在甲板上

There were the two watchmen, sure enough: red-cap on his back, as stiff as a handspike, with his arms stretched out like those of a crucifix, and his teeth showing through his open lips; Israel Hands propped against the bulwarks, his chin on his chest, his hands lying open before him on the deck, his face as white, under its tan, as a tallow candle.

伊斯莱尔靠舷墙坐着，两腿笔直地伸着，下巴耷拉在胸前，双手张开平放在他面前的甲板上，棕黑色的脸已苍白如蜡。刹那间，大船如一匹劣马腾空跃起。帆张满了风，一会向这边，一会又向那边。

There were the two watchmen, sure enough: red-cap on his back, as stiff as a handspike, with his arms stretched out like those of a crucifix, his teeth showing through his open lips; Israel Hands propped against the bulwarks, his chin on his chest, his hands lying open before him on the deck, his face as white, under its tan, as a tallow candle.

伊斯莱尔靠舷墙坐着，两腿笔直地伸着，下巴耷拉在胸前，双手张开平放在他面前的甲板上，棕黑色的脸已苍白如蜡。刹那间，大船如一匹劣马腾空跃起。帆张满了风，一会向这边，一会又向那边。

He posed with smiling Inuit children, took the controls of a submarine and stood on the deck of a frigate as three fighter aircraft roared over Frobisher Bay in a military exercise dubbed Operation Nanook.

和微笑的因努伊特的儿童摆造型，操控潜水艇，并在一次代号为"北极熊行动"军事演习中，站在一艘驱逐舰甲板上目送三架战斗机轰鸣着划过佛罗比舍湾。

The captain stood towering on the quarterdeck with his gaze fixed on the unfortunate Wellard, who shrank visibly away from him.

船长高高在上的站在后甲板上俯视着倒霉的威拉德，后者在他的目光中瑟缩着。

Skipjack . They are only 2 vents in the bow and none in the stern or deck.

他们只有2喷口在船头，并没有在严峻或甲板上。

We sat on the cushioned deck, in the shade of a canopy, as the sun-bleached shores of the Nile went by like a beautiful, colorful silent film.

我们坐在铺着软垫的甲板上，躲在帆布篷遮蔽的阴凉中，看着让太阳光晒得白花花的尼罗河河岸像一部美丽而多彩的无声电影从我们眼前掠过。

The sam leads the son to recede the another region to come to the Seattle tranquil silently life, only is projects one lonely atmosphere in the tranquil night sam big shadow in the pleasure boat deck upthrow.

山姆带着儿子远走他乡来到西雅图过平静默默的生活，只是在宁静的夜晚山姆高大的影子在游船的甲板上投射出一种孤独的气氛。

The tiny mustachioed orphan of the storm beams innocently over the shoulder of McKay's own dearest.... Old stuff about an endearing note which Chaplin receives by mistake.... Out to make his pile so that he can wed the Klondike Kitty Kelly .... More prospectors*.... The big strike; the search for the girl; the scene on board the ocean liner in which the stunted erstwhile prospector, now in purple and fine sable, lounges on the first cabin, his heart aswoon for a vanished barmaid ...

这个在风雪中孤苦无依的流浪汉，挑挑自己的小胡子，越过McKay的肩膀无辜得朝人家的小宝贝儿笑笑……卓别林靠着误会被美人接受，这情节又不足为奇……他用大把大把的钞票融化了Klondike的Kitty Kelly 的心……更多的采矿汉、混乱的打斗，寻找女孩；画面又转到了远洋客轮的甲板上，那个过去矮小的采矿汉现在已锦衣玉食，坐在头等舱，他为一个消失了的酒吧女郎而魂不守舍。

The missiles are intended for launch to a general location where their guidance systems take over and spot carriers for attack with warheads intended to neutralize the ships' threat by destroying aircraft on decks, launching gear and control towers, Giarra said.

该导弹发射的大致位置打算在他们的指导系统，接管并当场为目的，以消除摧毁在舰艇甲板上飞机的威胁，发射装置和弹头的攻击控制塔运营商，Giarra说。

After they had enjoyed fair winds and weather for a season, they were en－countered many times with cross winds and met with many fierce storms with which the ship was shroudly shaken, and her upper works made very leaky; and one of the main beams in the midships was bowed and cracked, which put them in some fear that the ship could not be able to perform the voyage.

至于那根弯曲的主桅杆，因为船上的乘客们从荷兰带了一个巨大的铁螺钉，所以可以用它把那根桅杆复位，然后身兼木匠的船主保证他可以用一根固定在下层甲板上的柱子撑在它的下面，其他方向也绑好，这根桅杆就可以安全使用了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。