在甲板上

The aftermost transverse structural member in a steel ship, including the floor, frame, and beam assembly at the sternpost.

船尾构架铁船中最靠近船尾的横向组成部分，包括在船尾柱附近的甲板、肋骨和横梁上

Radar mast shall be installed on the centerline on compass deck above wheelhouse, Signal light pole and anemoscope, navigation light, signal lights racks, Suez Canal sign lights, antenna, radar, air horn etc.

雷达桅安装在驾驶室以上罗经甲板的中心线上。

The lower berth in a double tier should be not less than 30 centimetres above the floor; the upper berth should be placed approximately midway between the bottom of the lower berth and the lower side of the deckhead beams.

如安置双层床，则下床在地面上的高度不应小于30厘米；上床应大约位于下床床板与天花板甲板梁底部的中间位置。你知道它的英文吗？

Whether we were bathing in sea breeze under the azure sky while on the deck of a luxury cruise ship or sipping coffee along the street of a miniature European town lined with houses of red roofs and white walls while watching the tranquil town gradually waking up with the sunlight, both of us would simultaneously throw a knowing glance to the other as if we were the only ones in this tiny world.

回忆起我和前妻的那些难忘的日子，不论是白天在豪华游轮甲板的躺椅上用蓝天作被，在海风中沐浴，还是清晨在两边林立红顶白墙房子欧洲城镇的街边一边喝咖啡，一边看着宁静的小城在阳光中慢慢醒来，我们都会相视而笑，好象世界上只有我们两人，我们都会每天晚上以疯狂地zuo爱给这一天画个句号…。

Over in the west there was the last of the night, and in the east, to the windward, the first of day; and there, clear against the lightening sky, lay a vessel, already quite near, a very large two-masted double hulled canoe with a broad platform or deck overlapping the hulls with a thatched house upon it; and the vessel had two towering fore and aft sails, each with a curved crest reaching forwards.

在西面是黑夜的最后残余，在东面、在顶风的方向，则是一天的开始；而在那儿，在渐渐变亮的天空背景下，可以清楚地看见一艘海船，离他们已经很近了，那是一条很大的双桅杆、双船体的木舟，带有宽阔的平台或者甲板，平台覆盖在两个船身上面，平台上有座草顶的木屋；这条船扯着两面高高的前后帆，每一面帆都有朝前弯曲的冠顶。

At any given time, you can see Corvettes racing on the dry lakes of the US.

在任何的给定时间，你能见到在美国的干湖上的平甲板帆舰滚道。

You feel the good of caps and over coats and heavy shawls and thicks team ship rugs tightly tugged round your sides;look at the sea and you are confronted with indifferent masses of steely water hemmed in by hazy horizons andover cast with amisty firmament that promises neither sunlightn or gladhuedclouds.and you mean to tell me that this is summer, the month of june?

走进客舱就会感到暖气开足的舒适，这又何足为奇；上了甲板，紧紧裹在帽子、大衣、厚实的围巾以至船用毯子中间才顶得住；放眼海面，只见灰暗的海水延伸到雾蒙蒙的天际，上面的苍穹同样是浓云密布的，不见一线的阳光或者彩云。你不是告诉过我这是盛夏的六月吗？

You feel the good of caps and over coats and heavy shawls and thicks team ship rugs tightly tugged round your sides;look at the sea and you are confronted with indifferent masses of steely water hemmed in by hazy horizons andover cast with amisty firmament that promises neither sunlightn or gladhuedclouds.and you mean to tell me that this is summer, the month of june?

走进客舱就会感到热气开足的舒适，这又何足为奇；上了甲板，紧紧裹在帽子、大衣、厚实的围巾以至船用毯子中间才顶得住；放眼海面，只见灰暗的海水延伸到雾蒙蒙的天际，上面的苍穹同样是浓云密布的，不见一线的阳光或者彩云。你不是告诉过我这是盛夏的六月吗？

Enter the drawing room sand you feelthe good of the radiators heartily at work again;goto the decks andyou feel the good of caps and over coats and heavy shawls and thicks team ship rugs tightly tugged round your sides;look at the sea and you are confronted with indifferent masses of steely water hemmed in by hazy horizons andover cast with amisty firmament that promises neither sunlightn or gladhuedclouds.

走进客舱就会感到暖气开足的舒适，这又何足为奇；上了甲板，紧紧裹在帽子、大衣、厚实的围巾以至船用毯子中间才顶得住；放眼海面，只见灰暗的海水延伸到雾蒙蒙的天际，上面的苍穹同样是浓云密布的，不见一线的阳光或者彩云。

You don't have to hook anything up to your brain, you can walk in and out of it like any room. A room that happens to be full of ninjas and naked women and everything else you don't have in your real life.

你不用在你的大脑上连接什么东西，你也可以像进出任何屋子一样进出全息甲板，在里面你可以看到在现实生活中你所没有的东西：满屋的忍者、裸女以及其它的一切。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。