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The thesis studies the difference between GWSs composition and traditional workflow applications, proposes the implement mechanism and technical architecture of GWSs composition and defines the reference model of GWSs composition platform, which provide holistic framework and top-level guidance for studying dynamic GWSs composition technology, designing GWSs composition platform, and implementing representative composite service applications.2、Theories and methods of composite process modeling and process analysis. This thesis proposes a meta-model of Geo-spatial Web services composition process defining from two aspects, i.e. process and resource. According to the process definition meta-model, we propose a new Geo-spatial Web services composition Process/Resource model based on extended WF-net, which effectively resolves the problems on uncertain activity option and dynamic variation of service in composite process model. A notion with regard to soundness of process model is proposed from three aspects, i.e. the structural correctness of process model, validity of data link and validity of resource. The notion of soundness definitely gives a dividing line on correctness of composite GWS process. This thesis analyzes sufficient and essential terms of soundness, and studies compositional property of WSCP/R-net models which provides an effective method to construct a soundness WSCP/R-net model. According to WSCP/R-net, the thesis proposes composition algebra and studies the properties of it. Based on the composition algebra, 6 kinds of composite process reduction rules are induced to optimize the process.3、Geo-spatial Web service QoS model and its application architecture. This thesis proposes an extendable GWS QoS model from three aspects, i.e. Geo-spatial Web Service itself, networking conditions and service consumer which can be used to distinguish GWSs with overlapping or identical functionality. We work over the QoS evaluation methods of composite GWS process which can be used to guide the execution, monitor and service selection of composition process. Aming at some disadvantages in traditional Web service discovery model for its lacking of QoS supporting, this thesis proposes a new service discovery model SDMQ supporting QoS constraints.4、Technologies of composite service executing. SSPL, a new composite service process language, is defined to overcome the disadvantages of existing composite services process languages which can not adapt to the dynamic variation of Geo-spatial Web Services. An algorithm is described to translate WSCP/R-net model into SSPL. The thesis studies the model of dynamic services selection with QoS global optimization, presenting an algorithm GODSS to resolve dynamic services selection with QoS global optimization in GWSs Composition.5、Design and implement experimental system and representative applications. According to the research findings presented above, we design and implement an experimental system and construct two representative applications to show that our achievements are effective and practical.

针对当前空间信息服务聚合研究中存在的若干不足，本文重点在基于工作流的空间信息服务聚合框架、空间信息服务聚合流程建模和分析技术、空间信息服务QoS模型及应用体系以及空间信息服务聚合流程执行等几个方面进行深入研究，主要工作和创新点包括：1、基于工作流的空间信息服务动态聚合框架：研究了空间信息服务动态聚合和传统工作流应用的不同，在此基础上提出了基于工作流技术的空间信息服务动态聚合实现机制、技术体系和参考模型，为研究空间信息服务聚合的关键技术、开发服务聚合支撑平台以及在此基础上构造特定的空间信息服务聚合应用提供了总体框架和顶层指导。2、空间信息服务聚合流程建模和分析技术：首先基于动态服务聚合流程建模的需求和空间信息服务动态变化的应用实际，从服务聚合的过程维和资源维出发定义了服务聚合流程定义元模型；与之相对应，对基本的WF-net进行扩展，提出服务聚合流程/资源网作为空间信息服务聚合流程的形式化描述模型，有效解决了现有的基于基本Petri网和工作流网的服务聚合建模方法所不能解决的不确定路径选择和服务的动态变化性问题；从流程结构正确性、数据依赖有效性和资源实现有效性三个方面提出了WSCP/R-net健壮性的概念，明确界定了聚合流程正确性的标准，并对WSCP/R-net模型的健壮性分析方法和WSCP/R-net模型的组合特性进行了研究；提出了空间信息服务聚合代数算子并对其性质进行了研究，在此基础上提出了6种聚合流程约简规则，从而可达到优化聚合流程、提高聚合流程执行效率的目的。3、空间信息服务QoS模型和应用体系：从服务本身、网络环境和服务消费者三个层次出发，提出了一个可扩展的空间信息服务QoS模型GSQM，实现了对空间信息服务的度量和评价，并对GSQM不同质量要素信息的客观、公正采集方法进行了研究；研究了空间信息服务聚合流程QoS评价方法，有效支持了空间信息服务聚合流程的执行、监控以及服务选择等操作；针对目前的服务发现模型仅支持服务功能性描述、不能有效满足空间信息服务应用需求的现状，提出了一种新的支持QoS约束的服务发现模型SDMQ，并对模型的实现框架进行了研究。4、空间信息服务聚合流程执行技术：针对现有的服务聚合流程描述语言不能有效满足空间信息服务动态聚合流程描述的特点，基于BPEL4WS提出了一种新的空间信息服务聚合流程描述语言SSPL；研究了满足健壮性要求的WSCP/R-net模型向SSPL的转换算法，在此基础上可以满足用户无显式编码来实现空间信息服务聚合应用的目的；研究了服务动态选择QoS全局优化模型，并在此基础上提出了一种解决服务动态选择QoS全局优化问题的实现算法GODSS.5、基于论文研究成果，设计实现了"空间信息服务聚合实验系统"，并构建了"矿产资源评价"和"城市消防应急响应"两个典型应用案例，对论文所述模型、方法的可行性和有效性进行了验证。

