在改变

This in such matters as these: the visitation of all chapters within his diocese, of all monasteries which are held "in commendam,"[12] and of all "pious places," ie, places of pilgrimage, shrines, and so forth; for the examination of all dispensations sent through him, from Rome, to his subjects (and henceforth it is always to the petitioner's bishop that dispensations will be sent), of all Roman permissions to change the terms of wills; the examination and correction of all notaries, a race whose costly incompetence is frequently complained of; the correction of all secular clerics who live in his diocese, and of all regulars there who are not living within a monastery; for the summary, out- of-hand correction of notorious and defiant concubinary clerics, and for the suppression of all abuses and superstitions centering round the mass.

这个在这类问题上，因为这些：探视的所有章节，在他的教区，所有的寺庙，这是举行"在commendam ，" [ 12 ] ，以及所有"虔诚地，"也就是说，地方的如火如荼之际，神殿，等等；为检查所有dispensations送往通过他，从罗马，他的科目（从此以后，它总是给信访人的主教说， dispensations将被送交），在所有的罗马权限，以改变条款遗嘱；审查和纠正一切公证员，一个种族，其昂贵的无能是频频抱怨；改正所有世俗教士住在他的教区，所有的常客，有那些不居住在一座修道院；关于总结出的第一手资料更正及恶名昭彰违抗concubinary神职人员，为制止一切滥用权力和迷信围绕群众。

No He won't have it , he knows his whole back city's ropes It don't matter, he's dope He knows that, but he's broke He's so stacked that he knows When he goes back to his mobile home, that's when it's Back to the lab again yo This whole rap shit He better go capture this moment and hope it don't pass him You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo The soul's escaping, through this hole that it's gaping This world is mine for the taking Make me king, as we move toward a, new world order A normal life is borin, but superstardom's close to post mortar It only grows harder, only grows hotter He blows us all over these hoes is all on him Coast to coast shows, he's know as the globetrotter Lonely roads, God only knows He's grown farther from home, he's no father He goes home and barely knows his own daughter But hold your nose cuz here goes the cold water His bosses don't want him no mo, he's cold product They moved on to the next schmoe who flows He nose dove and sold nada So the soap opera is told and unfolds I suppose it's old potna, but the beat goes on Da da dum da dum da da You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo No more games, I'ma change what you call rage Tear this mothafuckin roof off like 2 dogs caged I was playin in the beginnin, the mood all changed I been chewed up and spit out and booed off stage But I kept rhymin and stepwritin the next cypher Best believe somebody's payin the pied piper All the pain inside amplified by the fact That I can't get by with my 9 to 5 And I can't provide the right type of life for my family Cuz man, these goddam food stamps don't buy diapers And it's no movie, there's no Mekhi Phifer, this is my life And these times are so hard and it's getting even harder Tryin to feed and water my seed, plus See dishonor caught up bein a father and a prima donna Baby mama drama's screamin on and Too much for me to wanna Stay in one spot, another jam or not Has gotten me to the point, I'm like a snail I've got to formulate a plot fore I end up in jail or shot Success is my only mothafuckin option, failure's not Mom, I love you, but this trail has got to go I cannot grow old in Salem's lot So here I go is my shot.

无 他不会有，他知道他的整个回城的绳索它不处理此事，但他的涂料他知道，但他的突破他的，所以堆叠他知道当他回到他的手机在家，就什么时候，它的回到实验室又摇摇这整个说唱为Shit 他最好去捕捉这一刻，并希望它不通过他您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵灵魂的逃亡，透过这个洞，它的溃烂这个世界是矿井为录取令我国王，因为我们走向一个新的世界秩序过正常的生活，是borin ，但superstardom的接近邮政砂浆它不仅日益困难，只有长大白热化他的打击我们所有这些锄头，是所有对他的海岸到海岸的表演，他知道作为globetrotter 寂寞的道路，只有上帝知道他的成长到离家远，他的父亲并没有他回家，勉强知道自己的女儿但对于你的鼻子cuz这里有云冷水他的老板不希望他没有谟，他的冷战产物他们转移到下一schmoe谁流向他的鼻子鸽派和出售纳达所以肥皂歌剧是告诉，并逐步落实我想它的旧potna ，但在街上巡逻下去大达达姆弹达达姆弹达大您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵没有更多游戏，我是改变你们称之为愤怒催泪这mothafuckin屋顶起飞一样二日犬笼我是playin在beginnin ，心情，一切都变了我是咀嚼起来，吐出一片嘘声起飞阶段但我一直rhymin和stepwritin未来的CYPHER 最好相信有人的payin该pied伯尔所有的痛苦内扩增事实我不能得到我的9至5月我不能提供适当类型的生命，因为我的家庭 cuz男子，这些goddam粮票不买尿布它的不看电影，有没有mekhi phifer ，这是我的生命这些时代，所以很难和它变得更难 tryin到饲料和水我的种子，加上见荣辱赶上了bein父亲和表面唐娜宝宝妈妈戏剧的尖叫和太多，我想留在现场的一个，另一个果酱或不得到了我的一点，我想蜗牛我必须制订一项阴谋前列我结束了在监狱或打针成功是我唯一的mothafuckin选择，失败的不是妈妈，我爱你，但这个线索已经去我不能老在塞勒姆的地段所以在这里，我去的是我的了一枪。

