在心中

Each limb stanza seen you follow moving melody to swing body on the ice stadium, dance to is that so daintiness, let that genial breezes in my heart start to float in a twinkling, the on the face also peeped out similar to you smiling face with self-confident sunlight.

看到你在冰场上跟着动听的旋律摆动着身体的各个肢节，舞姿是那样的优美，让我心中的那股暖风瞬间飘起，脸上也露出了与你一样阳光自信的笑容。

In my heart, my desire was to live more dangerously.

在我的内心中，我希望过充满危险的生活。

Or would I were a little burnish'd apple For you to pluck me, gliding by so cold While sun and shade you robe of lawn will dapple Your robe of lawn, and you hair's spun gold.

哦、我愿长在玫瑰丛里，当你走过，我能够吻你，我愿是最低枝条上的蓓蕾，能够轻轻触摸心中的你。

Sing pop music, Darin is a great singer, the Year 2004, Oscar winner Kevin Spacey He even starred in the film biography "Beyond the Sea"; Darin in the hearts of Americans that the position of general.

会唱流行歌，Darin是位了不起的歌手，公元2004年时奥斯卡影帝Kevin Spacey甚至主演了他的传记电影，《Beyond the Sea》；Darin在美国人心中的地位可见一般。

Deacon: Let our lips be open and our mouths proclaim that which faith has placed in our hearts!

执事：让我们的嘴唇是开放的，我们的嘴巴宣布，它已经把信念在我们心中！

The word "lost--lost--lost" dinged frighteningly in her heart like a death bell sounding.

"完了----完了----完了"这个字眼儿就像丧钟一样在她心中一阵阵回荡，使她感到害怕。

We have vainly imagined, in the deceitfulness of our hearts, that all these blessings were produced by some superior wisdom of our own.

我们有妄想想象，在我们心中的欺骗性，所有这些都产生了一些祝福自己的优势智慧。

Since then,you are deep deep down in my heart.

自从那时，你就在深深的留在了我的心中。

I could see i love you . it hurts me deep in my heart.

我知道我爱你，它深入在我的心中伤害我。

Thus, by observing the respiration or the sensation, I am in fact observing the mental defilement.

因此，藉由观察呼吸或感受，我其实是在观察心中的不净。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。