Lobby bar is you ideal place to have confabulate with friend and find your future Biz opportunity, not only enjoy the noble style but also made you admire such comfortable environment .Taste here, living here ,spent time at here.

一楼大厅茶水吧是您商务会谈，朋友聚会的休闲之地在此不仅可感受到尊贵的气质，更能让您留恋于"食在此、居在此、泡在此"的惬意氛围中，让你尽享悠然自得的感受。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

As to the doctrine called the Real Presence,[22] the council condemns: those who, denying that Jesus Christ, God and Man, is truly, really, substantially present in the sacrament of the Holy Eucharist, hold instead that He is only present as in a sign or image or manifestation of power; those who say that the substance of the bread and the wine remains along with the body and blood of Christ, denying that marvellous and unique changing of the whole substance of the bread into the Body and the whole substance of the wine into Blood, while the appearance of bread and wine still remain--the change which the Catholic Church most suitably calls Transubstantiation; those who say that the Body and Blood of Christ is not there following upon the consecration, but only while the sacrament is in use, while it is being received, that is to say, but not before this or after this, and that in what is left over of the consecrated hosts or particles after communion has been administered, the true Body of the Lord does not remain; who say that the main fruit, or the sole fruit, of this sacrament is the forgiveness of sins; or that Christ the only begotten son of God is not to be adored in this sacrament with the externals of the reverence called latria,[23] and that those who do so adore Him in this sacrament are idolaters; that Christ is shown forth in this sacrament to be received in a spiritual manner, and not also sacramentally and really; that only faith is sufficient preparation for receiving this most holy sacrament.

以中庸所谓真正的存在， [ 22 ]安理会谴责：这些人，是无可否认的耶稣基督，人与上帝，是真的，真的，大幅度目前在圣圣体圣事，举行而是说，他是目前唯一的作为一个标志或形象或表现形式的权力；那些说这种物质的面包和葡萄酒仍是随着身体和血液基督的，是无可否认的壮美和独特的变化，整个物质的面包进入人体和整个物质的酒的血液，而外观的面包和葡萄酒仍是-改变，其中天主教教会最适当呼吁陷于变体说，这些人说，该机构和血液基督，是不是有以下后， consecration ，但只有而圣餐是在使用，而它正在被接受的，也就是说，而不是在此之前或在此之后，以及在什么是遗留下来的该consecrated主机或微粒后，共融一直经管的，真正的机构主不留；人士说，这样做主要水果，或唯一的水果，这圣餐是罪的赦免；或基督独生子的上帝是不被喜欢在这圣餐与外部的崇敬所谓latria ， [ 23 ] ，并认为那些这样做，崇拜他，在这圣餐是盲目崇拜者；基督表明，在此圣餐将收到的在一种精神的态度，是不是还sacramentally真的，那只有信仰是有足够的准备接受这个最神圣的圣餐。