When you ask so many questions that your mom does not know how to answer While you sit at the front of your mom's bike When you jump into water while your dad is not watching you While you do not know how to swim and cry to ask for your dad's help When you are proud of yourself as your teacher visiting your home While most of your classmates are fear of your teacher's home visiting You are in the first decade of your life When you start to compete at school after taking your parents' suggestion As you know studying hard is the only way to change your life When you are lazy on-campus while not at home As you want to be different to your classmates When you are dreaming to move to your capital for further study As you want to get into the best school in the nation You are in the second decade of your life When you are surprised there are so many smart classmates around you After you leave your hometown and ride on your bike in the most beautiful campus When you start to treat English like your native language After you see so many schoolmates go abroad by passing English test When you are in a plane for the first time heading towards a strange land After your pass so many tests and contact so many professors You are in the third decade of your life When you surprises your peers who say why Chinese are so smart When you are out of joy after owning your first used car When your local roommate asks for a coffee after coaching you on how to drive When your advisor complains you are running too fast When you turn down one job offer and go for another When you work in the industry as a CEO-under-training You are in the third decade of your life When your customer becomes your boss When your freedom becomes your burden When your daily job is to create jobs When you nightly job is to create poems When no town becomes your hometown When no land becomes your homeland You are in the fourth decade of your life How many decades have you gone through?

十年 当你问这么多问题，你的妈妈不知道如何回答当你坐在前面的你妈妈的自行车当你跳入水中，而你爸爸不是看着你虽然你不知道如何游泳，并大声呼喊请你爸爸的帮助当你感到自豪的是自己作为你的老师您的家庭访问虽然大多数的同学都担心你的老师的家访您是在第1个十年的生活当您开始在学校的竞争后，你的父母的建议如你所知勤奋学习是唯一的方法来改变你的生活当你懒惰的校园虽然没有在家里如您想成为不同，你的同学当你梦想转移到你的资本，为进一步研究如您想进入最好的学校在全国您的第2个十年的生活当你感到惊讶有这么多聪明的你周围的同学当您离开您的家乡，你骑自行车在最美丽的校园当您开始像对待你的英语母语当您看到这么多同学出国通过英语测试当你在飞机第一次走向一个陌生的土地您传球后这么多的试验和接触这么多的教授您的第3个十年的生活当您惊喜您的同行说，谁，为什么中国如此聪明当你的喜悦当你自己你的第一个二手车当你的室友问当地的一个咖啡教练后，您就如何推动当您的顾问抱怨您正在运行速度太快当您打开了一个工作机会并转到另一个当您工作的行业作为一个首席执行官下训练您的第3个十年的生活当你的客户成为你的老板当你的自由成为你的负担当您每天的工作是创造就业机会当你每晚的工作是撰写诗歌如果没有城市成为您的故乡如果没有国家成为您的祖国您的第4个十年的生活几十年来多少，你经历？

To deal with various risks in the production of space,local governments have to cease the monopolization in land requisition and expropriation,and establish the balance of interests between correlative groups and national institutions in the circulation of lands.To deal with risks in the games of new society,local governments must adjust the systems and policies concerned,and avoid just scratching the surface of a problem.To deal with risks in reallocation of social resources and social administration concerned with policy output,many local governments already have material condition to effectively break them,and the key is to improve their administerial skills in policy making and implementation.To deal with risks in vicious competition between city governments in urbanization,which are actually the manifest of malfunction of market mechanism,local governments must put the centralization mechanism into full play,and strengthen the social check and balance mechanism,in order to effectively regulate market mechanism and realize the organic interactions between social units,democracy,and market.

