在心中

I would love for you In fact, you do not understand Is my love in your heart is pure?

我爱你，其实你不明白是我在你心中的爱是纯粹的？

A great cultural heritage is a living memory. Moreover, traditional Chinese elaborate-style painting and ink-wash painting can arouse incredible responses in the hearts of these outsiders who are familiar with Chinese art tradition because of their graceful and profound performance. Such response is the joint product of aesthetic ideal and material quality. The form is sometimes the content, which are purely inseparable.

一种伟大的文化遗迹是活的记忆，包括在熟悉中国艺术传统的外人心中，中国传统工笔和水墨因爲其优美深邃的表现，能够引起妙不可言的反响，这种反应是由审美理想和材质共同作用的，形式有时就是它的内容，是不好割离的。

A routine qualm gave him trouble at the thought of what he'd written on the fly-leaf, but his mood

当他回想起写在扉页上的东西时，心中却感到一种惯常的焦虑不安，但由于情绪高昂那种不安之感又消失到了九霄云外。

A routine qualm gave him trouble at the thought of what he'd written on the fly-leaf, but his mood enabled him to suppress it.

当他回想起写在扉页上的东西时，心中却感到一种惯常的焦虑不安，但由于情绪高昂那种不安之感又消失到了九霄云外。

At many classes I teach I am asked this question: How can I stop my mind?

"在许多班级我教我问这个问题："如何才能停止我心中？

In Alan's eyes, his father was a quick-tempered man.

在谭咏麟的心中，爸爸是一个脾气很大的男人。

The string of hearts has five hearts side by extra tied together with small raffia bows.

该字符串的心中有五个方面的额外的心绑在一起的小拉菲草弓。

Maybe I am childish, maybe I am ramstam, but I do believe something beautiful and innocent, believe that in our heart there is a holy land that we cannot be polluted but only look with reverence.

也许我就是很幼稚，很固执，可是我就是相信美好而且纯真的事情，相信在我们的心中总有一块圣洁的土地不能去污染，只能去仰望。

Mud road, ranch house. What' s america's image in your mind now?

土路，农舍。现在美国在你心中什么形象呢？

On another hand, I want to remind everybody that in fact some of these children who were heart hurt will be scared, jealous of, or rancorous from the people who lead a better life than them.

另一方面，我也想提醒一下，其实在这些已经受到心灵创伤的孩子们心中，部份的孩子会对周围比他们生活条件好的人们，有点恐惧，嫉妒，甚至仇恨。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。