In any situation whatsoever and wheresoever occurring and whether existing or anticipated before commencement of or during the voyage, which in the judgment of the Carrier or the Master is likely to give rise to risk of capture, seizure, detention, damage, delay or disadvantage to or loss of the ship or any part of her cargo, or to make it unsafe, imprudent, or unlawful for any reason to commence or proceed on or continue the voyage or to enter or discharge the goods at the port of discharge, or to give rise to delay or difficulty in arriving, discharging at or leaving the port of discharge or the usual or agreed place of discharge in such port, the Carrier may before loading or before the commencement of the voyage, require the shipper or other person entitled thereto to take delivery of the goods at port of shipment and upon failure to do so, may warehouse the goods at the risk and expense of the goods; or the Carrier or the Master, whether or not proceeding toward or entering or attempting to enter the port of discharge or reaching or attempting to reach the usual place cd discharge therein or attempting to discharge the goods there, may discharge the goods into depot, lazaretto, craft, or other place; or the ship may proceed or return, directly or indirectly, to or stop at any port or place whatsoever as the Master or the Carrier may consider safe or advisable under the circumstances, and' discharge the goods, or any part thereof, at any such port or place; or the Carrier or the Master may retain the cargo on board until the return trip or until such time as the Carrier or the Master thinks advisable and discharge the goods at any place whatsoever as herein provided; or the Carrier or the Master may discharge and forward the goods by any means, rail, water, land, or air at the risk and expense of the goods.

四、不论任何地方任何情况，不论是在开航前或航程中存在或预料到的，只要承运人或船长认为可能有导致捕获、扣押、没收、损害、延误或对船舶或其货物不利或产生灭失，或致使起航或续航或进港或在卸货港卸货不安全、不适当、或非法，或致使延误或难于抵达、卸载或离开卸货港或该港通常或约定的卸货地，承运人可在装货或开航前要求发货人或与货物权利有关的其他人在装货港口提回货物，如要求不果，可仓储货物，风险和费用算在货主头上；承运人或船长，不论是续航至或进入或企图进入卸货港，或抵达或企图抵达港口通常的卸货地，或企图在此卸货，也可将货物卸在仓库、检疫站、驳船，或其他地方；船舶也可续航或回航，直接或间接地，抵达或停留在船长或承运人在此情况认为安全或适当的任何港口或地点，全部或部分将货物卸在此港口或地点；承运人或船长也可将货物留在船上，直到回航或直到承运人或船长认为适当时将货物卸到本合同所规定的任何地方；承运人或船长也可卸货并将货物用任何交通工具，经铁路、水路、陆路、或空运转运货物，风险和费用算在货主头上。

In any situation whatsoever and wheresoever occurring and whether existing or anticipated before commencement of or during the voyage, which in the judgment of the Carrier or the Master is likely to give rise to risk of capture, seizure, detention, damage, delay or disadvantage to or loss of the ship or any part of her cargo, or to make it unsafe, imprudent, or unlawful for any reason to commence or proceed on or continue the voyage or to enter or discharge the goods at the port of discharge, or to give rise to delay or difficulty in arriving, discharging at or leaving the port of discharge or the usual or agreed place of discharge in such port, the Carrier may before loading or before the commencement of the voyage, require the shipper or other person entitled thereto to take delivery of the goods at port of shipment and upon failure to do so, may warehouse the goods at the risk and expense of the goods; or the Carrier or the Master, whether or not proceeding toward or entering or attempting to enter the port of discharge or reaching or attempting to reach the usual place of discharge therein or attempting to discharge the goods there, may discharge the goods into depot, lazaretto , craft, or other place; or the ship may proceed or return, directly or indirectly, to or stop at any port or place whatsoever as the Master or the Carrier may consider safe or advisable under the circumstances, and discharge the goods, or any part thereof, at any such port or place; or the Carrier or the Master may retain the cargo on board until the return trip or until such time as the Carrier or the Master thinks advisable and discharge the goods at any place whatsoever as herein provided;or the Carrier or the Master may discharge and forward the goods by any means, rail, water, land, or air at the risk and expense of the goods.