要破解地方政府在空间生产中风险重重的局面，必须改变政府在土地征用征收上的独裁专断格局，完善土地流转中各个相关利益群体间的权利均衡以及国家机构间的权力均衡机制；地方政府在新型社会博弈中的风险，也需要相关制度与政策的调整，不能停留在治标不治本的层次；在社会资源再分配与社会管制等政策输出方面的风险，许多地方政府已经具备了有效化解的物质条件，主观上提高政策制定与执行的行政技能是解决此类问题的关键；我国城市政府在发展地方经济推进地方城镇化中的恶性竞争风险，本质上是市场机制失灵的一种表现，必须通过充分运用集权机制、强化社会制约机制从而有效规制市场机制，实现科层、民主、市场三种机制的良性对接，政府、社会、企业三种力量的有机互动，才能解决。

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you Chorus: You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found the end

我不知道那一天是当您走进房间我说您好忽视你说再见太早 breezing通过对象纺纱是这样的抒情我真的必须承认的权利在这里的吸引力，纯粹是身体采取了所有这些习惯你即在开始时均难以接受您的时尚感， beardsly打印我提出到的经验大bosomed夫人与荷兰口音试图改变我的角度来看她的广告库线，以及排练但是我的心呼喊着为您合唱团：您在我心中，您在我的灵魂您将我的呼吸急速，应我长大岁你是我的情人，您是我最好的朋友您在我的灵魂我的爱为你是无法估量的我尊重你的巨大您ageless ，永恒的，蕾丝和细您美丽和优雅您的Rhapsody ，喜剧你是一个交响乐团和发挥您的每情歌以往任何时候都以书面但是，蜂蜜，你有什么见在我您在一篇文章的魅力请原谅语法但您每一个学生的梦想您凯尔特，美国，但婴儿我已经决定您最好的球队我已经见过并有许多事务很多次，我已经想过离开但我咬我的嘴唇和掉头'事业的您致以最热烈的事，我从未发现最后

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found

我不知道哪一天它是的是什么时候你进入房间我说哈罗不被注意到的你说再见太快轻易通过纺是非常抒情的纱委托人我确实必须坦白就在这里吸引是体格检查纯正是我发生作用那所有的从一开始是的你的习惯是难以接受你的Beardsly加印的时尚感觉我把记在经验名下有荷兰人口音，其设法改变我的她的任意线是的观点的大bosomed女士被好让排练但是我的心脏迫切需要你你是在我的你是的在我的你将是的精神中心脏中我的呼吸是我应该变得老你我的你是的情人是我的你是的在我的精神中最好友我的对你的爱是无法估量我的尊敬你巨大你是长生不老的，永恒，系带子和纤细你是美和风韵你一狂想曲是一个喜剧你是你是的一交响乐和一玩耍每一个情歌曾经被写作但是加蜜于确实你在中看见我什么使甜你是一在魅力中文章请原谅语法但是你是每一个男生的你是的梦凯尔特人的是联合但是当作婴儿般对待我已经断定你是有史以来最最好的我已经看见的队已经有很多我向有想法的许可但是我咬住嘴唇和把原因往回转的你是有史以来最暖和的我已经找出的东西的多次事件

I know that it might sound strange but you made my seasons start to change it happened so suddenly like heaven has waited up for me i've just been looking so long kept meeting my mr.wrong in every model and every size now my fantasy is staring at your eyes sometimes you think i'm beautiful but i don't know i'll keep it to myself you say it,it feels wonderful my smile can show i'm lost in paradise the letters you wrote to me showed me the sogns i've never seen i thought every man i'd want falls out of a dating magazine but i konw that with you that was so far from the truth on every page and evert line now you're my everything i guess you know how to read my mind sometimes you think i'm beautiful but i don't know i'll keep it to myself you say it,it feels wonderful my smile can show i'm lost in paradise i know i guess that it shows the message that flows to me makes it more worth than make believe sometimes you think i'm beautiful but i don't know i'll keep it to myself you say it,it feels wonderful my smile can show i'm lost in paradise sometimes you think i'm beautiful but i don't know i'll keep it to myself you say it,it feels wonderful my smile can show i'm lost in paradise

