在现代

Making use of the regulatory theory to research the development of modern service,discussing the government how to bring into play an role action and constitute the corresponding policy,then promote the development of our national modern service by analy...

通过对目前现代服务业政策进行分析，利用规制理论对发展现代服务业的产业规制进行研究，探讨政府如何在现代服务业发展中发挥作用，制定相应的政策，从而促进我国现代服务业的发展。

Firstly,it reviews the history of aesthetic disinterestedness.

论文以三个命题阐述康德美学与中国现代美学的内在关联：首先，回溯审美无利害的历史，结合中国传统美学，从审美态度、艺术独立的角度阐明审美无利害命题的重要作用，审美无利害性既奠定了现代美学学术的独立性，又揭示出现代美学的基本性质与特征；其次，诠释康德美学中的审美自由概念，在现代美学的语境中阐释了"美是道德的象征"的命题，同时阐明审美游戏与美育的自由特征，审美自由显示出现代美学的超越精神和乌托邦精神；第三，艺术的人生观或者人生的艺术化将艺术与人生紧密地联系起来，审美人生展示出现代美学的审美理想，成为现代美学的价值归宿。

Bing no longer restricted to its traditioned role as the presentation of the suspended time and a fleetingly observed sight before the great changes in Western art, perfect theatment of time and space in painting has overwelmingly changed and transcended the traditionally-established means of presenting a three-dimentional illusionism based on a two-dimentional plane,crying for the emergence of pluralist concept and multiple fashions of time-space treatment in painting.

作为绘画表现的一个重要部分的时空表现在现代绘画中也出现了翻天覆地的变化。西方现代艺术变革之前的艺术家将如何在二维的平面塑造物体的三维空间形体，表现凝固的时间或瞬间场景视为绘画的重要方面，而西方现代绘画在继承性的推翻传统的绘画的同时，出现了多元的，丰富的时空表现样式。

Chapter Five An analysis on the narration methods from the angles of women'slanguage and discourse is presented.women's language representswomen's constrained and disseminated state of existence,and thus analysisand examination on women's language is made through the following fiveaspects:1constrained and evasive language;2struggling language in thediary-style novels;3communicative language in the letter-style novels;4caring and revealing language in the autobiography novels;and 5satiricallanguage that insert in the slight crack.

但笔者更多着眼于现代女性小说中的女性语言反映女性被压抑和异化的生存状态。进入现代社会，尽管女性获得了话语的权利，但女性的语言和话语方式很难冲出她们的生存牢笼。本文中的"女性语言"不仅成为展开叙述的基本因素，更重要的是在现代女性小说中，它呈现出女性的话语方式与现实之间的两难困境。在这种基本前提之下，本文分五个部分来分析现代女性小说中的女性语言，从而比较中韩女性小说的叙述方式：一、禁闭与躲避的语言；二、日记体小说中挣扎的语言；三、书信体小说中沟通的语言；四、自传体小说的关怀与审视的语言；五、穿行于裂隙之间的讽刺语言。

They high on shuttling back and forth in the modern metropolis, enjoy the result of the modern civilization as much as they like and realize their own ideals; in the simple, modern space, they suffuse free and optional individuality as well as elegant mettle, and reveal romantic mood in their behaviour and style of conversation.

他们热衷于穿梭在现代都市之中，尽情的享受着现代文明的成果，实现着自己的理想；他们在简约的现代空间之内，洋溢着洒脱与随意的个性、优雅高贵的气质，还能在举止谈吐之间流露着丝丝的浪漫情怀。

In our study, we found there was a rather universal phenomenon in the modern Chinese, that is, many unset phrases gradually became idioms for various reasons in the long-term language practice, and at present, the study about this problem was still far from being enough.

笔者在对现代汉语的语言现象进行研究时，发现在现代汉语中存在着一种较为普遍的现象，即现代汉语中有相当一部分非固定短语由于种种原因，在长期的语言实践中逐渐演化为熟语，成为语言中的固定结构。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

When talking about the evolution of the Book of Changes, therefore, the Modernists contend that it is important to distinguish between the traditional history assigned to texts such as the I Ching (felt to be anachronistic by the Modernists), assignations in commentaries which have themselves been canonized over the centuries along with their subjects, and the more recent scholarly history aided by modern linguistic textual criticism and archaeology.

在谈到发展的易经，因此，在现代主义者认为，重要的是要区分分配给传统的历史文本，如易经（认为是不符合时代精神的现代主义者），在评注的assignations自己被册封千百年来与他们的问题，以及最近的学术史的帮助下现代语言考证和考古。

To some degree, society and individual have trended into unification and harmony under the nexuses of production, appropriation and exchange through modern social interaction of economic, political and cultural intercourse, which caused the all time development of human being.

在现代交往中人的个性化和社会化走向统一，在现代生产力、交换关系、占有关系的协调统一中，在现代经济交往、政治交往、文化交往过程中的人获得了空前的发展。

Base on the understanding of the core of Chinese traditional bamboo culture, the project analysis Chinese modern life and esthetics with Typical Group of People Analysis, Life Style Research, Mood Board and Quadrant Distribution Map. The research analyses modern people's requirements to bamboo culture, discusses the possibility of combining modern esthetics with traditional bamboo culture, and creatively induces the modern applications of bamboo culture according to both material and spirit consideration. It is wished that through this research, the quality of modern product design would be improved through the combination of advanced modern technology, modern design and modern aesthetic elements with the traditional bamboo culture and bamboo materials. It is also wished that by the use of bamboo culture which reflects the nature of Chinese civilization, the Chinese design brand will be established, and the design with rich Chinese characteristics will be created.

本研究在对中国传统竹文化的核心和特征的理解归纳的基础上，采用了典型族群分析、生活形态研究、情态看板、四维象限分布图的研究方法，具体深入的研究了中国的现代生活及现代审美，并结合中国传统竹文化所表现出的审美意向和情趣，分析了现代人对传统竹文化的需求，以及传统竹文化与现代审美结合的可行性，并从竹材与文化内涵两方面探讨了竹文化在现代产品设计中的应用，希望能够通过结合现代先进技术、现代设计和现代审美的元素，运用竹文化所体现出来的中华文明的特质，提高现代产品设计的品质，并树立中国设计的品牌形象，创造出富有中国特色的设计。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新