四、不论任何地方任何情况，不论是在开航前或航程中存在或预料到的，只要承运人或船长认为可能有导致捕获、扣押、没收、损害、延误或对船舶或其货物不利或产生灭失，或致使起航或续航或进港或在卸货港卸货不安全、不适当、或非法，或致使延误或难于抵达、卸载或离开卸货港或该港通常或约定的卸货地，承运人可在装货或开航前要求发货人或与货物权利有关的其他人在装货港口提回货物，如要求不果，可仓储货物，风险和费用算在货主头上；承运人或船长，不论是续航至或进入或企图进入卸货港，或抵达或企图抵达港口通常的卸货地，或企图在此卸货，也可将货物卸在仓库、检疫站、驳船，或其他地方；船舶也可续航或回航，直接或间接地，抵达或停留在船长或承运人在此情况认为安全或适当的任何港口或地点，全部或部分将货物卸在此港口或地点；承运人或船长也可将货物留在船上，直到回航或直到承运人或船长认为适当时将货物卸到本合同所规定的任何地方；承运人或船长也可卸货并将货物用任何交通工具，经铁路、水路、陆路、或空运转运货物，风险和费用算在货主头上。

These, namely, were the provinces that brought death to the Scipios; that taxed the endurance of our ancestors in the disgraceful ten years' war under Viriathus; that shook the Roman people with the panic of the Numantine war; here occurred the disgraceful surrender of Quintus Pompeius, whose terms the senate disavowed, and the more shameful capitulation of Mancinus, which was also disavowed, and its maker ignominiously handed over to the enemy; it was Spain that destroyed so many commanders who were consulars or praetorians, and which in the days of our fathers raised Sertorius to such a height of power that for a period of five years it was not possible to decide whether there was greater strength in the arms of the Spaniard or the Roman, and which of the two peoples was destined to obey the other.

三西班牙行省史上，曾有两西庇阿在此丧命(约 BC212)；在此我们的先人忍受了与维里阿图斯的麾下间十年之久的不名誉的战争(BC147-138)；在此发生的纽曼细阿战争让罗马人民深感痛苦；昆图斯·庞培在此可耻地投降，签下了元老院后来不予承认的条约；此外还有曼奇努斯订立的也未获承认的更为可耻的投降条约，其订约人被不光彩的交给了敌人(BC141-135年)。西班牙曾毁灭了那么多的执政官级的、**官级的罗马指挥官，在我们父辈的时代西班牙更出了个塞多留(BC82-72)，在5年的时间里，人们都分不清西班牙人的军队和罗马人军队哪支更强大，哪边的人民注定要服属他人。而这三西班牙行省，是如此的辽阔而又人口众多，如此的好战尚武！

Reference to "indigenous" in preamble paragraph提到"土著"在序言第的 Finally, although no Government has stated support for the IDC proposal to include "indigenous" in the list of grounds in preambular paragraph n, IDC continues to support the term "indigenous" in this preamble paragraph.

最后，虽然没有一个国家的政府已表示支持IDC的建议，包括&土著&所列出的理由在序言部分第n ）的， IDC公司将继续支持&土著&一词在此序言段。

Say 「good bye」差点不加思索的脱口而出如果你没有溜走我并不想失去你 my on mind 我是如此的爱著你呀所有的一切皆是liaison在心底深处 I need you baby 嘶吼著 every night 虽然疑问折磨著我还是能听见 Love forever and only one 你的声音说著 just next stage resume and "Revive"曾混乱不堪的思考回路慢慢的将它解开你的声音说著 Don't stop 明明泪水以热泪盈眶 Say 「good bye」竟不加思索的脱口而出如果你没有溜走我并不想失去你 my on mind 我是如此的爱著你呀某处faraway Do you mind if I open the door 嘶吼著 every night 以及挑战不安的心我还是能听见Love forever and only one 你的声音说著 just next stage resume and "Revive"所有的一切皆是liaison在心底深处 I need you baby 嘶吼著 every night 虽然疑问折磨著我还是能听见 Love forever and only one 你的声音说著 just next stage resume and "Revive" Tonight I Feel Close To You Close my eyes and feel your mind Time has passed I walked like a shadow Never knew What I am going through You touch my heart and take my breath away Wispier on the wind so softly Let the bright stars fill out dreams with love Reach for your hand and you show me the way Tonight, I feel close to you You open my door and light the sky above When I need a friend, you are there right by my side I wish we could stay as one (I wish we could stay forever as one) All the tears that haunt my past You promised It'll be better tomorrow play that song You and I listened to And let it gently ease our pain Tender rain drops from the blue sky Flowers blooming, life is so divine like sunlight on a stream (you're holding my key) You show the world to me Tonight, I feel close to you You open my door and light the sky above When I need a freand, you are there right by my side I wish we could stay as one So much love in this beautiful world Search for the brightest star in the sky You will find the meaning of love Don't be afraid (Don't be afraid) Just be yourself We need this love...

