在焦点上的

The focus of the debate has been on whether or not we can see an adjectival verb as a word, and how verbal it is.

争论的焦点集中在两点上：第一、形容动词能否认定为一个词；第二、形容动词的"动词"特征到底在哪里。

The supermolecule system building on the weak interactions between molecules has always been the focus on chemistry , bionomy , material science and informatics theoretically and experimentally . However , because the experiments fail to provide varied information in detail .

通过分子间弱相互作用构筑的超分子体系一直是化学，生命科学，材料科学，信息科学领域在理论和实验上的研究焦点，但对于分子间的相互作用体系，实验研究不能提供十分详细的各种信息，所以量子化学计算在补充其结构，能量，光谱等信息上有着重要的意义。

On the microcosmic view point, I have already elected five Daqu to textually research their composition, musical style and character, communication and influence, etc.

在微观的认识上，还选择了具有代表性的五部唐大曲，考证了其创作、音乐风格及特征、传播及影响等方面，充分利用新史料的挖掘和古谱解译的成果来考证大曲的发展及音乐风格，在前人研究的基础上发表了自己的看法，对某些有争议的焦点问题进行了全面的论证。

Therefore, carefully examining the scientific realism with the antirealism argumentation historic course, the focal point of argumentation, the method of argumentation, the standpoint of argumentation as well as the rationality of argumentation, thus it has become an extremely important question to appraise their significance in a new foundation, and explore the recent development basis and the trend on this foundation,.

为此，重新审视科学实在论与反实在论争论的历史进程、论争的焦点、论争方法、论争立场以及论争的合理性，从而在一个新的基础上重新评价它们的意义，并在这个基础上探索新的发展基底和趋向，已成为一个非常重要的问题。

Hidden Image is an image contains one or more embedded figures The hidden figure merges into typically a busy image such that it does not standout and remains unnoticeable for a while It takes the viewer to focus or some targeted effort to detect the hidden figure and might requires some hint to be able to do so In this paper we provide the technological processes to create the hidden image which normal Texture Synthesis can't be done; According to quantization of background and figure we manage to recolor the quantized color of figure through Luminance Labeling Processing which is base on relationship between background and figure we also manage to remove some parts assigned by user to make our result more natural but can still recognize the figure Finally we present the result using the Texture Processing We believe the proposed system can provide a user-friendly tool to create their own Hidden Image

Hidden Image，中文称为画中有画的艺术；在表现手法上是一们相当新颖且前卫的艺术，其表现风格多种；一般来说，常见手法是将一个或是多个物体以不同型态的方式巧妙的融合在背景当中，观察者在远方观赏整幅画时，并不会觉得特别突兀，而当视觉集中到某一个焦点上时，透过大脑重新组织之后，其隐藏的物体将渐渐浮现出来。本篇论文主要是提供一个完整的流程；根据luminance space区块化后，透过物体本身区块的相互关系，或是物体与背景的相互关系进行Luminance Labeling，并经由Erosion Processing将物体做适当的破坏，最后以贴图方式给予视觉化呈现。相信透过这样的流程，我们将赋予一般普罗大众一套机制去创造出属於自己的Hidden Image。

The 921 Earthquake caused the victim of disaster's mentally tremendous pressure and dismays. The severely suffer and helpless might made a long-term trauma responses. Although there were many studies of trauma responses after the disaster of 921 Earthquake are available, little information exists to investigate in the area of child who loss their parents in 921 Earthquake.

中文摘要九二一大地震造成灾民心理上极大的压力与恐慌，受创严重而又孤立无援的灾民，即可能有长久性的创伤反应，而在灾后已有许多的专家学者将焦点聚焦在创伤反应的研究上，但是以因灾难而丧亲儿童为对象的研究则付之阙如。

In the 1970s,influenced by the feminis t movement,the new social history,post-modernism and other academic t rends,researchers focussed their a ttention on the study of theshe historyand crowned it with quick success.

美国西部妇女史近半个世纪的探索与妇女研究发展轨迹相当。70年代受女性主义运动及新社会史、后现代主义等学术思潮的影响，研究者们致力于&她史&，使得该研究得到了迅速的发展。80年代以后，女性研究的焦点转入社会性别理论，西部妇女史的研究中也广泛采用这一分析范畴，同时强调西部妇女多元文化的历史背景。90年代以来，随着理论的不断深化和史料的丰富，该研究从微观上强调西部妇女的族裔、文化、阶级、职业等的差异，从宏观上强调全新意义上的&两性史&，即要求在一个新的历史基准体系之下对各种妇女群体作出价值评估，并将妇女的历史编入西部历史之中。

The feeding head can rotate around axial Z and axial X or Y. With the help of Siemens NC system, which can overcome the limitations of feeding heads working space, we can make axle sleeve and so on. It can be used to repair irregular shape products in laser cladding, such as metallic sheath. Using 3D coaxial feeding head, large area laser refabrication was carried out in metallic sheath.

由于原数控系统是非开放性的，不宜直接在原有系统上进行二次开发，考虑到现有条件，采用单片机控制二步进电机以实现送粉头能绕Z轴转动和绕水平轴转动，加上原有数控系统的在Z轴方向上的运动配合使送粉工作头具有三维空间工作能力，它克服了普通送粉头工作空间的限制，同时还具有粉末流束焦点可调功能。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

For more powerful arguments of this point see Chomsky's appendix. On a still higher level, the level of immediate constituent, we find a similar phenomenon which is best illustrated by turning our attention to our understanding of sentences. Consider the first two words of the sentences

再更上一个阶层是为直接成份，我们也发现一个类似的现象，为了提供最好的解释办法，我们必须先把焦点在语句上，请注意下列语句的前面两个字

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。