在此中

Man gets freedom, and historicity occurs in "Da", which makes man the historical Dasein.

人获自由，历史性就在"此"中出现，使人成为历史性的此在。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

I don't know what "home" is, but I know it dispels irritancy and unhappiness.

"家"是什么，我不知道；但烦闷———忧愁，都在此中融化消灭。

He has obtained the laurel of the best actor of Oscar for the behavior in this film.

他以在此中的表现获得了奥斯卡最佳男主角的桂冠。

Claims arising as a result of the insured person's participation in professional sport (not including recreational or amateur participation) or any hazardous sport or activity such as the following: motor sports, aerial sports, scuba diving below 30 metres or where a PADI Certificate is not held, any sport involving animals, speed competition, skiing off-piste and racing of any form.

被保险人从事职业运动（但不包括做为娱乐或业余参与）或任何高风险运动或活动如：汽车比赛、飞行比赛、在水下30米以下的潜水或潜水声明中未列明地点的潜水、及任何有动物参与的运动、速度竞技、非滑雪场地内的滑雪以及赛车、赛马、赛艇等，如果该高风险运动或活动未在此中列明，被保险人必须在承保之前告知我们以确定是否承保该风险

Among all, deleted in liver cell (DLC-1) gene was found to play an important role in hepatoma in 1998, and after that hypermethylation on the promoter of the DLC-1 gene was found in many other cancers, suggesting that epigenetic modification is another way to control the carcinogenesis. Another gene, Endothelin type B receptor, was found to cause megacolon syndrome by accident while searching the cause of white spot in mouse, and was also found hypermethylation on its promoter in some cancer cells.

在此中，DLC-1基因自从1998年后被发现在肝癌的演化上扮演重要的角色后，在许多其他的癌症上也发现此基因上位於promoter的CpG islands有过度甲基化的现象，推论DLC-1基因的过度甲基化是一种经由epigenetic modification调节细胞癌化的方式。

I don't know what "home" is, but I know it dispels irritancy and unhappiness.

&家&是什么，我不知道；但烦闷———忧愁，都在此中融化消灭。

Say 「good bye」差点不加思索的脱口而出如果你没有溜走我并不想失去你 my on mind 我是如此的爱著你呀所有的一切皆是liaison在心底深处 I need you baby 嘶吼著 every night 虽然疑问折磨著我还是能听见 Love forever and only one 你的声音说著 just next stage resume and "Revive"曾混乱不堪的思考回路慢慢的将它解开你的声音说著 Don't stop 明明泪水以热泪盈眶 Say 「good bye」竟不加思索的脱口而出如果你没有溜走我并不想失去你 my on mind 我是如此的爱著你呀某处faraway Do you mind if I open the door 嘶吼著 every night 以及挑战不安的心我还是能听见Love forever and only one 你的声音说著 just next stage resume and "Revive"所有的一切皆是liaison在心底深处 I need you baby 嘶吼著 every night 虽然疑问折磨著我还是能听见 Love forever and only one 你的声音说著 just next stage resume and "Revive" Tonight I Feel Close To You Close my eyes and feel your mind Time has passed I walked like a shadow Never knew What I am going through You touch my heart and take my breath away Wispier on the wind so softly Let the bright stars fill out dreams with love Reach for your hand and you show me the way Tonight, I feel close to you You open my door and light the sky above When I need a friend, you are there right by my side I wish we could stay as one (I wish we could stay forever as one) All the tears that haunt my past You promised It'll be better tomorrow play that song You and I listened to And let it gently ease our pain Tender rain drops from the blue sky Flowers blooming, life is so divine like sunlight on a stream (you're holding my key) You show the world to me Tonight, I feel close to you You open my door and light the sky above When I need a freand, you are there right by my side I wish we could stay as one So much love in this beautiful world Search for the brightest star in the sky You will find the meaning of love Don't be afraid (Don't be afraid) Just be yourself We need this love...

Time after time 如果上天让我们再次相见我决不会再松开你的手在这个宣告春去的佛之花殿朦胧的花朵一瓣飘零记忆中的歌缓缓苏醒至今在胸中温柔回荡 time after time 和你的相遇是奇迹在那微风扑面的城市轻轻的牵起手走过长长的坡道至今无法忘记的约定在风中传来你的声音遥远的记忆冰般澄澈许下了誓言无惧伤害总会有一天我们在此笑颜重逢在这粉红的季节 time after time 独自在飞花烂漫的城市就算落花凋零无法挽回也在这不变的景色中如同昔日我在泪光中守侯着你轻舞飞扬的花瓣安抚着水面愈想珍惜就愈想你人们都说自己是孤独的却都不能停止寻找依托结果只找到了脆弱的虚幻 time after time 若能在初红的街上与你重逢就不再需要承诺比任何人都容易受伤的你这次我一定永远陪伴你身边 Puzzle 今晚果然也还是一个人走出房间一个人看电视没有值得自己笑的地方不是谁的错已经没有什么了，以无所谓的面容转移对你的视线了分手了潜入谷底，还是等待对方的电话相互把名字写到信箱里心系在一起无论如何也消失不掉曾经我们总是肩并肩坚强的活着即使心走不到一起成了没有结束的谜团理所当然总是在我身边但是就到此为止就好对于我不足的地方，你再想寻找一个伴侣这样的谜团今夜果然还是一个人走出房门半夜2点多收到你的的电话信号只是留言的嘟嘟声言叶选ぶ马上切断给你留言虽然想一个人继续下去，但是一个人的日子已经厌倦已经习惯了2人的生活为什么无话可说，自己为了什么而活着？

"Word here but pour that gaze after but hand wield " be that "A Dream in Red Mansions" middle is various narrate to grow once in art judging from content promising fish sets up the bait cause and effect effect have the disheartened line of grass snake on structure effect vanquishing line long distance the integral and indivisible sky is accomplished as for coming up to rectify an article if floating clouds and flowing water the chisel and the vulture adorn the even a tiny bit axe of nothing Shimizu goes out of Seremban just like natural get rid of vulture ornaments But every piece of natural coagulation of thing has become one share trickling sluggishly flow the stream living is natural and aesthetic as well one by one minor livelihood branch has woven into a very dense net the domino.

言在此而意在彼是《红(yan2 zai4 ci3 er2 yi4 zai4 bi3 shi4 _hong2)楼梦》中多种叙事艺术中一种，被脂砚斋喻为&言此而注彼，目送而手挥&，从内容上看有为鱼设饵的因果作用，在结构上有草蛇灰线，伏线。。。言在此而意在彼是《红(yan2 zai4 ci3 er2 yi4 zai4 bi3 shi4 _hong2)楼梦》中多种叙事艺术中一种，被脂砚斋喻为&言此而注彼，目送而手挥&，从内容上看有为鱼设饵的因果作用，在结构上有草蛇灰线，伏线仟里的效果，从整篇文章上来看浑然天成，如行云流水，无丝毫的斧凿与雕饰，宛如清水出芙蓉，天然去雕饰，每一件事情又自然而然的凝结成了一股涓涓流淌的生活流，自然而又唯美，而各个小的生活支流又织成了一张密密麻麻的网，牵一发而动全身。

Proformas形式上的;hereunder在此之下,在下文; The Design Change Control procedure shall show how all changes are controlled through correct engineering and how all agreed changes are incorporated into the as-built drawings and model.

设计变更控制程序应说明如何通过正确的技术措施对所有变更进行控制，如何将正式批准的变更加进竣工图纸和模型中去。翻译技巧：翻译技巧：谓语动词show连接了两个并列的，用how 翻译技巧本句作为复合句， 6 引导的名词性从句。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。