had forgotten to fasten down the lifeboats on deck.

那个水手忘记把救生艇系在甲板上了。

To land on the flight deck, each plane needs a tailhook, which is exactly what it

为了能让飞机落在甲板上，每架飞机都配备了一个尾钩。

One morning we found a dead flying fish on the deck of the boat, it did not make its way back to the water.

一天早晨，我们在甲板上发现了一条死去的飞鱼，它没能重返水中。

One morning we found a dead flying fish on the deck of the boat, it didn't make its way back to the water.

一天早晨，我们在甲板上发现了一条死去的飞鱼，它没能重返水中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。