我知道这听起来很奇怪但你说了我的季节开始改变它发生的如此突然宛如天堂已等候了，我我只是一直在寻找这么久不断迎合我mr.wrong 在每一个模型，每一个尺寸现在我的幻想是凝望你的眼睛有时，你觉得我很美丽不过，我不知道我会不断给自己你说的话，感觉美妙我的微笑可以查看我迷失在天堂信你给我写信显示我sogns我从来没有见过我以为每一个男人是我最不想要掉出来一个约会杂志不过，我知道你这是至目前为止，从真理在每一页evert线现在，您我的一切我猜你知道如何阅读我的心有时，你觉得我很美丽不过，我不知道我会不断给自己你说的话，感觉美妙我的微笑可以查看我迷失在天堂我知道我猜想，因为它显示出信息流向我使它更加值得一比，使相信有时，你觉得我很美丽不过，我不知道我会不断给自己你说的话，感觉美妙我的微笑可以查看我迷失在天堂有时，你觉得我很美丽不过，我不知道我会不断给自己你说的话，感觉美妙我的微笑可以查看我迷失在天堂

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Now the Condition of the above-written Guarantee is such that if the Contractor shall duly perform and observe all the terms provisions conditions and stipulations of the said Contract on the Contractor's part to be performed and observed in accordance with the true purport intent and meaning thereof or if on default by the Contractor the Guarantor shall satisfy and discharge the damages sustained by the Employer thereby up to the amount of the above-written Guarantee then this obligation shall be null and void but otherwise shall be and remain in full force and effect but no alteration in terms of the said Contractor or in the extent or nature of the Works to be executed, completed and defects in the Works remedied thereunder and no allowance of time by the Employer of the Engineer under the said Contract nor any forbearance or forgiveness in or respect of any matter or thing concerning the said Contract of the part of the Employer or the said Engineer shall in any way release the Guarantor from any liability under the above-written Guarantee.

现在在之上书面保证的条件是这样如果承包商将执行和适当地将观察前述合同的所有期限供应条件和规定在承包商的零件执行和被观察与真实的主旨意向符合和意思因此或如果在缺省由承包商保人将满足和将释放损失由雇主遭受因此由相当数量在之上书面保证决定然后这义务将是除消并作废的但否则将是和将依然是在充分的力量和作用但没有改变根据前述承包商或在工作被执行，被完成和瑕疵的程度或本质在工作由工程师的雇主补救在其下和没有任一件问题或事容限时间根据前述合同亦不任一忍耐或饶恕或尊敬关于雇主或前述工程师的部份的前述合同在任何情况下发行将保人从任一个责任在在之上书面保证之下。

Could be the one 歌词歌手:Donna Lewis I could be your sea of sand I could be your warmth of desire I could be your prayer of hope I could be your gift to everyday I could be your tide of heaven I could be a hint of what's to come I could be ordinary I could be the one I could be your blue eyed angel I could be the storm before the calm I could be your secret pleasure I could be your well wishing well I could be your breath of life I could be your European dream I could be ordinary I could be the one Now I would lie here in the darkness Now I would lie here for all time Now I would lie here watching over you Comfort you Sing to you I could be your worry partner I could be your socialite I could be your green eyed monster I could be your force of light I could be your temple garden I could be your tender hearted child I could be ordinary I could be the one Now I would lie here in the darkness Now I would lie here for all time Now I would lie here watching over you Comfort you Sing to you Will I ever change the journey Will the hushed tones disappear Oh little Rita Let me hold you Oh little Rita Let me love you I could be your leafy island I could be your thunder in the clouds I could be your dark enclosure I could be your romantic soul I could be your small beginning I could be your suit in universe I could be ordinary I could be the one I could be ordinary I could be the one I could be ordinary I could be the one

我可能是我可能是欲望您的温暖我可能是希望您的祷告我可能是您的礼物对每天我可能是天堂您的浪潮我可能是什麼的提示沙子的您的海将来我可能是普通的我可能是我可能是您蓝眼睛的天使我可能是风暴的那个，在安静我可能是我可能是您的井很好祝愿的您的秘密乐趣之前我可能是我可能是您的欧洲梦想我可能是普通的我可能是那个生活的您的呼吸我这里在黑暗中现在会在我现在这里现在会说谎在所有时刻我会说谎这里观看您您唱歌对您我可能是您的忧虑夥伴我可能是您的社交名流我可能是您的嫉妒我可能是光您的力量我可能是您的寺庙庭院我可能是您的嫩hearted孩子我可能是普通的我可能是那个的舒适我这里在黑暗中现在会在我这里现在会说谎在所有时刻我现在会说谎这里观看您舒适您唱歌对您将我改变旅途愿hushed口气消失 Oh小Rita 让我拿著您 Oh小Rita 让我爱您我可能是您的叶茂盛海岛我可能是您的雷在我可能是您黑暗的封入物我可能是您的浪漫灵魂我可能是您的小起点我在宇宙可能是您的衣服我可能是普通的我可能是那个我可能是普通的我可能是那个我可能是普通的我可能是那个的云彩

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。