Time after time 如果上天让我们再次相见我决不会再松开你的手在这个宣告春去的佛之花殿朦胧的花朵一瓣飘零记忆中的歌缓缓苏醒至今在胸中温柔回荡 time after time 和你的相遇是奇迹在那微风扑面的城市轻轻的牵起手走过长长的坡道至今无法忘记的约定在风中传来你的声音遥远的记忆冰般澄澈许下了誓言无惧伤害总会有一天我们在此笑颜重逢在这粉红的季节 time after time 独自在飞花烂漫的城市就算落花凋零无法挽回也在这不变的景色中如同昔日我在泪光中守侯着你轻舞飞扬的花瓣安抚着水面愈想珍惜就愈想你人们都说自己是孤独的却都不能停止寻找依托结果只找到了脆弱的虚幻 time after time 若能在初红的街上与你重逢就不再需要承诺比任何人都容易受伤的你这次我一定永远陪伴你身边 Puzzle 今晚果然也还是一个人走出房间一个人看电视没有值得自己笑的地方不是谁的错已经没有什么了，以无所谓的面容转移对你的视线了分手了潜入谷底，还是等待对方的电话相互把名字写到信箱里心系在一起无论如何也消失不掉曾经我们总是肩并肩坚强的活着即使心走不到一起成了没有结束的谜团理所当然总是在我身边但是就到此为止就好对于我不足的地方，你再想寻找一个伴侣这样的谜团今夜果然还是一个人走出房门半夜2点多收到你的的电话信号只是留言的嘟嘟声言叶选ぶ马上切断给你留言虽然想一个人继续下去，但是一个人的日子已经厌倦已经习惯了2人的生活为什么无话可说，自己为了什么而活着？

"Word here but pour that gaze after but hand wield " be that "A Dream in Red Mansions" middle is various narrate to grow once in art judging from content promising fish sets up the bait cause and effect effect have the disheartened line of grass snake on structure effect vanquishing line long distance the integral and indivisible sky is accomplished as for coming up to rectify an article if floating clouds and flowing water the chisel and the vulture adorn the even a tiny bit axe of nothing Shimizu goes out of Seremban just like natural get rid of vulture ornaments But every piece of natural coagulation of thing has become one share trickling sluggishly flow the stream living is natural and aesthetic as well one by one minor livelihood branch has woven into a very dense net the domino.

言在此而意在彼是《红(yan2 zai4 ci3 er2 yi4 zai4 bi3 shi4 _hong2)楼梦》中多种叙事艺术中一种，被脂砚斋喻为&言此而注彼，目送而手挥&，从内容上看有为鱼设饵的因果作用，在结构上有草蛇灰线，伏线。。。言在此而意在彼是《红(yan2 zai4 ci3 er2 yi4 zai4 bi3 shi4 _hong2)楼梦》中多种叙事艺术中一种，被脂砚斋喻为&言此而注彼，目送而手挥&，从内容上看有为鱼设饵的因果作用，在结构上有草蛇灰线，伏线仟里的效果，从整篇文章上来看浑然天成，如行云流水，无丝毫的斧凿与雕饰，宛如清水出芙蓉，天然去雕饰，每一件事情又自然而然的凝结成了一股涓涓流淌的生活流，自然而又唯美，而各个小的生活支流又织成了一张密密麻麻的网，牵一发而动全身。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。